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Essays on traditional irish music
Essays on traditional irish music
Essays on traditional irish music
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“Oh, Danny Boy, the pipes, the pipes are calling”1 leaves not a single Irish eye dry once the melody has begun to play. Despite the fact that “Danny Boy” was written in 1910 by the English lawyer, Frederick Edward Weatherly, this folk ballad has become one of Ireland’s most treasured songs. The song’s longevity is due not only to the haunting melody, but also to the expertly penned lyrics which express the longing for a loved one gone away. These lyrics have been morphed and changed to fit each generation, starting from those who remember losing loved ones in the Irish Diaspora to present day family members of lost and beloved IRA soldiers.
Though “Danny Boy” is as familiar to the Irish as their orange, green, and white flag, most people do not know the origins of the popular song. The tune so loved has no original owner. Instead, in a truly Irish fashion, it was originally played by traveling musicians throughout the Irish countryside. Instead of one composer, it is possible that the tune had multiple owners who continually refined and revised the tune. Traveling musicians would occasionally get together in order to trade music techniques and songs2, and it is in multiple gatherings like these that the tune to “Danny Boy” known as “Londonderry Air” is said to have been composed. The O’Cahan clan likes to claim that their own Rory Dall O’Cahan3 composed “Londonderry Air” but the tune was not written down until 1855 by Dr. George Patrie4.
Patrie is said to have fallen in love with the tune after hearing it played by an expert harpist5. It is not difficult to understand how Patrie would fall so in love with “Londonderry Air” that he would wish to write the music down for others to enjoy. The beauty with this tune lies in its ...
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...of a race, and reflects feelings and tastes that are common rather than personal…while at every moment of history, it exists not in one form but in many”30. The emotions carried with “Danny Boy” are much more typical of a folk song, but it differs from this definition as well because it is known that Frederick Weatherly composed the lyrics. However, because “Londonderry Air” has had multiple artists work on it before being written down, the definition still holds true31. Despite the different descriptions used to try and classify this song, one part of the definition of folk music rings especially true: throughout its history this song’s meaning changed with each major change the Irish experienced, leaving the song just a little different with each passing generation. These differences in view can also be contributed to the form and structure of Weatherly’s lyrics.
...gers of the old folk music are referred to as “authentic”. The author uses the biographies and the personal experiences of true Appalachian folk musicians to portray what life in the Appalachians was like. The strong family values, the music, the legends.
Again, by reflecting on Mozart’s arrangements and the everyday sounds of nature, for example, the simile “dry crickets call like birds” (24), it brings the persona back to her first encounter of love, and the love of music that has been lost due to time. Therefore, as Harwood yearns to become one with her own self through the journey of music, she aims to restore this longing sensation with her spirit and bodily mind with music, but this can only be achieved through time and the journey to understand herself (Beston 1975, p.
To this day, many of Stradivarius violins remain in the human world, but only one can resound with the beauty of Stradivari's soul; this one Hermes keeps for himself. But to honor Stradivari's life and to share his gift with the world, Hermes joins with Apollo every night and plays the symphonies of nature; these can be heard in the winds, in the oceans, indeed, in the fabric of everyday life.
John Dowland (1563-1626) was a composer of Renaissance England and considered one of the most prolific and well-known composers of English lute song. A composer and accomplished lutenist, he is probably the most well traveled English composer of his time. Through his travels he was exposed to the musical elements of his Italian, French and German contemporaries. He developed his own musical language, in which he created a unique style for the lute song. As a composer, he focused on the development of melodic material and was able to elegantly blend words and music with a wide range of emotion and technique. For the purpose of this document we will focus on the influence of his Italian travels. John Dowland’s use of chromaticism in his lute songs as can be directly associated with such as “All ye whom love or fortune.” In these pieces, we can see the influence on this genre through his travels to Italy and encounters with such composers as Marenzio.
Many say that music has evolved over the years. This essay shall explore the elements of two versions of one song. It shall discuss the correlations and disparities of these songs and confer how it has been revolutionised to entertain the audiences of today.
Finnegan's Wake is an old Irish tune, but these words were added later for music-hall use during the Victorian era. Some Irish people have objected to them as an English inspired stereotype, but I first heard this song sung by the Clancy Brothers and Tommy Makem, at the Gate of Horn in Chicago, in the late 50s. To me, no one was more Irish than they were. Here it is in honor of Saint Patrick's Day.
But the ‘Nurses Song,’ form experience shows the reality of life: that it is hard, and people, like the nurse in the song aren’t happy and full of joy, like the memories of the old people in ‘The Echoing Green,’ and therefore, Blake’s poetry confirms the view that children are oppressed by
Song of Songs. Edited by Frank E. Gaebelein. Vol. V. XII vols. Grand Rapids, Michigan:
Though the boys sing together, the words of the song have a different meaning for each. The train, which Wright mentions on several occasions, is a reminder of the trip they will all take to the afterlife. For everybody but Big Boy, this ascension to Glory comes sooner tha...
Taruskin, R., & Taruskin, R. (2010). Music in the seventeenth and eighteenth centuries. Oxford: Oxford University Press.
"Crude with a tang of the Indian wilderness, strong with the strength of the mountains, yet, in a way, mellowed with the flavor of Chaucer's time--surely this is folk-song of a high order. May it not one day give birth to a music that shall take a high place among the world's great schools of expression?" (47)
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
Analysis of Lines Composed a Few Miles above Tintern Abbey, The Prelude, The World is Too Much with Us, and London, 1802
Pollack, Allan W.. “Notes on "All You Need Is Love".” soundscapes.info. 1996. 2 October 2009 .