Music Piracy In Australia Essay

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N an re-wired, world, there is no doubt that technology enables people worldwide to experience the evolution of the music industry.

Thanks to digital interaction with artists via social media, anyone who has access to the Internet can listen and like; share, search and steal. Online, felonies fly under the radar and masked perpetrators lurk between the lines of binary coding.

Unfortunately, even repeat offenders don’t realise that their actions are illegal. Akin to series of signature murders, Australian internet abusers are motivated by an intrinsic modus operandi – one that has not yet resulted in consequence. “Australia, I’m sorry to say, is the worst

However, he has grown to accept, in his opinion, the inevitability of music piracy. The superstar believes, “People can pirate CD's and download forever. What they can't pirate or copy is the real thing on stage.”

A U S T R A L I A ’ S music industry is currently struggling within its bonds; fighting to produce successful artists and return its financial expenditure to the rightful contributors. The size of our music industry is dismal compared to the United States, and the economic power of their industry and population density increases the chance of an artist’s international success when compared to Australia.

T O add salt to the wound, if 3.4 million Australians are breaking the law every year without facing any consequence, what comes next in the sickening series of events? ARIA CEO, Stephen Peach believes that Australians are increasingly comfortable with accessing music in an online environment: “The challenge for the music industry is that a significant amount of music is being accessed through illegitimate channels…” The widely-recognised producer also emphasises that the issue needs to be addressed. Levels of CD burning and Internet file sharing are significant in Australia, and having a “real impact on sales of legitimate music…" says