Much of Christina Rossetti’s poetry has a very depressing and rather
sombre tone, which can be sometimes used to infer the way in which she
viewed life and times, which she was living in. However, despite this
sombre theme throughout her poetry it can ...
Much of Christina Rossetti’s poetry has a very depressing and rather
sombre tone, which can be sometimes used to infer the way in which she
viewed life and times, which she was living in. However, despite this
sombre theme throughout her poetry it can be argued that it was not
only her life that influenced her poetry but also the time in which
shewas living. Many historians have suggested that the era in which
Rossetti lived was a rather ‘bad’ time, the second half of the
nineteenth century was a rather strange period and the Pre-Raphaelite
Movement made quite an artistic group.
The Pre-Raphaelites, being young, talented, and having many ideas of
their own, felt stifled by the rigidity of the Royal Academy's idea of
what tasteful, beautiful art should be. The PRB held the haughty
belief that the only true great art came from before the 16th century
Italian painter, Raphael (hence the society's name). Raphael
represented high renaissance, a time when painters, instead of letting
their subjects dictate their qualities to the artist, would manipulate
the subject into their own ideal of beauty. Thus, all realism was
lost. The PRB, with full spirit, denounced this art of idealization,
and led the way to produce works based on real landscapes and real
models, and paid intense attention to accuracy of detail and color
William Holman Hunt, D.G. Rossetti, John Everett Millais, William
Michael Rossetti, James Collinson, Thomas Woolner and F.G. Stephens
founded the Pre-Raphaelite Brotherhood (PRB) in 1849. In some ways it
was an impulsive venture, the PRB aimed to produce works that were
innovative in style and substance, and expressive of direct, sincere
feeling. And behind this lay the persistent ambition to be noticed
and ‘make a name’. As well as painting, they were also committed to
the literary arts, and nearly all the PRBs wrote poetry. These
painters had a specific agenda. Instead of painting the typical
still-lifes, landscapes and seascapes, they drew their subject matters
from medieval tales, bible stories, classical mythology, and nature.
Using bright colors on a white background, the artists were able to
achieve great depth and brilliance.Although some of Christina
Rossetti’s earliest versese were published in The Germ, a magazine
produced for a short time by the Pre-Raphaelites, and she sat as a
model for several of Dante Gabriel Rossetti’s paintings, she was not
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
Gwendolyn Brooks' poem "The mother" tells us about a mother who had many abortions. The speaker is addressing her children in explain to them why child could not have them. The internal conflict reveals that she regret killing her children or "small pups with a little or with no hair." The speaker tells what she will never do with her children that she killed. She will "never neglect", "beat", "silence", "buy with sweet", " scuffle off ghosts that come", "controlling your luscious sigh/ return for a snack", never hear them "giggled", "planned", and "cried." She also wishes she could see their "marriage", "aches", "stilted", play "games", and "deaths." She regrets even not giving them a "name" and "breaths." The mother knows that her decision will not let her forget by using the phrase "Abortions will not let you forget." The external conflict lets us know that she did not acted alone in her decision making. She mentions "believe that even in my deliberateness I was not deliberate" and "whine that the crime was other than mine." The speaker is saying that her decision to have an abortion was not final yet but someone forced her into having it anyway. The external conflict is that she cannot forget the pain on the day of having the abortions. She mentions the "contracted" and "eased" that she felt having abortions.
Sofonisba Anguissola was one of the most prominent female painters of the Renaissance. Not only was she one of only four women mentioned by Giorgio Vasari in his famous Lives of the Artists, she also paved the way for later female artists. One may look at Sofonisba’s upbringing and assume that her talents were a result of her wealth and family background. However, if investigated more carefully through both analytical secondary sources and primary sources, it becomes clear that Sofonisba’s painting abilities formed because of her talent, not her wealth. Sofonisba integrated herself into the artistic community and used her second-class status as a female painter to accelerate her career: because she was not able to study as an apprentice in a workshop, her models were usually family members, she pioneered the style of genre painting. Historian Joan Kelly argues in her essay, “Did Women Have a Renaissance?” that women did not experience a Renaissance during the actual Renaissance. Sofonisba’s training and connections were extremely helpful to launch her career, refuting Kelly’s argument that women only were taught “charm” during the Renaissance. In addition, Sofonisba married her second husband for love, not for money, debunking Kelly’s argument that marriages during the Renaissance were not based on love. Though Sofonisba’s life as a woman is a unique case in terms of wealth and profession, her success and fame, talent, and marriage (van dyck?) disprove Kelly’s argument that women did not have a Renaissance during the Renaissance.
Before delving into a discussion of celebrated writer Maya Angelou, a fuller understanding of the worldview that shapes her work can be gleaned from a brief review of a few lines from the 1962 Nobel Prize winning speech of another celebrated writer, John Steinbeck:
Lullaby, by Leslie Marmon Silko, is a story about and old, Navajo woman that is reflecting on some of the saddest events in her life. Lullaby shows how the white people have damaged the Native American life style, culture and traditions. Loss and symbolism are two major themes in this story.
Artemisia Gentileschi (1593 – 1652), daughter of a well-known Roman artist, was one of the first women to become recognized in her time for her work.. She was noted for being a genius in the world of art. But because she was displaying a talent thought to be exclusively for men, she was frowned upon. However by the time she turned seventeen she had created one of her best works. One of her more famous paintings was her stunning interpretation of Susanna and the Elders. This was all because of her father. He was an artist himself and he had trained her and introduced her to working artists of Rome, including Michelangelo Merisi da Caravaggio. 1. In an era when women artists were limited to painting portraits, she was the first to paint major historical and religious scenes. After her death, people seemed to forget about her. Her works of art were often mistaken for those of her fathers. An art historian on Artemisia, Mary D. Garrard notes that Artemisia “has suffered a scholarly neglect that is unthinkable for an artist of her caliber.” Renewed and long overdue interest in Artemisia recently has helped to recognize her as a talented renaissance painter and one of the world’s greatest female artists. She played a very important role in the renaissance.
A seemingly innocent poem about two sisters’ encounters with goblin men, Christina Rossetti’s “Goblin Market” is a tale of seduction and lust. Behind the lattice of the classic mortal entrapment and escapement from fairyland, “Goblin Market” explores Laura’s desire for heterosexual knowledge, the goblin men’s desire for mortal flesh, and Laura and Lizzie’s desire for homosexual eroticism.
Alice Walker’s writing is encouraging, for it empowers individuals to embrace their culture, human decency, and the untold stories of those who were forgotten. She slays gender roles while fighting for the rights of everyone, and frequently describes how one can impact the life of another and how much control one should have over another’s fate in her themes. Walker’s sublime style exhibited within her works goes lengths to display her themes which are based mainly off of the passionate women she was raised around and the circumstances they overcame. She uses symbolism and metaphors to highlight the themes within her works. Transition needed. carefully cultivates texts that demonstrate her ability to appeal to the minds of the common populace.
Whitman's Music as a Means of Expression. In his verses, Walt Whitman eradicates divisions of individual entities while simultaneously celebrating their unique characteristics. All components of the universe are united in a metaphysical intercourse, and yet, are assigned very distinct qualities so as to keep their identities intact. Often times, Whitman demonstrates these concepts through elements of song.
Poems are a way of expressing the feelings and emotions that the writer chooses to describe, usually using symbolic objects and comparing it to another thing using figurative language. There were many poets that came and went throughout history and there are still a lot today, one of which really caught my attention and her name is Maya Angelou. Maya Angelou is a very astounding poet with her 166 poems, but one really stood out to me and that was The Lesson. Maya Angelou had a very difficult life with the many challenges she faced being an African American during the timeframe of her life and she outlined these troubles in most of her writings. With her circumstances she just kept moving forward and giving it her best without giving up; she is a great model for anyone to follow.
O’Donnell, Sr., Joseph J.. “Art and the French Revolution”. The Eerie Digest, May 2013. Web. 5th May 2013.
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.
Maya Angelou is a well acclaimed poet, author, and civil rights activist. Though she passed away in 2014, her work continues to awe and inspire people worldwide. Angelou had written numerous poems, but in this analysis I will be focusing on “Caged Bird,” “Phenomenal Woman,” and finally “Touched by An Angel.” In these works we see her approach issues such as equality, racism, feminism, love and many more issues as well. Angelou is a very skilled poet; though some people find her work too straight forward and little more than common text broken into stanzas. Maya Angelou 's poems are easy to understand; and though I do enjoy her work, I find that how she structures her poems can be confusing
The definition of children shifts depending on the person. To some the definition is a time without any worry, to others it is a more logical definition such as the period of time between infancy and adolescence. There are many different versions of this definition, and this is seen in the poetry of William Blake and William Wordsworth. These two authors have very different views on what it means to be a child and how they are portrayed in this era. Compared to now, Children in Blake’s eyes are seen as people that need guidance and need to be taught certain lessons by their parents such as religious, moral, and ethical values. In contrast to Blake’s view, Wordsworth viewed that adults should be more like children. That sometimes
Poetry is often regarded as a highly respected art of writing. Emily Dickinson was regarded as one of the greatest poets of the 19th century for her observations of religion, nature, medicine, and music. William Shakespeare's plays can be regarded as a style of poetry and is credited for several words in the English dictionary. However, the style of Walt Whitman is considered as one of the greatest poets that ever lived. However, his writing styles were not regarded without consequence. The writing styles of Walt Whitman, in his day, were considered a highly controversial topic. However, because of his topics, Walt Whitman is indeed the ultimate poet.