When I sat down to do a Listening report last night, I started
thinking, "Who am I kidding?". I am never going to push
myself to listen to 15 Jazz CD’s in a week and a half, so I
am going to do the remainder of my listening reports on
music that I like to listen to. You may think it defeats the
purpose of listening reports, but that’s not true. What these
guys play may sound like heavily distorted noise, and too
much yelling played at way too high of volumes to the
average adult, and honestly, it is. But there is music, and
every day 1000’s of kids are trying to teach themselves their
favorite headliners, and that’s how we learn to play our
instruments in the first place. So, now that I’ve convinced
you WHY I am doing this listening report, here is the actual
thing:
The song (the only one by this group) on the CD is
New Skin by Incubus which is really cool, because
to most people it sounds a lot like rap, but to me it is
a really fast-paced alternative music song because
of the actual instrument playing (not featured in the
basic drum tracks of rap music) and the repeated
chorus, which sounds really cool because the
bassist and lead vocals play and sing on a perfect
4th.
The second group on the tour is Orgy. Their biggest
headliner is Blue Monday, which is a really kickass
remake of the David Bowie Original. Its about some
guy who hated Mondays, so he went out and shot a
bunch people, mostly kids I think, at some
convention WAY back in the day. Then David Bowie
wrote a song about it, and it was under a lot of heat.
But now, Orgy made the song HUGE. It is an
amazing song. Orgy has a very unique sound. They
are sort of an Electro-Punk band. They have some
really hardcore guitar riffs, but they also got some
sweet Synth tracks and stuff like that. The best thing
about them, though, has got to be their Vocal
Distortions. They got this cool echo-y noise added
to their voice. Orgy also performs Dissention and
Gender.
The next group is Limp Bizkit. These guys
co-starred the tour, and performed such songs as
Faith, you’ve probably heard people singing this
song. Its another remake, I have no idea who wrote
the original or why, but it’s a cool song, "Wouldn’t it
be nice, If I could touch your body . . . ." That’s the
opening of the song. They also redid an old House
of Pain song, "Jump Around".
The live theatrical production I chose to see was 9 to 5 The Musical. The production was performed by Fayetteville Technical Community College’s very own Fine Arts Department. The musical is based on the film released by Fox in 1980. Collin Higgins adapted the film from the book 9 to 5 written by Patricia Resnick. It wasn’t until 2008 that the film was adapted to a theatrical production. The production was originally brought to broadway by Robert Greenbait and Dolly Parton wrote the lyrics and the music for the Musical. The run on broadway was very short but the production later toured in other countries around the around the world.
When it comes to jazz music, there is one name that everyone knows, whether they’ve never listened to jazz before or if they’ve listened to it their whole lives. That name is Louis Armstrong. Armstrong was one of the pioneers of jazz music, from his humble beginnings in one of New Orleans roughest districts, “the Battlefield”, to playing concerts for sold out crowds in Chicago and New York City, Louis left a massive impact on the way America listened to music for a long time. One of his premier tracks, “West End Blues”, left an impact on jazz music, which other musicians would try to emulate for years.
In “How we listen to music” by Aaron Copland from McGraw-Hill What to Listen for in Music (1988), the author has organised the listening process so that it had been split into three parts: the sensuous place, the expressive plane, and the sheerly musical plane. Aaron Copland thesis is that each plane of listening has its own function and advantages and knowing about them can help us enhance our listening experience. The purpose of Copland’s essay is to educate his readers on the three main ways people listen to music, and to inspire readers to listen in a more compound way. In the authors casual analysis, Copland tries to for sees his readers’ questions and objections at many points in the essay. He includes the thoughts of his readers to
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
Jazz Ensemble Concert, Frank Sinatra School of the Arts-Call me crazy, but I fervently wanted an antiquated record player and the first record I so desired to purchase was Louis Armstrong (La Vie En Rose, my favorite).
Richard Cook & Brian Morton. The Penguin Guide to Jazz on CD. Seventh Edition. East Rutherford, NJ: Penguin Books(USA), 2004
Throughout my lifetime I’ve been exposed to many different styles of music. One of the most emotionally connected music styles I’ve encountered would definitely be instrumental jazz. When I was younger I mostly listened to blues and smooth jazz, but more recently I’ve been attracted to faster tracks and harder beats like those you hear in the Swing era of the 1920’s. On Tuesday, October 27th I attended the performance of the jazz band: Sylvan Street, as a part of the University of Miami’s music festival (Festival Miami). The show started at eight o’clock at night cost ten dollars for students. Throughout the show, the band provided an incredible mixture of different styles of jazz while delivering an electrifying performance that captured the true essence of what jazz truly is.
Since 1967, a total of 1392 executions have occurred in the United States ("Executions by Year"). What a shocking amount! This staggering number creates questioning on the topic of capital punishment. Is the death penalty really constitutional? Research and study over the topic leads to the conclusion that capital punishment should not be instituted in the United States for various reasons. The death penalty is immoral, unconstitutional, and inaccurate due to human errors.
The event I attended was “An Evening of Jazz” concert held at the Fine Arts Hall on November 17 at 7:30 p.m. The performing groups were The Santa Fe Rhythm and Blues Review, The Santa Fe Jazz Combo, and Santa Fe Big Band. The event was to for me to understand, experience Jazz music and know the instruments used.
Major social and economical changes occurred in the United States during the time of 1917-1935. At the beginning of the time period the United States military entered into World War I. Over the next twenty-three years’ important events that took place included the Eighteenth Amendment, starting prohibition, the Nineteenth Amendment, giving women the right to vote, and the United States entering into the Great Depression. In chapter three of American Popular Music the author describes these events in direct correlation to the music history. Major points regarding what influenced the nations culture and identity included the popularization of radio, the Jazz Age, and the successful Paul Whiteman.
In conclusion, William Shakespeare’s “Twelfth Night” or “What You Will” is one of Shakespeare’s many comedic plays. The passage in Act 1, Scene 5 focused predominately on a conversation between Feste and Olivia about the mourning of her brother. It was through Feste and Olivia’s word games that contributed to the play as a whole because it added humour to the play. The passage also helped to reveal an underlining theme of the play, which is deception as shown through the character of Malvolio. This essay has attempted to explain the meaning of the passage, attempted to unpack the language utilised by Shakespeare and determine his ideas behind the chosen language. It then tried to justify why and how those ideas in the passage contributed to the play as a whole.
At the age of ten, my parents decided that I should learn how to play an instrument. In addition, they also chose which instrument I should learn, the guitar. I had no interest in learning the guitar, because all I wanted to spend my leisure time on was improvising my soccer skills. However, my parents believed soccer was a waste of my precious time, time which I should be using to focus on school and expanding my brain by taking on a difficult task, such as learning to play music. This was contrary to what I believed, but I had to do it or else my parents would be displeased. Therefore, the following week, I began taking guitar lessons.
A lot of times I can have a long tiring day and I want something that will soothe me. And jazz music does it every time. Every time I through on a tape within one minute I forget what I was made about or what's bothering me and I either fall asleep or I start my next chore and move on to something else I had planned on accomplishing (Carlos P.46).
Ultimately, Viola gives herself a choice, either enter Illyria as a woman or disguise herself as a male named Cesario where she will live in servitude to the duke. In giving her self a choice, Viola transcends the traditional understanding of gender but also love from a humanistic perspective by denying her societal expectations as a woman in the 1600s. At the beginning of the play Viola decides to “conceal” her gender under her own pretenses that “For such disguise as haply shall become the form of my intent” (Shakespeare 1192). Her reasoning and determinism for disguising herself as a man helps revolutionizes the concept of love through Viola’s character development throughout the play where she “falls in love” with the character of Orensio, whom is the duke for which she serves. While, Viola could never determine that her “fate” was to fall in love with Orsensio, her choice at the beginning of act one helped determine her unorthodox path that lead her to not only fall in love with someone beyond her social class as a disguised boy but also define a different method of marriage in a 1600s
As I gradually make my way through this semester, I have come to realize that I am called to go into Psychology. I love watching people and trying to figure out why they act the way that they do. I, also, love knowing that I have finally figured out what careers I want to pursue. I want to become either a clinical or counseling psychologist, which both have the same requirements for everything – majors , classes, ect. So, I do not have to decide right off the bat on which career I want to pursue. Since I am planning on majoring in Psychology, I decide to do some research on my own, as well as go to a major’s fair hosted at the IU Southeast campus.