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Comparing Ludwig van Beethoven and Mozart
Comparing Ludwig van Beethoven and Mozart
About Beethoven and Mozart
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Mozart and Beethoven were composers of the classical period of the 1800’s. They were different as individuals as well as in the style of music. Mozart was an optimistic person, while Beethoven was an angry one. Additionally, they played for people of different status. Their lives and career were different and filled with challenges. This paper will focus on the differences and similarities of the styles of Mozart and Beethoven based on Symphony No. 41 in C Major by Mozart and Symphony no. 5 in C Minor by Beethoven, discuss the specific aspect of their works and a personal impact of this music.
Symphony No. 41 in C Major by Mozart gives the impression of slow music even in areas of rapid rhythm. Orchestra cuts in memory. First, it supports the play of the violins but then it quickly goes up creating harmony. Melody attracts with its lightness, a feeling of joy and excitement. The symphony of Mozart is easy to play it does not demand a high musical skills.
During the listening Symphony no. 5 in C Minor by Beethoven immediately felt a dynamic and loud music. However, it changes to a quieter one very quickly. This alternation presents throughout the symphony. As a result, there is tension. The change in intensity and number of instruments are felt throughout the melody. Some of the tunes create a sense
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Music by Mozart is clear. Every sound is crystal. Instead, a Beethoven symphony is full of muddy sounds. Additionally, symphony of Mozart is light and easy to hear. This can be explained by the fact that he wrote his masterpieces to the audience. However, Beethoven's music is filled with sad and dark moods. It can be explained by his loneliness and creating of his music for himself without thinking about the audience. The style of Mozart is marked by balance, simplicity and precision. However, Symphony no. 5 in C Minor is marked by
...as he paved the way for composers of the Romantic period like Ludwig van Beethoven, Gioachino Rossini, and Franz Schubert. No one can doubt the finality that mirrors Mozart’s life in his final symphony and his final farewell.
Wolfgang Amadeus Mozart and Ludwig van Beethoven are very famous past composers that have created many pieces that have influenced not just people of their time, but people in modern times as well.
Mendelssohn and Mozart are often compared, due to the vast amount of similarities they hold. Both Mendelssohn and Mozart began playing and composing music at a young age. They both had a virtuosic quality about them. These composers also had the misfortune of suffering an early death; Mendelssohn passed at the age of thirty-eight and Mozart at thirty-five.
Beethoven was a pioneer of his time. During the classical period most composers were at the hands of monarchs. Composers had to create whatever the monarchs wanted, they really did it have a choice in what they wrote. Beethoven on the other hand was not reliant on patrons of the arts. Beethoven created and sold what he made, not what some aristocrat told him to make. These traits of Beethoven make it possible for him to be classified in both the classical and romantic music periods.
Harutunian, John Martin. Haydn’s and Mozart’s Sonata Styles: A Comparison. Lewiston, New York: E. Mellen Press, 205.
The ninth symphony is my favorite symphony just because the music is so heavenly. It seems in the beginning of the piece brings a person from darkness to light. Beethoven, I believe, was ahead of his time. To me, he is the greatest composer of all time. His music is not just sounds of music played together in harmony, but a way of life. The music he created for the world is not just to listen to it, but grabs onto the emotion he was setting up. Beethoven's unordinary style cannot ever be copied by any composer or music artist. Today, when we hear music of any kind, we can only thank a certain person, and that person should be Ludwig van Beethoven.
Symphony No. 5 in C minor, composed by the legendary Ludwig van Beethoven, is one of the most famous orchestral musical compositions done by the German-born composer. The symphony is broken down into four movements. The symphony has such a profound effect on so many people because of its use drama by introducing sudden and powerful chords which quickly grabs the audience’s attention as well as creating a variety of musical ideas through his use of excitement by way of fast and slow tempos. The first movement, Allegro con brio, which utilizes the Sonata form, contains an opening sequence or Exposition, which initially compels my attention during its first 6 seconds due to its powerful entry and introduction of the basic four-note motive (short-short-short-long) of the piece. The quick repetition in a lower step using strings in unison keeps me engaged due to its energy, as it sort of
Wolfgang Amadeus Mozart composed an exemplary piece of classical music that can be seen in television and films of the twenty-first century. Mozart would hear a complete piece in his head before he would write it down. He created pieces that had simple melodies, but also the orchestration sounded rich. Out of the forty-one symphonies Mozart composed, I have chosen Mozart’s Symphony No. 40 in G minor or better known as The Great G Minor Symphony, written in 1788. Mozart’s Symphony No. 40 is considered the most popular out of all forty-one symphonies because the opening movement is very memorable. Mozart’s Symphony No. 40 is effectively composed through the use of a specific form, elements of music, and using the appropriate instruments so one can see brilliant scenes unfolding.
Classical music was best described by Mr. Dan Romano who clearly states that its art speaking from your heart to the heart of others. Bach’s Baroque time period of western music lead to some of the most known and widely recognized organ music, and it was Beethoven’s deafness that came to symbolize a fundamental change in the way we listen to classical music. Beethoven was the most beloved and influential composers of his time. Their music had flaws and that is what made it breathtaking, comfortable and easy to listen to. It is now known that between the lives of Bach and Beethoven we can understand that though their love for composing and classical music was the same in some aspects they were exact opposites in the end when it came to their genre, musical instruments and recognition.
Beethoven was born on December 17, 1770 in Bann, Germany. From a young age Beethoven was involved with music because he came from three generations of musicians. He received instruction from his father on the piano and violin. One of his earliest concerts was in front of his father’s peers against his will. Beethoven had a fiery temper and was somewhat introverted in his school years. Beethoven went to school until the age of ten. At this time his family’s finances prevented his family from affording the education that he needed. In July of 1787, Beethoven’s life was further thrown into disarray with the death of his mother. Despite Beethoven’s misfortune he would still achieve monumental amounts of success while in Vienna. His success can be attributed to the fact that he crafted relatio...
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
They had a talent for creating amazing music. They were also a versatile composers, able to write in nearly every major genre. Their music was also meant to influence the next generations of music to come. Mozart’s music was meant to make you nice and comfortable. Beethoven’s was a bit more dark and moody.
Haydn was Beethoven's mentor and therefore , i believe Beethoven's music is more influenced by Haydn than Mozart. Haydn employed the use of sudden pauses and this is reflected in Beethoven's music as he made extensive use of unexpected fermatas (Example). Humor is arguably the most prominent feature of Haydn's music and again is mirrored in many of Beethoven's compositions. However, Beethoven's music is sometimes completely solemn and other times extremely comical. "Beethoven transformed the music tradition...but never changed its validity...he never abandoned Haydn
While the compositions of the Baroque were more focused on virtuosity and harmonical experimentation, Beethoven completely revamped the idea of expression in music and turned it on its head. Beethoven’s genius compositions demonstrated immense, sometimes frightening, power and soul that had never been seen before in music such as in his famous fifth symphony which features the jarring four-note motif that represents utter chaos and ferocity. Similarly, Mozart was able to use the score as his canvas for whatever diabolical idea would enter his mind; he had written light waltzes and dances that were whimsical and give the listener a sense of joy and fun while also writing intricate concertos which demonstrated the true potential and grace of the solo instrument and
Wolfgang Amadeus Mozart was undoubtedly one of the greatest composers of not only the classical era, but of all time. On January 27, 1756 in Salzburg, Austria, Mozart was born into an already musically talented family. His father Leopold, a composer and musician, and sister Nannerl toured parts of Europe giving many successful performances, including some before royalty. At the young age of 17, Mozart was appointed Konzertmeister at the Salzburg Court. It was there that young Mozart composed two successful operas: “Mitridate” and “Lucio Silla”. In 1981 he was dismissed from his position at the Salzburg Court. He went on to compose over 600 works including 27 piano Concertos, 18 Masses (including his most famous, the Requiem), and 17 piano sonatas. Mozart was not often known for having radical form or harmonic innovation but rather, most of his music had a natural flow, repetition and simple harmonic structure.