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True meaning of marriage
Marriage from different cultural perspectives
Marriage from different cultural perspectives
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What is a wedding? Almost all would agree that a wedding is a ceremony representing the union of two becoming one in marriage. Although, it is hardly possible to understand a wedding if the definition of marriage is unclear. Marriage is significantly harder to define because the motives behind marriage are multiple and differ between every person on earth. While some marry because culture holds one as insignificant or incomplete living life singly, some marriages are pre-arranged by parents; one may marry for financial stability while others marry for social status; many marry because of a feeling associated with a person that one cannot imagine life without, while many also marry because they enjoy spending time with someone. While the intentions …show more content…
Claudio, a young bachelor fresh from war, returns home and is quick to fall outspokenly in love with a very soft-spoken character, Hero, who is peaceful and polite. As expected, Hero responds to Claudio’s love for her by loving him in return. A wedding will come for the two to celebrate the apparent love they share with each other, but as the story unfolds, Claudio’s intention for marriage and his love for Hero fall apart and prove to not be driven by his sole desire to be with …show more content…
Perhaps this “death” is Shakespeare’s way of implying death in Claudio and Hero’s relationship. They died in the chaos of deception. However, Hero is later publicly announced to be alive, and their relationship as well springs back to life. Maybe this perfectly describes Claudio and Hero’s relationship: with no conflict, their romance beams alive, but abruptly is killed the moment deception stabs. In the midst of the confusion concerning Hero, Beatrice and Benedick finally confess their love toward each other. Attempting to test their true love, Beatrice requests Benedick to kill Claudio in punishment for publicly humiliating her cousin. In fear and surprise, Benedick then states that perhaps they should remain friends for a while. This response was no good to Beatrice and Benedick wants not to lose their romance, so, to prove his undying love, he challenges Claudio to death. Claudio does not die, hence the second wedding that happens, because before the dual begins, he learns of Hero’s true innocence and urges Hero’s father for forgiveness. Still he is under the presumption that Hero is dead and sorrowfully prepares to marry Leonato’s niece instead. He remember’s the wonderful, pure qualities of Hero and mourns her death, all the while Hero’s family prepares the second wedding the two shall
Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
Claudio's trust in Hero is far less than the trust Benedick has in Beatrice. After Claudio assumed Hero was cheating on him, he lost all trust and respect for her. He proved this by shaming her at the wedding. Also, when Hero woke up she wasn't angry at him, she just knew he was wrong. This shows Hero is also too blinded by love to even have any true trust or respect for Claudio. Benedick and Beatrice have a strong bond of trust in their relationship. They show this when Beatrice asks Benedick to kill Claudio, she trusts him to take care of this task. Also Benedick shows trusts in Beatrice when he asks if killing Claudio is really what is necessary, he trusts in Hero and her opinions on what is right. Benedick and Beatrice's love and trust seems to grow over time, while Claudio and Hero seem to lose trust throughout the relationship.
in Act 3 scene 1 in 'Romeo and Juliet' and also how the deaths affect
each other very much, if at all. This can be seen in Act I; Scene I, (line 121-
Trickery led to romance. It leads to Benedick and Beatrice falling in love for each other. At first it seemed that Benedick and Beatrice despised each other, but since they are both philistines, they can’t see that they were meant for each other. They tricked Benedick into falling in love with Beatrice by saying that Beatrice loved Benedick. At this point Benedick was hiding in the bushes and
They had been to the town before, and this time Claudio confessed his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
Benedick has been known to change his “best friends” multiple times, “Who is his companion now? He hath every month a new sworn brother.” (Shakespeare 1.1.69-71). Benedick and his attitude towards his friendships can flip depending on the situation. The fact that Benedick will change friends and style all willy-nilly means something. He needs something stable in his life to hold him down to earth instead of trying to fill the empty void in his heart. When the time comes and Beatrice wants him to duel Claudio, he is willing, “ Enough, I am engaged. I will challenge him. I will kiss your hand, and so I leave you. By this hand, Claudio shall render me a dear account.” (Shakespeare 4.1.346-58). It is shocking seeing Benedick so willing to go after his “best friend” all for Beatrice and her love for him. He has now found something that can keep him grounded and down to Earth and he will do anything to keep things like that. Together with all of Benedick’s behavior he has gained experience and developed the one of the major themes power of love( and how it drives
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
... heart in the marketplace.” (A4; S1; L 315-321). When Hero was wrongly accused is when Beatrice showed this the most. She believed that because of what he had done, Claudio deserved to be dead. She wanted no bad deed to go unpunished and what she seen fit was for Benedick to challenge Claudio to a dule and she didn’t want Benedick to stop until he was dead.
However, Benedick's jocular attitude towards women does not stop at Beatrice, even when Claudio asks Benedick, as a friend, for serious advice about Hero, he is unable to take the situation seriously or give a serious answer:
Although unfair, the damage to their reputation means that, because a woman is defined principally by her public value, heroines must either feign death or truly succumb to it – but either way they can no longer continue to be seen in society. In the case of those like Hero and Hermione, a restoration of reputation means that women can be resurrected and – as shown in particular by the end of Much Ado About Nothing – a matrimonial bond often solidifies their reemergence into society. The plot of pretend death buys time for the schemes against women to unravel, but it is notable that neither Hermione nor Hero plan to feign death, this happens as a result of being overwhelmed by emotion in the moment. In Romeo and Juliet, Juliet’s plan, to escape from the warring feud that keeps her and Romeo apart, is executed too quickly – symptomatic of the haste and recklessness of young lovers. We might see the impetuous love-at-first-sight of Romeo and Juliet revisited again in the form of Hero and Claudio, in Much Ado About Nothing, with the foil of the older couple Beatrice and Benedict whose love – although not quickly confessed – is unwavering when it finally declared. In Othello, the haste of the eponymous hero is also
Often times, authors use the theme of death throughout their works. This seems to be true of William Shakespeare in Romeo and Juliet. Throughout his play, Shakespeare uses death to move his story along. He does this with actual deaths, which cause problems for the lovers, and through premonitions and dreams of death. Both Juliet and her Romeo exhibit these premonitions/dreams.
The main problem is young Count Claudio. He is immature when it comes to matters of love, and it shows when he hints of his growing feelings for Hero when he asks Benedick what he thinks of her (I.i.161). Claudio cannot come out and just say that he has feelings for Hero, he has to seek approval from his male counterparts first. While talking to both Benedick and Don Pedro, Claudio describes his feelings as passion first (I.i.219-220), and then he says, “That I love her, I feel” (I.i.228), indicating that he knows he feels something for Hero, but he is unsure of exactly what his feeling...