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Effects of media on culture and society
Effects of media on culture and society
Influence of popular American culture
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American movies influence economic growth through its attraction in media. Movies are a form of entertainment, disguised in influencing the culture of American society. From narratives to real life events, the production of these movies depicted American society and its beliefs. American movies not only recreate a story of our daily lives and events that occur among us, but also create characters that audiences appeal to. With its rise in technology and influence among our society, American movies attract audiences around the world, not just the USA. American movies shape our conception of American society and its individuals being a mere reflection of our society, connecting to its audience, and contribution to mass communications. As America continues to grow in its population and diversity, …show more content…
The movie follows the formal outline of a hero going about its normal life, where T’Challa is being crowned the King of Wakanda. The King is then led to find Klaw, (the shadow) who steals an artifact from a museum. This leads T’Challa to go to Korea, where he searches for Klaw with his warrior (a female figure who plays the role of a wise old man) and his ex-girlfriend, (good mother). T’Challa’s sister Shuri (animal) uses vibranium to create gadgets to help him win against Erik (trickster) who is trying to overthrow T’Challa to use vibranium for military purposes. Seger describes, “we all grew up in myths…these stories are part of us” (Seger, 393). By creating such archetypes that are relatable to us in a personable way, many viewers are connect to the hero, or even the archetype. Furthermore, if a myth is incorporated with archetypes that relate to us, it grabs the attention to the individual to watch the movie. With more people watching these popular movies, movies can relay the message they intend to their
The overall appeal of the cinema to the masses was particularly evident during the interwar era. Audiences worldwide wanted to watch the variety of films, particularly American produced films, and they always went back. The visibly attractive and glamorous Hollywood movies often depicted the success of the underdog over unjust authority. Values of cash over culture were often a theme in the early American films and societies with restricted social mobility, such as those in Europe, could dream of such a triumph. The working class and unemployed could fantasise about wealth, fame and freedom which America as a country was portrayed as offering.
We are daunted by the idea that our movies in America are not going to be as successful as we hope. With that being said, many movies are made based around the same topic. According to one article, “Hollywood has made
Hollywood itself plays an enormous role on how we as a nation see our society. We life for the dramas, love stories, fairytales, and action pact block-busters we so desperately need to observe every weekend. However, the larger question is, how much of Hollywood’s film making is actual fact compared to what the public wants to see. Throughout Robert Bulman’s Hollywood Goes to High School, we can see how film making can alter the vision of public and private education. Bulman analyzes how films on the poor urban schooling, middle-class suburban schooling, and high elite private schooling can sometimes mislead society’s perception on education. Despite Hollywood’s biases to happy endings and the ability to win over the crowd, Bulman believes that Hollywood has gotten the American education somewhat correct. However, American culture is constantly playing a role on our interpretation of education through social class, historical events in the past and racial/ethnic biases.
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
Folklores are stories that have been through many time periods. Folklore include Legends, Myths, and Fairy Tales. Legends are traditional tales handed down from earlier times and believed to have a historical basis. Myths are ancient stories dealing with supernatural beings, ancestors, or heroes. Fairy Tales are fantasy tales with legendary being and creators.
The media has been a part of the daily life of the American people for the longest time, because of this fact, the media influences the decisions and views of how people should live. One big part of the media that tends to start to develop a sense of how the day-to-day American should live is Disney. Since kids are the main source of Disney’s billion dollar industry children have become an important dimension of the social theory (Giroux 1999: 65). “Within this context, television emerges as a consumer-oriented medium that reflects advertisers’ desire to reach a young, upscale, and primarily White audience” (Goodale1999; Henderson and Baldasty 2003: 100). As a result other races and ethnic groups other than white Americans are often put aside when it comes to the social media view of how Americans should live.
Every film can be related back to socially significant issues that occurred during the time it was released. It’s a snapshot of the issues during that time period. Film is not created in a vacuum. As described in our textbook, film “Conveys “the temper of an age of a nation” as well as that of the artists who produces it” (Belton 22). Films tend to reflect current society, country ideals or beliefs in order for the audience to relate. Some of those techniques used include, the American dream, family, corruption, divorce, and crime. If a director decides not include current social issues than it becomes harder for an audience to relate to the film because they will not be able to connect to the characters and get into their shoes. One film that encompasses all of these current social issues is American Hustle (David O. Russell, 2013). This film is a melodrama because of the context and social issues this film deals with. American Hustle has a social significance to today’s current culture, society, beliefs and social issues through the use of the American dream, corruption, divorce, crime and family.
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
nce the dawn of the American film industry in the late 19th century Hollywood movie production studios have played a crucial role in influencing views on religion, ethnicity and cultural traditions of many nationalities amongst the public. Hollywood movie studios are relentless in their stereotyping and the vilification of minority groups, a countries cultural background and traditions and even whole continents in order to produce the next box office hit. The production studios representations of ethnicities in their feature films are pernicious and harmful and can in many ways influence and manipulate the viewers perception of a countries national identity and the cultural heritage of its population. Furthermore they can create prejudices
The key to understanding Network’s interpretation of American culture is a clear understanding of the creative minds behind the film. Director Sidney Lumet, although a competent director, is often referenced as not being
Hollywood’s great influence enables films to cause positive or negative impacts on society. An example of this is D.W. Griffith’s Birth of a Nation. Upon its release in 1915, the film created disputes due the way that it portrayed African Americans. The film caused race riots and uproars from African American communities who were enraged by their community’s portrayal. For the first time in film history, a motion picture was screened at the White House, where President Woodrow Wilson said, “It is like writing history with lightning.”
In the early years of cinema French filmmakers truly held one of, if not the most notable position in the field. Starting from Lumiere Brothers and their first film showing in Paris in 1985 and influencing works of George Melies, French cinematography developed in parallel with and equally fast as the American industry (CITE). For many years, native films from such big companies as Gaumont and Pathe Freres dominated all French screens with great success (CITE). But the beginning of the World War I in 1918 weakened not only the country’s position and economy but also the position of France in the film industry. Big amounts of small production companies were born instead of large production corporations; single movies that were released were
With the popularity of film culture experiencing a drastic increase, a large amount of what happens on screen is mirrored in our society. Movies can evoke thoughts and emotions that shape the average man’s ideals, sometimes even stirring up propaganda that pressures governments to create new laws.
As films increased their presence in the American psyche, they have changed in both production style, content, and tone. They ask us questions about the times we live in and how the times
Movies are an unbelievably important escape for many people across the world. Films can take a viewer to another place or time and since the beginning of society, performances have been a staple of cultural. Films show a perception of reality, for better or for worse. Many see films and the cultural that it is in and think that it must be a accurate depiction, which sometimes unfairly puts a stigma on a group of people or a cultural. Hollywood has been able to expand all over the world, and many think The objective of promoting American culture through Hollywood movies is to dominate the other cultural communities around the world and become the universal culture of the world.