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Essays analysing a movie psychologically
Psycho movie analysis essay
Psycho movie analysis essay
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As humans we love to analyze and then categorize items by their similarities and
movies are no different, consequently grouping movies by genre gives us an expectation
of what a film will be before it is viewed. Genres can be identified by the
components of a film including setting, characters and theme therefore there are
many different types of film genres. Mulholland Drive is not a typical film that can be
placed into the major genres so it falls into a sub-genre class. The film has some
characteristics of a black comedy with the casting of Billy Ray Cyrus, a one hit wonder,
and the scene where the director discusses the cowboy has a dark humor. Yet it also has
the feel of a horror movie or a film noir if you focus on the lighting but it does not show
the standards of these genres. The film Mulholland Drive is a hybrid movie that should be
grouped into the category of a Psychological Thriller
Psychological refers to matters of the human mind whether it is based in reality or in the recesses of our subconscious. This movie takes the viewer to the most obsessive and disturbing parts of human nature through imagery and content. The main character, Betty, is innocent during her first scenes in the film. For example, she is naïve when she finds Rita in her aunt’s apartment and subsequently when she and Rita find the large amount of money in her purse. She does not see the danger in the situation. She is more than happy to help Rita in any way even though she is warned by the neighbor that things are awry. Throughout the film you see Betty change from a girl who wants to be a famous actress into a bitter woman who realizes that Hollywood can be a lurid place. Due to her bitterness she bec...
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...lm written in the voice of a woman while, Donnie Darko represents the uncertainty of a suspense film in a male voice. On the other hand Mulholland Drive is a female’s point of view written by a male voice which gives the effect of a psychological thriller. This allows the viewer to follow Betty and by seeing all of her dreams we realize her psychological shortcomings that create her obsession with Rita, the lead actress. We see in the beginning of the film a hint of what is to come by the scene at Winkie’s. It tells us that the movie is portrayed in a dream state. From that moment we follow Betty’s journey from the naïve girl fascinated by Los Angeles to the psychotic, obsessed woman who is crushed by the film industry and the people who make movies. The psychological thriller ends when Betty is haunted to death by the elderly people who encouraged her dreams.
"Genre: A group of films having recognizably similar plots, character types, settings, filmic techniques, and themes." (Konigsberg:165) The Genre of this film is difficult to define because it is not composed of a single agenda. The director makes a point of talking about Tosh’s life, but because of the cinematic themes and the film’s style it is not solely a documentary. This film is also a multimedia film because elements of music and concert footage are added to the essential plot. This film is avant-garde in it’s nature. "Avant-garde [refers to films that] deny the traditional narrative structure and techniques of commercial films by seeking to explore new modes of visual and emotional experience." (Konigsberg:25) It could be considered an anthology film, because of the various concert footage that is woven throughout the movie. "An Anthology film is a full length film made up of excerpts from other films which are related by some theme [or] the appearance of the same performer." (Konigsberg:16)
Film genre is a distinctive collection of comparisons in the narrative aspects from which the films are produced. Genre denotes the characterization of narrative films, through the stories the literature tells and the way it presents these stories (Barsam and Monahan, 2013.) Film genres are often described by a set of conventions of storytelling such as themes, conflicts, situations, setting, character types, story formula, presentation, visual style, and even movie stars associated with particular genres (Barsam and Monahan, 2013). These conventions are not always enforced as filmmakers incorporate only some of these elements within any particular film. A few commonly recognized film genres include the Western, musical, horror, science fiction, and etc. A genre-bender film steps outside some of the defining features of its genre in terms of its conventions but is easily identified when it has been blended with another genre. The gangster film genre concentrates on stories whose principal struggle is between criminals and the society they live in. This genre typically emphasizes a cautionary tale that is demonstrated by the main character who commits crimes (Barsam and Monahan, 2013.) Also, this genre is often blended with film noir, a distinct genre made discernible by its mood of pessimism, and fatalism. The film, Bonnie and Clyde directed by Arthur Penn in 1967, is an example of a genre-bending gangster film due to its distinct genre conventions of story formula, setting, and character types that step outside of the typical gangster film genre conventions.
The genre of the film is how we know what kind of film it is. Genre is a French word which literally means type; it shows what category a film comes under. There are certain factors in a genre which will identify it. Things like settings, characters and themes can all be similar in one specific genre.
Barry, , Keith, and Grant, ed. Film Genre Reader III. Austin, TX: University of Texas Press,
The first movie I would like to concentrate on is the film that is considered to have started the development of the genre – M by Fritz Lang (1931). Born in Germany and originally starting his career there, Fritz Lang shot this film in Germany as well, before moving to the U.S. later in life. This film was also later translated in the United States in 1933 (Garncarz 219-25). Although, earlier in the 20th century Hollywood had already produced a number of films that had similar features to “film noir” (among them are Nosferatu (1922) and Sunrise (1927)), but which still were shot more in the stylistic traditions of horror (Wexman 49). This film (M (1931)) was also the first one to start a whole line of black and white movies with similar characteristics and techniques used in them. Although color movies have already taken their established place in the film industry, the decision to shoot films in black and white was a creative technique that provided films with a certain atmosphere and allowed using more denominated shadows and light accents. Everything in this film, from complex, maze-like narrative which includes crime, police and court and leitmotif as a background music to the shadows on the columns and in the windows and simple shots that presuppose something horrifying. Lang also explores an unsavory subject in his work which is now considered one of the features of “film noir” (Brégent‐Heald 125-38). M’s plot and narrative shifts from protagonist’s to antagonist’s point of view (the viewpoint of Hans and the cops trying to catch him), blurring the boundary between
and the best bit of the film is that it is a mix of genre so it suits
... and negative associations within the genre. Even with the obvious differences, both styles have borrowed concepts from the other, enriching each of their popularity in cinema.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
First and foremost, film noir refers to the visual style of a picture. The imagery of film noir was influenced by early 20th century German expressionism, featuring distorted, sinister shapes and shadows. These precursors to film noir used abstract figures and looming shadows for bizarre, emotionally stirring results. Techniques such as chiaroscuro were used to give a dark and minimalistic feeling. In many cases lighting is limited to a single harsh light source, which obscures the image, and even throws shadows across actors’ faces. These elements ensure that an audience regards the actors and the setting with equal importance. Oblique angled shots permeate many film noirs, naturally provoking anxiousness and apprehension in the viewer. In Sun...
Williams juxtaposes the three genres together, to reveal similarities and differences, and, in turn, their similar and different desire effects on the audiences. Specifically, she points out the physical reaction of characters in the films, and how the audience members mimic them. Firstly, in regards to the physical body, Williams discusses the similar uncontrollable “convulsion or spasm,” that comes with the different genres; a body on the screen is “’beside itself’ with sexual pleasure, fear and terror, or overpowering sadness.” (729) Next, she dissects the sound of these bodily reactions – the overpowering moan, scream, or sob that the chara...
How you ever stopped and wondered how genres have changed over time??Movies got many inspirations influence in themselves from its change its style and also how they were all influenced in each types of movies. While movies got bigger,1960s movies became a hit through different ideas that impacted more ideas and styles of films. Movies and their black and white styles had many impacts to the 1960s movies with the style and the change and how it was So different from now. To start off, In The 1960s Movies had impact change from popular movies to regular typical movies in the 1960s. Some movies in the 60s were already colorized but some were still in the black and white theme as the movies started to get popular around the 2000s the designers
Hollywood has been using the genre Horror for centuries to scare and frighten the audience. Horror is by far the most popular genre due to the fact that it provides a descent thrill and gives the audience a rush so this make this a popular genre for teenagers a young adults. In my essay I will be exploring and researching into the genre Horror and also all the sub genres such as Drama horror, Slasher, Comedy horror etc. This will hopefully give you all insight into the genre and all its sub genres.
The genre i have studied is musicals. A musical is a film which has musical performances from the actors to express their feelings. The films from this genre that i studied are 'Singin' In The Rain' (Gene Kelly and Stanley Donen, 1952), 'Grease' (Randall Kleiser, 1978) and 'Hairspray'(Adam Shankman, 2007). I studied two characteristics of the musical genre (Breaking Into Song And Dance and The Grande Finale) that are shown in the films studied. The identifying characteristics of 'Breaking Into Song And Dance' and 'The Grande Finale" are always seen in musicals. These characteristics are expected to be in a musical by the audience and ultimately make a musical what we predict it to be, a film that expresses characters feelings through song while
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
There are many ideas in this world that you can turn into separate categories. Examples are types of teachers, types of books, and more. In this essay the reader will be able to learn the differences between three types of movies. These types of movies include, romance, horror, and comedy. Now, there are many upon many romance movies but how do we distinguish them from one another? Is it the sex scenes, the lovey dovey affections we see between the characters? We cannot know for sure. Horror movies are downright the best (just kidding, people prefer other types rather than horror), yet again, how do we distinguish these movies from others? Blood and gore? Or simply a mental beat up that the audience gets? Finally, it’s the same way with comedy