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Importance of children's literature
Importance of children's literature
The importance of children's literature
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Patricia Stapor pstapor@beaconschool.org The authors in “Proper Library” and in “Mrs. Turner’s Lawn Jockeys”, both use the empathy of the child archetype to boost the protagonist’s confidence, giving them security. They argue that children are judgment free and have unconditional love, until exposed to bias. In “Proper Library” the children give Lorrie unconditional love throughout the story, giving him a sense of security. With this positive reinforcement, Lorrie can be himself, and not have to worry about the children being judgmental towards him. Ferrel states, “Sheniqua is playing the doctor and trying to fix up Shawn, who always has to have a knee operation when she is the doctor. They come into the kitchen to hug my legs and …show more content…
then go back in the living room.” (Ferrel 17). As soon as Lorrie gets back from school, the kids at home come running up to him, begin to hug him, latch onto his legs, not wanting to let go. This shows unconditional love. how they do not care what his sexual preference is or what kind of math he is taking. Once the children know that Lorrie is home, they drop everything they have and go running straight to him. They want to sit on his lap, they want him to teach them math and tell them stories. They don’t judge him, and instead love him for who he is. Lorrie’s on-and-off lover criticizes him for his actions, unlike the children who don’t. In “Mrs.
Turner’s Lawn Jockeys”, Emma has a sense to protect her brother, since he cannot do that for himself. By this she thinks that protecting Bernie will make his everyday life easier. During dinner, Emma asks, ‘’’Does anyone want to hear my new word? It’s a noun.’ She’s chewing on the end of her braid.” (Raboteau 4). Emma tries to distract her father so he doesn’t get upset with Bernie, so she attempts to change the subject. She has a sense of protectiveness for her brother, and she believes like she has to protect him. Emma does this because she doesn’t want Bernie to get in trouble for something that her father wants. The author uses foreshadowing to show that Emma is nervous and anxious when her father questions Bernie. That is why she chews on her braid. Knowing that her father will get upset with Bernie, she chooses to try and distract him. This shows that Emma is protective towards her …show more content…
brother. The kids in “Proper Library” give Lorrie the attention that he seeks from Rakeem.
This leads to why he always comes back to them. The children don’t want Lorrie to leave them when he goes to school and the mother has to distract the children so the children won’t cause a scene. But when he does leave, the children cry and try to get onto Lorrie’s lap. They provide him with affectionate love. Lorrie states,“The kids are almost as sad as Ma when I get ready to go to school in the morning. They cry and whine and carry on and ask me if they can sit on my lap just one more time before I go” (Ferrel 2-3). Ferrel demonstrates a needy tone to show that the children use Lorrie’s attention to be happy. They are at a happy place whenever they are with him. The children in “Proper Library” use definite love to show Lorrie that they love him for himself. Similarly, Emma in “Mrs. Turner’s Lawn Jockeys” uses unconditional love to show her brother Bernie, that she loves him with or without a disability. Emma questions her brother at first, but due to her love for him, she accepts his different ways. She tags along with Bernie for his adventures, and does not see his disability as a challenge, and loves him even though he has a problem with learning. During Bernie’s adventure, Emma asks ‘“Who are you talking to, Bernie?’ ‘The lawn jockeys.’ ‘Oh. You’re going to paint them white?’ I nod my head…. Her eyes look real bright and pretty with her face all black like that” (Raboteau 7). The author
displays a needy tone to show Emma’s curiosity when she asks what Bernie’s doing and why he is doing it. But later on, she accepts what her brother is doing and doesn’t question it.
...areness of unjustifiable conditions that are imposed on societies youngest and most powerless members. Intermingled with his convictions of the necessity for equality and justice are portraits of children who display a most astounding amount of hope and courage. It is an essential read for all who have plans to enter the field of education. Those of us who aspire to shape the minds of the future need to be aware that all children possess the ability to love and prosper despite whatever environment they have emerged from. It is our duty to provide all children, without regard to race or economic status, with the tools and opportunities they require in order to flourish and lead the satisfying lives that they so greatly desire and deserve.
Exploring the minds of six-year-olds can be a very interesting experience. Gary Soto narrates this story as a young boy at a time when he seems to be young and foolish. Soto does a great job of showing the contrast between right and wrong through a child’s eyes. He successfully conveys the guilt of the boy through his use of imagery, repetition and contrast. He uses these tools to get the reader into the mind of the boy so that they can explore his guilt and thoughts.
Are adults overprotective of their children? To what point do we protect children? Where should the line be drawn? Along with those questions is how easily children can be influenced by these same adults. Two poets, Richard Wilbur and Billy Collins, express the ideas of how easily children can be manipulated and how sometimes adults think they are protecting their innocent children, when in reality they are not. Wilbur and Collins express these ideas in their poems through numerous literary devices. The literary devices used by Wilbur and Collins expose different meanings and two extremely different end results. Among the various literary devices used, Wilbur uses imagery, a simple rhyme scheme and meter, juxtaposition of the rational and irrational, and a humorous tone to represent the narrator’s attempt to “domesticate” irrational fears. Conversely Collins uses symbols, historical interpretations, imagery, diction and other literary devices to depict the history teacher’s effort to shield his students from reality. In the poems, “A Barred Owl,” by Richard Wilbur, and “The History Teacher,” by Billy Collins, both poets convey how adults protect and calm children from their biggest, darkest fears and curiosities.
Have you ever wished that someone would go away or were dead? That everything would be fixed if this one person would just go away. You wouldn’t have to deal with anymore of their issues. The neighbors of Mrs. Turner know this wish very well, as they deal with Mrs. Turner everyday. The first page of the story “Mrs. Turner Cutting the Grass,” by Carol Shields, represents Mrs. Turner as a social outcast compared to her neighbors as she is alone and spends her days outside cutting grass and killing the plants with chemical killer. She doesn’t care about her looks and what others think of her. The Saschers are waiting for her to pass away or to be moved into an old folks’ home as they are judgemental towards Mrs. Turner and her daily activities.
After a four week survey of a multitude of children’s book authors and illustrators, and learning to analyze their works and the methods used to make them effective literary pieces for children, it is certainly appropriate to apply these new skills to evaluate a single author’s works. Specifically, this paper focuses on the life and works of Ezra Jack Keats, a writer and illustrator of books for children who single handedly expanded the point of view of the genre to include the experiences of multicultural children with his Caldecott Award winning book “Snowy Day.” The creation of Peter as a character is ground breaking in and of itself, but after reading the text the reader is driven to wonder why “Peter” was created. Was he a vehicle for political commentary as some might suggest or was he simply another “childhood” that had; until that time, been ignored? If so, what inspired him to move in this direction?
From infancy, children depend on their parents to do for them what they cannot do for themselves. They learn to recognize the faces of loved ones from an early age, and with no one else to rely on, they trust those loved ones to keep them safe and sound. But what about the children who aren’t fortunate enough to have another human being to depend on, the children who are left to raise themselves? Furthermore, is raising oneself from an early age a possibility or do such ideas only exist in fantasy? In “Abandoned Children” Rachel Fuchs suggest that “Any child who lives beyond birth does so only through his or her dependency on another human being” (Fuchs, 6) While this has proved true, especially during the nineteenth century when the survival rate of children was only a small percentage of what it is today, it is orphans, children who are forced to stand on their own two feet in order to beat the odds constructed by society, that make for exciting adventure heroes. Although authors may choose to base their stories on orphans for a variety of reasons, this essay will attempt to understand the motives behind choosing an orphaned protagonist. Characters like Mary Lennox in Frances Hodgson Burnett’s story, “The Secret Garden” and Anne Shirley in L.M. Montgomery’s story “Anne of Green Gables” are identifiable characters and it is because of the popularity of these characters that orphans came to be a commonly used protagonist in the literary world. It is difficult to understand why such sorrowful characters would be ideal literary heroes. “Unlike orphan stories, most describe a childhood more sweet and innocent than most, if not all, children ever experience.” (Nodelman, 220) Do readers find ‘Orphan stories’ enticing simply because the...
Children are common group of people who are generally mislabeled by society. In the short story “Charles’’ by Shirley Jackson and ‘’The Open Window” by Saki showed examples of the labeling of children. In “Charles” the concept of parents labeling their children as being pure and sincere was shown. As in “The Open Window” by Saki “used the notion that girls were the most truthful sex and gives her a name that suggests truthfulness to make her tale less suspect.”(Wilson 178). According to Welsh “Because the fantasy is so bizarre and inventive and totally unexpected from a fifteen-year-old girl, the reader is momentarily duped.”(03). This showed that even we as the readers were a victim of misleading labels of society.
My thesis statement is that children’s innocence enables them to cope in difficult situations. Children generally have a tendency to lighten the mood in sad situations because of their innocent nature. They turn even the saddest situations to mild, innocent situations. This is evident when Marjane says “these stories had given me new ideas for games”, (Satrapi, 55). By saying this she refers to her uncle’s stories of how he and other prisoners were tortured in prison. Stories of torture have never been easy to hear even for adults but Marjane so innocentl...
At the novel's opening, Jane is living with the cruel Mrs. Reed and her horrid three children, Eliza, Georgiana, and John. Mrs. Reed makes her distaste for Jane very evident in all of her actions. She forbids her to play with her (Mrs. Reed's) children (Jane's own cousins) and falsely accuses her of being a "liar" and of possessing a "mean spirit." Mrs. Reed's attitude is subsequently passed on to her children who, in turn, treat Jane as bad, if not worse, than their mother does. As an unjustified consequence of these attitudes, Jane is forced to grow up in a home where she finds no love, even when she tries to be perfect. The only times she comes close to finding the semblance of love is when Bessie (a servant) is kind to ...
This feeling intensifies when Mr. Brocklehurst arrives to take Jane away to Lowood School. Her aunt is pleased to see her go, but manages to influence Jane's life even after Jane is settled in at the charity school, by informing Mr.
One reason Mrs. Harper changed from being happy to being sad and mean is because she lost her husband and her son Paul. She used to let her son play with the other boys in the school
Another form of Emma’s neglect is one of manipulation, mostly through her control over Harriet Smith. Emma is “willful, manipulative, an arranger or rather a misarranger of other people’s lives. Much of the time she fails to see things clearly and truly, and her self-knowledge is uncertain” (Goodheart)25. “One significant effect of harping on Emma's snobbery is to set in relief her romantic notions of Harriet's origin and destiny” (Brooke)26. Although to Harriet, Emma’s “help” to her is one that will reveal optimistic results and a proper husband, Harriet is incapable to taking up for herself against Emma, but if “[s]he would form her opinions...
When Jane is shunned by Mr. Brocklehurst in front of the entire Lowood population, Helen is the one person that does not immediately judge Jane. In fact, she makes her feel more comfortable in a place that is filled with punishment and hypocrisy. Though Lowood does not truly feel like home, Helen is able to provide Jane with not only all the compassion she needs as well as support and respect. This is one of the first loves Jane experiences on her journey and it allows her to become more open to the love she finds in her future endeavors.
Meghan Cox Gurdon, the author of “The Case for Good Taste in Children’s Books,” is a children’s book critic for the Wall Street Journal along with several other publications. She talks about how the books that are aimed for young adults in their fictitious novels are detailed in unpleasant ways that may be unsuitable for young readers that are impressionable. Though some agree that books should not be so disturbingly graphic, Gurdon contradicts herself by supporting certain classics and also commits fallacies such as hasty generalization and inappropriate appeals.
Abstract In this essay, I intend to explain how everyday lives challenge the construction of childhood as a time of innocence. In the main part of my assignment, I will explain the idea of innocence, which started with Romantic discourse of childhood and how it shaped our view of childhood. I will also look at two contradictory ideas of childhood innocence and guilt in Blake’s poems and extract from Mayhew’s book. Next, I will compare the images of innocence in TV adverts and Barnardo’s posters. After that, I will look at the representation of childhood innocence in sexuality and criminality, and the roles the age and the gender play in portraying children as innocent or guilty. I will include some cross-cultural and contemporary descriptions on the key topics. At the end of my assignment, I will summarize the main points of the arguments.