This semster, I spent a lot of time appreciating Latin America music, watching videos, and enjoying their beauty in the media center. Some albums such as Antonio Carlos Jobim’s “ACJ Songbook and Carlos Santana’s “Music of the Andes” impressed me deeply. In particular, since I have hectic workload this semester and always feel tired, I become quite relaxed as I listened to Jobim’s “ASJ Songbook”. I really admire its elegence and usually feel refreshed after I leave the media center. In addition, some Tex-Mex tracks gave me a perpective of regional culture of the border along Texas and Mexico. I really learned a lot from from these songs. Carlos Santana is my favorite player. From the videos, I was amazed that he was a really talented and professional musician. He was such a guitar expert that he had already intgrated himself with the guitar and was able to express his emotion from the guitar. I guess he was typical right-brain artistist and was creative to seek breakthrough in his performances. For example, he innovatively switched from fast tempo to a nice, mellow, slow style within ...
"The guitar is shaped like a woman, with a neck you hold and a body you hug against yourself."(Santana 114). Carlos Santana, a very accomplished fourth generation Latino musician, is a very romantic man with his music. He was born on July 20, 1947 in Autlan Mexico, the middle of seven children (biography.com). His parents are Josefina Barragan and Jose Santana. His father was an accomplished professional violinist and as a child Carlos learned to play the instrument from his father, though he did not enjoy the tones it created. Eventually he picked up the electric guitar, for which he developed an ardent passion. How has Carlos Santana's music been a positive impact in Latino culture? Although Carlos Santana's music was heavily influenced by drugs and alcohol, he has been a positive influence on Latino culture because of his musical innovation, resilience in adversity, and world-wide philanthropy.
Carlos Santana Ryan Conroy All the world knows the special magic of Carlos Santana. Since 1966, he has led the group that bears his name, selling over 30 million albums and performing before an estimated 13 million people. In every performance, Carlos shares with his audience a personal communication that crosses all boundaries and differences. Carlos was introduced to traditional music by his father, Jose. An accomplished mariachi violinist and experienced musician, he taught Carlos the basics of music theory and gave him an understanding of the value of a note. Although Carlos' excitement for music would be sparked by his first experience, he quickly discovered the limits of its traditional form and wanted more. Carlos wanted to play the kind of music that was filling the radio waves and making people dance. Tijuana, 1955 the drastic change of moving from the small, quiet town of Autlan to the humming, thriving boom town of Tijuana brought a renewed hope and opportunity for a new life. Both for Carlos and his family. The eight-year old Carlos quickly left the violin for the guitar, studying and emulating the sounds of B.B. King, T-Bone Walker and John Lee Hooker. Soon he was being asked to join local bands like the T.J.'s, where he added a unique touch and feel to his own renditions of all the great songs of the 1950's. As he continued to play with different bands along the busy Tijuana Strip, he not Page Two only started to perfect his style and sound, but actually started bringing home enough money to really help his family.
Explanation- This article gives brief information about the singer’s music, her main type of music is traditional Mexican music infused with jazz soul, African root, and klezmer music. Lila’s music is so unique that there is no way...
Ragland, Cathy. Música Norteña: Mexican Migrants Creating a Nation between Nations. Philadelphia, PA: Temple UP, 2009. Print.
For me it all started out with Selena. I remember a boy in my middle school class dedicating me "Como La Flor" at one of our school dances in seventh grade. After that Tejano just sort of stuck in my head and all I ever thought of the song was that I had rejected that boy. Selena was quite a Tejana star at the time, and I was shocked with her murder two years later. She was a five star role model for Mexican-Americans to relate to and appreciate. Her songs live on in the Tejano world, as does her sprit and love for the music.
Carlos Augusto Alves Santana aka Carlos Santana was born July 20 1947 in Autlan de Navarro, Jalisco, Mexico with a father of musical arts. When at the age of five he took up the violin which then developed his interested in music. Years later after his family moved to Tijuana it was then he began to play with the guitar, the instrument that would lead to his greatness. He was fascinated and surpassed his guitar heroes; they were John Lee Hooker, T. Bone Walker, and B.B. King. In 1961 Santana moved from Mexico to San Francisco, United States. In 1965 he graduated from Mission High school to then supported his family by getting a job as a dishwasher. He loved the San Francisco music scene, so to be able see his favorite artists he would sneak into Bill Graham's Fillmore Auditorium, like artists such as Muddy Waters & The Grateful Dead and Various musicians who sang jazz rock or the blues. Before 1970 Tom Frazier wanted to come up with a band with Tom playing the guitar, Santana playing the guitar & vocals, Mike Carabello playing the Percussion, Rod Harper playing the Drums, Gus Rodriguez playing bass guitar and a Settle native Gregg Rolie playing the organ & also doing vocals and they formed the "Santana's Blues Band." Later on the band became known as "Santana" with Santana, Rolie, David Brown on Bass, Bob Livingston on Drums and Marcus Malone on the Percussion. There has been curiousity on how the band picks up the Latin influence. Neither Santana or Rolie had an sympathy for the style. It has been known that Santana & Rolie hang out at the San Francisco Aquatic Park with conga players where they would get together and play music. At that time in his life he was being exposed to all kinds of music in San Francisco. In the Bay Area Gabor Szabo became one of Santana's Favorites, having a Latin Percussion to the band girls would dance to the beat of his music. Santana found out that the audience enjoyed the Latin Percussion and it was a key element in his music.
Marcus Garvey once said, “The Black skin is not a badge of shame, but rather a glorious symbol of national greatness,” exemplifying not only that the African blood that flows through our veins is indeed wonderful, but is more a national treasure than a national tragedy. Countries across the world, in some form have been altered by the touch of the African influence whether that is socially and/or culturally. The same fate lies with the islands of the Caribbean, especially the island of Puerto Rico located in the Greater Antilles. Of all the African influential branches, Puerto Rican music would be one social phenomenon to be ultimately shaped and modified by African influence directly. Beginning with the African slaves, this paper covers the musically genres created over time containing West African elements, as well as covering the ways in which the Puerto Rican society influenced the music as well as how the music effected the society. This paper will also include the ways in which African descendants in Puerto Rico [musicians] would rise to fame despite existing in an era of open racism. Ultimately, explaining how the music and the people go hand in hand.
Music and dance are important parts of Peruvian culture. “Andean Folk Music is common in Peru. People perform a stylized dance to energetic music mixed with sad songs. Popular instruments include clay panpipes, flutes, conch shell trumpets, and puma-skin drums”(Falconer, Kieran, and Quek 102). The music follows themes of religion, war, and profanity. Peruvians are always found dancing, whether at a festival, carnival, or just for fun. Music shows important parts of Peruvian culture.
African music has had a major influence on Cuban culture beginning in the early 1550’s through slave trade. Thousands of slaves were brought to Spain in the 1400’s and eventually migrated to Cuba. Since these “Ladinos” were accustomed to Spanish culture and language, they easily were able to get by in Cuba and even escape slavery. As a result, Slave owners in Cuba brought more slaves directly from Africa. In 1526, a Royal Decree allowed slaves to buy their freedom, resulting in increased interaction and ethnic mixing among Cubans and Africans. All aspects of both cultures began to blend, especially among working class Cubans and Africans. Music became a common bond between the two groups
Chicanos study 50 made me want to discover more into what music helped motivate people in their everyday life or just brought their spirits up. Chicano Rock will always be a part of history and will continue to evolve even though some people will not have political views in their songs anymore. Mana is part of modern day rock in Spanish, but his songs are more about love. Music will continue to follow what society is asking for and since modern society is not as heavily opened to discrimination anymore rock and other genre will not focus in that. Just like Chicano movements’ leaders, Chicano Rock was there to push individuals to keep fighting for peace and acquire their rights. Chicano Rock was like Caesar Chavez and Rodolfo Gonzales; it brought hope to people when hearing their favorite artist speaking about incorrect politics and how it should be put to an end. Los Lobos, Zapatistas, and Los Curdos were small popular bands in the Chicano Rock that inspired Chicanos during the movements. Chicano Rock will probably will not be as big as other Latin genre and other modern genres, but like me and other people, there will always be followers who will continue to hear Chicano Rock and will be forever a part of history that will never be
Today’s Mariachi music originated in the Mexican in the town of Cocula in the state of Jalisco, during the 1800s. A Mariachi group consists of at least two violins, two trumpets, one Spanish guitar, one vihuela, and one guitarrón. However it can have multiple of these instruments. Mariachi uses contrasting sounds, such as the deep guitarrón against the crisp vihuela, and the sweet violin against the brilliant trumpet. Mariachi used for birthdays, especially quinceañeras, weddings, church services, Mother’s Day, large parties, and funerals. It can also be used to serenade someone's love interest; it wouldn't be unusual to awoken by Mariachi music in order to win someone's heart. The most common songs played at wedding are Amaneci en tus Brazos,
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
Music is essential to any culture. Its a vital part of being human and can significantly impact our lives. No matter where one is from, music is an escape that everyone seeks because they can relate to it. This social link keeps us tied to the world, even with different cultures and languages. Afro-Latinos have helped shape the music in America, many times with help from other cultures. Many types of music Hispanics have produced have impacted the United States. One of these types of music is named Bachata. Hispanics in the US have helped shape bachata, even though it originated in the Dominican Republic. With its profound lyrics many can relate to, its catchy rhythm and simple dance, bachata is as popular in the US as it is in Central America. In the 1980s and 1990s, the growing Dominican population in the United States became an important fan base for bachata. Dominican Yorks influence of traditional bachata with the artistic and cultural diversity of life in New York, making bachata one of the fastest growing music genres of the 21st century (Pacini Hernandez.)
The world music phenomenon has been shaped and has evolved overtime. Its distribution has affected much of today’s music. Nueva Canción is one genre that has a deep historical story, of which gives us understanding of how the people and events of history influenced the way music is today by globalisation, migration and commodification and their political and social struggles of which they endured and found hope through their music. Many people worked together to get through this upheaval, and even when some were persecuted for what they stood for, they persevered. The music that came from this revolution is a testimony for their memorable work, making this genre of world music significant and worthy of recognition and respect.
Mexican-American award-winning guitarist Carlos Santana is the leader of Santana, a band whose music uniquely blends Latin-infused rock, jazz, blues, salsa and African rhythms.Mexican-American award-winning guitarist Carlos Santana is the leader of Santana, a band whose music uniquely blends Latin-infused rock, jazz, blues, salsa and African rhythms.With their highly original blend of Latin-infused rock, jazz, blues, salsa and African rhythms, the band—which quickly became known simply as Santana—gained an immediate following on the San Francisco club scene. The band's early success, capped off by a memorable performance at Woodstock in 1969, led to a recording contract with Columbia Records, then run by Clive Davis.