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What do you think priestley is trying to tell us about responsibility in an inspector call
What do you think priestley is trying to tell us about responsibility in an inspector call
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Priestley presents the theme of responsibility in his well-made play ‘An Inspector Calls’ by showing the audience that everyone is responsible. The term responsibility is defined as the state or fact of having a duty to deal with something or of having control over someone. The play was written in 1945, when Britain was in a state of flux. Priestley aimed to educate his audience and for them to reflect on the play which was set in 1912.
One way in which Priestley presents the theme of responsibility in Act 1 is through Sheila’s response to her father’s view of the suicide. Priestley’s Sheila shows a sympathetic and regretful attitude of her treatment of Eva by saying, ‘I’ve told my father-he didn’t seem to think it amounted to much…did it
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The character of Inspector Goole repeatedly states that he is on duty, one example being, ’No, thank you, Mr Birling. I’m on duty.’ Goole takes responsibility of making sure that he carries out his job correctly. His attitude and dedication shows how the characters in the play take responsibility for different things in different ways. The character of the Inspector contrasts the character of Mr Birling in their ideologies. The Inspector is polite to Birling by saying ‘thank you’ and doesn’t sway from his intentions to question the Birlings. The Inspector is a clear symbol of socialism, similarly to Priestley and is portrayed as a man that prioritises fairness and equality. In the nature of the situation, Priestley’s Inspector is meant to be shown as a favourable character that the audience would respect. In contrast, Birling is a symbol of capitalism and avoids the burden of responsibility for those outside his family and class. The audience is made to dislike Mr Birling, and therefore dislike the ideology of capitalism. The two ideologies handle responsibility in opposing ways and Priestley aims to influence the audience into choosing socialism through the characters in the
Discuss Priestley's depiction of the Birling household and Gerald Croft, prior to the arrival of Inspector Goole In this submission I hope to fully discuss Priestley's depiction of the Birling household and Gerald Croft, prior to the arrival of Inspector Goole. The play is set in the fictional town of Brumley, an industrial town in the North Midlands. It is evening in the town, in the spring of 1912. At the moment the play starts the characters are celebrating the engagement between Gerald Croft and the Birling family's only daughter Sheila. They are all very pleased with themselves and are enjoying the occasion.
This is the concept of collective responsibility. Priestley says, 'things could really improve if only people were to become more socially responsible for the welfare of others'. We have to confront our mistakes and learn from them. The play starts off with the Birling family celebrating their daughter's engagement to Gerald Croft. The family included Mr Birling, Mrs Birling, Eric Birling, Sheila Birling and Gerald Croft.
The play is very simplistic and overtly political. It heavily features varying aspects of non-illusory theatre to semaphor Priestley's political message. When reading the play, it is important to remember that the characters are not people but caricatures Priestley employs to manipulate the reader. This combines with the artificiality of the plot to form a completely biased play, from whichever angle one looks at it. However at the time of its publication it was not so outlandish, because it upheld the New Labour government, struggling so hard to bring about its reforms and stay in favour of a people who had suffered many hardships and were now looking to more years of difficulty and discomfort.
Priestley mainly uses the characters in the play to present his views, especially Mr and Mrs Birling, to present his ideas about class and society. In the Birling family, Mrs Birling is the most upper class, and is always referring to the lower class female factory workers such as Eva Smith as ‘girls of that class’. She seems to think that working class people are not humans at all.
The Reflection of J. B. Priestley's Political and Philosophical Beliefs in An Inspector Calls In 1945 J. B. Priestley wrote the play "An Inspector Calls". It is a very tense play; the audience are always on the edge of their seats. It is didactic as it conveys a social and moral meaning to the play.
On overall, Priestley has presented the two characters, Arthur and Sheila Birling as completely differently. He wanted to match the story to the historical context of the 1910’s, but he has done this differently with Sheila. This is because the play was written in 1946 and the world had two wars and has started to comprehend the strength of community. She is the young generation of the 1910’s this means in a few years down the line, a war is going to break out and if they keep making the same mistake over and over again, it’s not going to turn out any better, by this, we see what happens in the second world war. This is why Sheila has been presented so that she understands consequences of what might happen if we don’t pull ourselves together.
An Inspector Calls' is primarily focused on he attitudes surrounding the higher classes in 1912, and how these attitudes can lead to actions with potentially devastating consequences. The attitudes are particularly aimed at women, especially those of working class status. In the play women are portrayed as second class citizens, after men. However the difference (e.g. in independence) between upper class men and women is greater than that of working class men and women.
Wells, both of whom references are made to in the opening pages of the play. A lot of the tension in the play is between Birling and the Inspector, both of who are powerful figures in the household and are both vying for dominance, creating a lot of tension. This is symbolic of the global struggle between capitalism and socialism, the Inspector represents Priestley's socialist views, and Birling, the antithesis of the Inspector represents capitalist views, which is made clear through his speech "the interests of Capital steadily increasing prosperity." When the Inspector is there, Birling is very fast to drop the blame on someone else, insisting "I can't accept any responsibility" which is a complete contrast of what the Inspector says, telling the family to "share the blame among yourselves when I have left" This constant conflict, which is often at the heart of the dramatic genre itself, makes sure there is tension whenever the two characters are talking to each other. This conflict is not the only one within the play.
Socialism is one of the greatest messages that Priestley conveys. This message is spoken through the inspector. The Inspector represents Priestley’s strong moral views. Through the play, the Inspector’s character is shown as if he is Priestley’s image, and also shows that he is no ordinary Inspector. His character is shown as if he is more concerned with morality than legality, other than that of an ordinary Policeman/Inspector.
JB Priestley’s intent in ‘An Inspector Calls’ was to convey the attitudes of socialism to the minds of the society in the Edwardian Era as he was a passionate believer of the concept. Priestley has attempted this through the employment of ‘Inspector Goole’ in the play. In the play drama is displayed through a variety of methods for the interest of the audience and the communication of personal views from JB Priestley.
The whole family’s actions are the cause of Eva’s death however the message about responsibility the Inspector presents is only take on board by Eric and Sheila. In conclusion, Priestley clearly gets across his message of responsibility towards others in the play. A clever script cunningly executed points out Priestley’s views to the audience. ‘Responsibility’ is the focal point of the play and is consistently addressed at the end of each interrogation, but the Birlings fail to recognise this.
was genuine and this allows the audience to almost predict their own ending; how will the family react to the arrival of the real Inspector? Will they acknowledge this as a chance to admit to their mistakes or will they try and conceal their guilt? I thoroughly enjoyed studying An Inspector Calls and have learned a great deal about how society has changed and how moral ideals have evolved over time. I found the play effective although because of the way in which society has developed Priestley's morals may not be applicable to life today. As wealth and power have become increasingly more important socialist feelings of responsibility for one another have been progressively weakened.
The Inspector, straight form his introduction, is commanding and authoritative. Upon his entrance he creates, “…at once an impression of massiveness, solidity and purposefulness.”(PG.11) The Inspector continues to create this impression as he progresses through his speeches and through his interrogation of the family. The Inspector remains confident, sturdy and composed, while people around him crumble and fall to pieces. His ‘solidity’ is proven by the fact he remains on task despite numerous attempts from Birling to digress from the points he is making. The Inspector is told to appear ‘purposeful’; this is shown where he explains to Birling that Birlings way of thinking “Every man must only look out for himself,” is not the case, and all warps of society are interlinked. The view is best illustrated in the Inspectors final speech, where he says, “We don't live alone. We are members of one body. We are responsible for each other.”(p.56). This idea is one that Priestley, himself believed in deeply, and many of Priestleys writing shared this very theme.
J B Priestley clearly had a strong moral conscience which led him to hold socialist beliefs wanting to bring about change against the capitalists who were exploiting the poor working class. In 'An Inspector Calls' Priestley cleverly uses dramatic techniques, lighting and stage directions to produce an emotionally charged setting to bring home a very important message to the correct society of his day and remains a challenge to the society in which we live in now.
Firstly, both playwrights show parents using aggression to attempt to indoctrinate their children. In ‘an inspector calls’ this is shown when Mr Birling attempts to intimidate his son, Eric. When Eric is distressed and angered by his mother; Mr Birling cuts in and says “why you hysterical young fool - get back – or I’ll-” this