Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character analysis holden catcher in the rye
Meaning of catcher in the rye as a whole
Character analysis of Holden Caulfield
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Character analysis holden catcher in the rye
Who is Mr. Antolini?
We all know that Holden is the catcher in the rye, but who will catch Holden when he falls? In chapter 24 of J.D. Salinger’s The Catcher in the Rye, there is a lot of dispute concerning Mr. Antolini, debate centering mainly around whether the action of patting Holden’s head in his sleep was a misplaced fatherly gesture, or an act of perversion. Perhaps the interaction was neither of these, but rather a symbol for what both Antolini and Holden represent: the catcher in the rye. There are many instances where we see similarities between Antolini and Holden, such as addiction, personal feelings/outlooks on life, and life goals, that indicate that Mr. Antolini and his actions towards Holden are representative of Holden himself,
…show more content…
Antolini, it’s evident that he has some addiction problems that Holden shares. It could be argued that Antolini’s constant intoxication causes him to be perverted, but that doesn’t make sense, as Mr. Antolini is always very composed despite his alcoholism. If his drinking were to make him perverted, then he’d act more vulgar or disorderly in conversation with Holden, which he did not. Mr. Antolini’s addiction is supposed to be seen as negative by Holden, who would reflect on himself and his own vices. Antolini’s addiction serves this very purpose, as we can tell when Holden says, “All old Mr. Antolini had was another highball, though. He makes them very strong, too, you could tell. He may get to be an alcoholic if he doesn’t watch his step.” (P. 186). As a result, this reflection will ultimately save Holden from indulging his own addiction further because he can now see what it will do to him later on in …show more content…
On page 187, Antolini begins to encourage Holden to get his act together, warning him that “The man falling isn’t permitted to feel or hear himself hit bottom. He just keeps falling and falling.” This is Antolini’s way of trying to save Holden from getting lost in his spiral, and by doing so, Mr. Antolini is in the rye, ready to catch Holden. Many would argue that this is an example of a fatherly act, but Antolini’s goal is to save Holden, rather than give him the constant care that a father does. This is to say that both Holden and Mr. Antolini wish to save, or “catch”, those who are going on a downward spiral because they both embody the catcher in the
Holden is afraid to leave his precious/innocent childhood behind and enter the corrupted, evil society adults and ha trouble accepting adults and society. Mr. Antolini basically is saying He’s falling down the rye, and still hasn’t hit rock bottom because he can’t fully understand adults and society. Everything doesn’t make sense to him, from adults being complete phonies to sex. He can’t understand adults which is why his transition from childhood and adulthood is very difficult and complex for him. His own actions and decisions often contradict itself due to, to opposing “worlds” of Holden. Childhood and
So he stays the night at his former teacher, Mr. Antolini’s place. While Holden for the most part thinks of everyone as a phony, Mr. Antolini is one of very few exceptions. He makes it clear that this teacher was one that he trusted and was close to. Since Holden’s views holds him back from having close relationships with his peers, his relationship with his former teacher becomes more important. While he was sleeping on Mr. Antolini’s couch, Holden says that something happens. “Boy, it really scared the hell out of me.” He says. He wakes up to find Mr. Antolini patting his head. “Boy, was I nervous!” He admits he felt very uncomfortable in the situation and quickly ran out. An adult he had managed to form a trusting relationship with, something that was very rare for Holden, had done something to make him very uncomfortable. While it is unclear, it is very possible that Holden is misinterpreting Mr. Antolini’s actions. In his eyes, it is a “flitty pass.” It is made clear, however, that Mr. Antolini had been drinking and most likely he was not in his right mind. Once again, Holden’s views and the reality of the situation aren’t the same and he sees it as a
He also pretends to do unnecessary things like walking around imagining himself with bullets in his guts. On chapter 20, page 149 Holden says “When she was finished, she beat it out of the room so fast I didn't even get a chance to invite her to join me for a drink” I chose this because this is an example of how Holden is desperately trying to talk to someone so he can vent himself and get everything off his mind. But it always seems that when he talks to someone he puts himself in a bad position. On chapter 20, page 150 Holden also says “When I was really drunk, I started that stupid business with the bullets in my guts again. I was the only guy at the bar with bullets in their guts.” This goes back to what I was saying about him being depressed and being physically and mentally ill because who in their right mind, even though he’s drunk, would imagine having bullets in their guts and blood dripping everywhere. Last but not least, on page 151 Holden says “When I’m drunk, i'm a madman” Holden comes right out and says that he’s not a responsible drinker and this also proves that even though he drinks, all of his problems still exist and the effects of those problems come down harder on him than they did when he is
Antolini during chapter 24 and chapter 25 because the scene shows key factors of a depressive episode. As stated on SparkNotes plot overview of The Catcher in the Rye, “ Mr. Antolini asks Holden about his expulsion and tries to counsel him about his future. Holden can’t hide his sleepiness, and Mr. Antolini puts him to bed on the couch. Holden awakens to find Mr. Antolini stroking his forehead. Thinking that Mr. Antolini is making a homosexual overture, Holden hastily excuses himself and leaves, sleeping for a few hours on a bench at Grand Central Station”. This serves as a basic summary of Holden’s interactions with Mr. Antolini. And during Holden’s time in Grand Central Station, he states in the novel that he may have misjudged Mr. Antolini. At this point, on pages 214 and 215 of the novel, Holden becomes indecisive about whether or not to go back to Mr. Antolini’s apartment. “The more I thought about it, though, the more depressed and screwed up about it I got” is how Holden describes these thoughts. Some of the symptoms shown are, as quoted from PsyCom’s article, “indecisiveness”, “feelings of fatigue”, and “anxiety”. Furthermore, Holden’s mood swings seem to be in rapid cycling throughout the course of The Catcher in the Rye, further hinting at him being
J. D. Salinger’s novel, Catcher in the Rye explores the ambiguity of the adult world Holden must eventually learn to accept. Throughout the novel, Holden resists the society grownups represent, coloring his childlike dreams with innocence and naivety. He only wants to protect those he loves, but he cannot do it the way he desires. As he watches Phoebe on the carousel, he begins to understand certain aspects of truth. He writes:
Holden wants to shelter children from the adult world (Chen). In Chapter 16, the catcher in the rye finally appears. This is also a symbol for what Holden would like to be when he grows older. He pictures a group of many kids playing in a field of rye, where it is his job to catch them from falling off the cliff. This shows Holden’s love for childhood and his need to preserve it in any way he can. According to Alsen, “The way Holden explains why he wants to be the catcher in the rye shows the kindness and unselfishness of his character. However, the surreal nature of the metaphor also reveals his unwillingness to face the real life choices he needs to make now that he is approaching adulthood.” By the end of the book, Holden realizes in order for kids to grow, there can’t be protection from all of potential harm. “He therefore gives up his dream of being the catcher in the rye and is ready to make a realistic choice of what he wants to do with his life” (Alsen). Holden’s dream world, that doesn’t involve change, is unrealistic. He is terrified by the unpredictable changes of the adult world, but there is no way for Holden to avoid the experiences and changes that the
...eir thought processes are flawed or not. But this unwillingness to conform was what caused James’ jump out the window. Although Holden does admire James’s integrity, he also realizes that if he does not change his ways, he could end up like James. But Holden would not have someone like Mr. Antolini to help him out and cover his body. Holden must find a driving force within himself that wants to make him change. He must find a new outlook on life, and he cannot be afraid of growing up. He must set an example for Phoebe, and show her that running away or flying away from her problems are not an option. Ducks can only fly for so long. And Holden must realize that he cannot progress when he is judging all of the phonies of the world. The Catcher in the Rye must find a balance between becoming an adult, and flying away.
Vin Diesel once said, “It's insecurity that is always chasing you and standing in the way of your dreams.” In The Catcher in the Rye by J.D. Salinger, Holden struggles with insecurity and accepting his personality and intellect. We get glimpses of these very traits Holden is insecure about through his observations of certain people he looks up to, namely his brother Allie and his old friend Mr. Antolini. It can’t be a coincidence that the people he admires happen to have certain ideal traits on which Holden expresses self-doubt. Salinger uses the description of characters that Holden holds in high regard to represent key traits that Holden is insecure about within himself.
Holden's beliefs on the possibility that not everyone has evil intentions change only once in the book. The scene is with Mr. Antolini. After Mr. Antolini patted Holden on the head while he was sleeping, Holden jumped up and ran out, thinking that Mr. Antolini was a pervert as well. This is the only time during the novel where Holden thinks twice about considering someone as a pervert. After reviewing Mr. Antolini, Holden finally decides that maybe he wasn't making a "flitty" pass at him.
Holden plays the role of the catcher in the rye by physically catching the children before they fall off the cliff proving that we all end up falling. Phoebe asks Holden what he wants to be, Holden responds, “if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them…I’d just be the catcher in rye and all” (Salinger 173). The cliff is symbolic of loss of innocence. Holden’s role of the catcher in the rye allows him to physically catch children before they fall off the cliff, therefore saving their innocence before they fall into adulthood. When the children fall off the cliff, it is much like the fall into adulthood, we fall in not looking where we are going and not knowing what to expect. Not only has Holden become obsessed with trying to preserve the innocence of children, but he also ends up having a nervous breakdown. Holden says to Phoebe, “I know it’s crazy…I know it’s crazy” (Salinger 173). Salinger’s use of repetition emphasizes the word crazy, therefore; foreshadowing that Holden will have a nervous breakdown and go crazy. Not only has Salinger’s use of repetition foreshadowed that Holden will go crazy, but so has Mr. Antolini....
This reveals Holden’s fantasy of an idealistic childhood and his role as the guardian of innocence. Preventing children from “going over the cliff” and losing their innocence is his way of vicariously protecting himself from growing up as well. Holden acknowledges that this is “crazy,” yet he cannot come up with a different lifestyle because he struggles to see the world for how it truly is, and fears not knowing what might happen next. Holden’s “catcher in the rye” fantasy reflects his innocence, his belief in a pure, uncorrupted youth, and his desire to protect it. This fantasy also represents his disconnection from reality, as he thinks he can stop the process of growing up, yet
Around every corner Holden sees evil. He looks out on a world that appears completely immoral and unethical. The couple of days that the reader spends with Holden they can see that he is placed in the in the vicinity of Manhattan. The city is decked with decorations and holiday splendor of the upcoming season, however, much to Holden's despair seldom yields any occasions of peace, charity or even genuine cheerfulness. Holden is surrounded by what he views as drunks, perverts, morons and screwballs. These convictions which Holden holds fluctuate very momentarily during only one particular and very memorable scene in the book. The scene is with Mr. Antolini. After Mr. Antolini patted Holden on the head while he was sleeping, Holden jumped up and ran out thinking that Mr. Antolini was a pervert as well. This is the only time during the novel where Holden thinks twice about considering someone as a pervert. After reviewing Mr. Antolini, Holden finally realizes that maybe he wasn't making an unwelcomed pass at him. Maybe he just liked patting guys heads as they slept. This is
Mr. Antolini brings to our attentions another image of falling when he talks with Holden about his behavior. He tells Holden that Holden is due to fall. “This fall I think you’re riding for—it’s a special kind of fall, a horrible kind. The man isn’t permitted to feel or hear himself hit bottom.” (Pg. 187) Mr. Antolini brings to our attention the fact that Holden is going to “fall” or loose his innocence soon if he already hasn’t. During the book when Holden is going mad it sure seems like he keeps falling and falling but he can’t feel himself fall or hit bottom. He drinks constantly to escape the problems he has with his life. He tries to find people and things to make him happy, but he can’t anymore. Allie made him happy, but now Allie is dead.
D. Salinger's "The Catcher in the Rye", Holden Caulfield describes his lucid imagination to his younger sister, Phoebe. Holden describes a song he had heard as he walked through the streets of New York and tells Phoebe what he thinks the song is telling him. This quote implies what Holden believes to be his true purpose in life. Holden uses descriptive language in order to help Phoebe, as well as the reader, visualize his imagination. Holden states," ...all these little kids playing some game in this big field of rye... I'm standing on the edge of some crazy cliff." Holden uses imagery in order to illustrate the situation of his fantasy. Along with this imagery, Holden states what he believes his role is in this field of rye. Holden describes," I have to catch everybody [little kids] if they start to go over the cliff.. That's all I'd do all day." Holden uses his fantasy as a huge metaphor for his life. He implies that the catcher in the rye is the savior of these little kids, who will never grow up because they are not allowed to "go over the cliff." Holden describes himself as the catcher, and believes his true purpose in life is to save the little kids from going over "the edge of some crazy cliff" because he believes the adult world is phony and that innocence must be kept for as long as possible. He believes in this metaphor so strongly that he could "do [it] all
The novel purposefully makes it vague whether or not Mr. Antolini advances on Holden, but based on previous encounters Holden has, it can be assumed he is misinterpreting this event like many others. Holden states beforehand that he has a dislike towards homosexuals. This put together with the fact Holden and his biological father do not have the best relationship means that it is likely Holden has never been in a situation where he has platonic physical contact with another male. It might be important noting that Mr. Antolini was drinking before this, blurring his lines of what might come off as platonic or not. Since Holden has not had experience with fatherly contact and has been mentally spirally downwards, it is understandable that he makes such an assumption about Mr. Antolini.