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One purist in hip hop stands out for me as someone who can embody the tenants asserted in Anthony Thomas’ essay, “The Spirit and Philosophy of Hip Hop.”
My purist of choice is Yassin Bey (born Dante Smith), more commonly known as “Mos Def”, his former stage name. Mos Def was born on December 11, 1973 in Brooklyn where he would gain his whole educational experience. Growing up in Brooklyn, Mos Def’s parents, Adbul Rahman and Sheron Smith, were not together. He lived with his mother with two of his sisters Jauhara and Chandani, and his brother Anwar, while the ret of his twelve siblings lived in New Jersey with his Father. Living in the Brooklyn projects during the 80’s crack era must have effected the way he views the world, especially since he has become so successful and seen so much. From an early age he has been interested in comedy, acting, and music.
Mos Def attended Phillippa Schiyler Middle, Talent Unlimited High, and New York University. Most people aren't familiar with Mos Def’s educational history, and know him from either his hip hop albums, or his
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appearances in popular television shows. He has guest starred in Dexter, NCIS, and CSI. Coming up short each time, Mos Def was nominated for 6 Grammys. He also came short of one Golden Globe and one Emmy Award. He was awarded with Best Actor for “The Woodsman” from Black Reel Awards. Most used his passion for the arts to escape all the dangers surrounding a young man growing up in Brooklyn. Staying away from drugs and violence proved to propel him to opportunities he could have never imagined would be possible. All throughout middle and parts of high school Mos Def was participating in school productions. His freshman year of high school he was given first professional acting role in a TV movie “God Bless the Child.” Senior year at Talented Unlimited came with a reoccurring role on the TV series “You Take the Kids” out in California. He had to leave school to film, but he would eventually finish. In 1994, Mos Def earned his most well known acting role as Dante in “The Cosby Mysteries.” While working on The Cosby Mysteries during the day, Mos Def spent most of those nights recording music. Around 1996 is when he really began to make his voice heard in the hip hop community. I have be a fan of Mos Def ever since I heard him rap with Talib Kwali in a rap group called “Black Star”. I always felt as if Mos Def had something important to say. He has never used his rap platform for anything negative, rather suggesting solutions to survive in America. In 1997, after releasing his single Universal Magnetic he landed a record deal with Rawkus Records. Black Star released their debut album in 1998, “Mos Def and Talib Kweli Are Black Star” which is considered by many to be the best hip hop album of that year. In 1999, Mos Def released his first solo album “Black on Both Sides.” Singles like, Ms. Fat Booty and Mathematics cemented him in his reputation of being one of the smarter and socially conscious rappers of the time. Rather than diving into the hip hop scene with his recent success, Yassin chose to dip back into acting. Throughout the early 2000s, Mos Def went on a movie rampage. He appeared in Bamboozled, Carmen: A Hip Hopera, Monster’s Ball, and The Italian Job. In 2004, his role in HBO miniseries “Something the Lord Made” earned him his nominations for an Emmy and Golden Globe Award. That same year, Mos Def returned to the studio for his second solo album “The New Danger” which once again reinforced his influence as a conscious rapper. “Sex, Love, and Money” the single from The New Danger received a Grammy nomination, falling short of the award losing to Jill Scott’s “Cross My Mind.” True Magic is Mos Def’s third studio album, and by far his least popular body of work. The content of the album just wasn't up to par with his usual output. Pitchfork, in an article written in 2007, described the album as the one thing that kept Mos Def from being a more popular rapper, if not the most popular of his era. He didn’t seem to be one with the music, the production was sloppy and the lyrics were subpar. True Magic confirmed what many people were already assuming, Mos Def was not as deeply invested into the music as we all wished. From 2002 to 2007 Mos Def hosted “Russell Simmons Presents Def Poetry” on HBO. Out of all television programs I have seen, Def Poetry Jam is in my top 10 favorite shows of all time. Def Poetry boasts guest performances from Shihan, Cedric the Entertainer, KanYe West, Dave Chappelle, Jamie Foxx, and Common to name a few. Two years after the end of Def Poetry Jam, Mos Def released his fourth and latest album “The Ecstatic.” This album won back the ears of his fans after his poor effort on True Magic. The Ecstatic was nominated at the 2010 Grammys for Best Rap Album, losing to Eminem’s Relapse. Although Mos Def has never been successful at the Grammys, he has been awarded for his roles in various films. Throughout his career he has been nominated for 6 Grammys, 3 NAACP Image Awards, 1 Golden Globe, and 1 Emmy Award. He won Best Actor for “The Woodsman” from Black Reel Awards in 2005. Most Def has supported the following charities listed on this site: 4REAL Foundation, Be the Change, Common Ground Foundation, ENOUGH Project, Not On Our Watch, Reprieve. There was a video made of him experiencing Guantanamo Bay torture to bring light to human rights, under the Reprieve organization. He volunteered to be used as an example of how the inmates were force fed during their hunger strikes. The video is quite disturbing, Mos Def had a tube inserted through his nose while being restricted and restrained. The team finished with one nostril then proceeded to insert the other one before Mos Def decided enough was enough. He describes the pain and helplessness he experienced, while breaking down in tears. In 2007 Mos Def brought social attention to the case of Jose Padilla. He believed Jose wasn't given a proper trial and that his rights as a human and citizen were being infringed. He preformed as the headliner for “Black August” in New York City. Many socially minded artists such as Talib Kweli, Dead Prez, and Saigon performed, and the event was dubbed with the nickname “Concert for Justice.” Mos Def has always been about giving as much back to the community as he can. He said from a young age that he only wants to help people with his art, although sometimes it may come across moody or sad he just wants to keep it real. Making music and acting is his way of connecting with people, his goal is to share his experiences with others who may be experiencing the same circumstances. Mos Def is now forty-one years old, and while his best days in the entertainment business are behind him, he is still trying to make a difference.
On the 14th of November this year, he released a song named “NO Colonial Fiction”, the new single off his upcoming mixtape. In this song he talks about Tamir Rice, the young man who died from the hands of the Cleveland Police Department. Mos Def also recently did an interview with Ferrari Sheppard, highlighting issues that need to be address such as ISIS attacks on Paris, and police brutality against blacks. Mos Def came from the most humble beginnings you can think of, and he made his mark in hip hop by always remaining true to the genre. He uses Hip Hop to encourage, motivate, educate, and enlighten anyone who will listen. I respect Mos Def, and chose to report on him because he has never compromised his lyrics for listens, or his image for
popularity. Hip Hop gets a bad name due to the lack of purist within the genre. The hip hop game, as of late, has been so polluted with negative messages accompanied by artists that are so far out it’s hard to consider them an artists. Hip hop is about more than a females body, getting all the money you can, and doing drugs all day. To me, true hip hop is hope. It allows our community to express our feelings, or tell a story with a message in hopes that someone hears it and listens. That is what hip hop is all about, so I see no reason why it should remain prohibited from the church. Within the church, there may be someone whose special talent is write rhymes and perform them. If God has chosen you and is leading you, no matter what the act is His name will be glorified through it. Christian hip hop is feared by so many people, and the way the hip hop culture is generally presented, that fear is understandable. When deciding whether or not to support hip hop expanding to the church, it is important to understand the genre. Hip hop gives advice, hope, and guidance through life. I believe in hip hop being used in the church, you never know who it may lead to Christ.
Have you heard the phrase “Momma said knock you out”? If so, you've probably heard your parent sing this song. Signing with Def Jams in the 1980’s, LL Cool J showed the world a unique style of Hip-hop and Rap. A kid just 18 years old when his first song came out, LL showed the world he would he would be different. LL Cool J created an influential long-term career with his starting a new hard-hitting romantic style of rapping, influences with popular clothing lines, and paved the way leading rappers to transform into actors and continue to have a successful career.
Some weaknesses of James McBride’s “Hip Hop Planet” include its cynical tone and his attitude towards the musical side of Hip Hop. McBride opens the essay with a reflection on what his ultimate nightmare is. He showcases the Hip Hop community in a negative light with phrases like, “music that doesn’t seem to be music—rules the world” (McBride, pg. 1). This starts the essay off negatively because it misleads the reader by letting them think he is not a supporter of the Hip Hop movement. As you read the entire essay you realize this is not the case. The article itself isn’t very inviting because tone of the entire essay is very cold and cynical. He also doesn’t agree with the typical Hip Hop sound saying things like, “It sounded like a broken record” (McBride, pg. 1). The sound of Hip Hop music is what helps define it and is a crucial aspect of
Watkins, S. Craig. 2005. Hip hop matters: politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press.
Since the decade of 1920, America has been the setting for a progressive "Black Arts Movement." This African-American cultural movement has taken shape in various genres, gaining mass appeal, through multiple capitalistic markets. Even with the use of capitalism this cultural arts movement has stayed set upon its original purpose and direction, by aiding in cultural identity awareness. The knowledge of the duel-self through community awareness as it pertains to economic perceptions and other social boundaries or the metaphysical-self; what W.E.B. Du Bois coined as "twoness," or a division of one’s own identity as a African-American. (Reuben 2) A realization of the existence of two beings within one’s mental identity, where time alters attitude and identity through environmental influence of passing events. The discovery of the "New Negro" in the Harlem Renaissance marks the beginning of this essential philosophy contributing to the 1960’s Black Arts Movement and the Civil Rights Movement; continuing to be evident in current forms of black art, such as within the lyrics of hip-hop music. These revolutionary Ideals of reform have been voiced in the lyrics of many rappers of urban realism, like the New York M.C.’s Rakim, Run-D.M.C. and west coast rapper Tupac Shakur. Though this form of expression is opposed by most academic elitists and fundamental conservatives due to their vulgar expressions of sex and violence depicted within the genre of Hip-Hop; it in opposition actually presents an internal cultural conflict revealed through the redefinition of one’s own identity with poetic lyrical expressions of realism.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
Both a rapper and an MC, Tupac Shakur was a very famous artist during his short time on Earth. Better known as “Makaveli” or “2pac,” Shakur influenced many young teens and adults his age. 2Pac was born in East Harlem, NY during June of 1971. The name Tupac comes from a revolutionary leader who was killed after leading a revolution against the spanish in the 18th century. Most of the family Tupac was raised around were involved with crimes, drugs, and charge convictions. His first job in the industry as an MC was with a hip-hop group Digital Underground. Along with being an MC for this group, he was also a backup dancer and roadie. He was also featured on the group’s song for a soundtrack to a movie called “Nothing but Trouble.” He went on to record both an EP and full studio album with Digital Underground before leaving to pursue his own solo career. His first album “2Pacalypse Now” did not receive mainstream hype at it’s time but did feature artists such as Nas, Eminem, and the Game. It also reached Gold status by the RIAA. His next album, “Strictly for my Ni***z” Hit ...
Mos Def parents named him Dante Terrell Smith on the 11th of December in 1973. He was born and raised in Brooklyn, New York. Mos def is one of 12 siblings which included step-siblings. Mos Def and several of his siblings lived with his mother in Brooklyn. The rest went on to live with their father in New Jersey. He grew up in New York City when crack became the big drug market in the 80s, during which he became beleaguered by the violence, addiction and crime but he never succumbed to its influences. At nine years old he began to love theater and hip-hop. According to “Mos Def Biography” on Bio.com, his first play was in the fifth grade, a school production, “Free to Be….You and Me” and during his freshman year in high school he got his first professional acting role in the TV movie God Bless the Child. His senior year he won a recurring role on the TV series You Take the Kids. A year later he landed a role on The Cosby Mysteries. According to IMDb Mos Def is a vegetarian and in September 2011, he announced that he has adopted the name Yasiin Bey and will discontinue using the name Mos Def by the end of the year. He is also been known as Pretty Flaco, Flaco Bey, The Mighty Mos Def, and Bezé.
Influential Black Nationalist spokesmen Malcolm X, and others alike, preached racial solidarity, economic self-sufficiency, and black self-help during the tumultuous times of the 1960’s in America. Organizations like the SNCC, CORE, Black Panther Party, and Black Muslims attracted hundreds of thousands of followers for the sole purpose of bringing the black community, during these tremendously hard times, together. Musicians like Otis Redding, Ray Charles, and Sam Cooke touched on the struggles of the black man during this time period. It wasn’t until 10 years later that self-conscious poetry spoke of Black Nationalism over a beat, but from that point on the genre coined “hip-hop” has transformed.
Light, Alan. "About a Salary or Reality? – Rap’s Recurrent Conflict." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 137-146. Print.
Mathers was born in Kansas City and traveled back and forth between Kansas City and the Detroit metropolitan area. He switching schools every two to three months made it difficult to make friends and stay out of trouble. Music and rap seemed to be a way out for Mathers. He was able to beat other kids in freestyle singing contests and brought joy to his painful existence. (Eminem.com 2) In Mathers poem, Life, he writes about life being one big obstacle put in front of you in order to slow you down, and whenever you think you are past it, it always comes back to get you.
For many, music is a cultural history that brings families together, allowing them to share a common interest. The birth of hip hop ignited a whole new world of music, which lead to vast amount of controversy in the music industry. Hip hop has always been recognized as the platform for the black American culture. Hip hop become a moment that changed the entire music industry, and as the culture progressed it become more mainstream. In today’s music society, it is evident that the white race has become greatly involved with hip hop and the lifestyle that entails this culture. Notorious artists such as the Beastie Boys and Vanilla Ice enabled artists such as Eminem, Miley Cyrus and Iggy Azalea to follow their dreams in the hip hop world. If one acknowledges all the aspect of the hip hop culture such as the type of dance or the graffiti art, does the color of his or her skin really matter? It is clear that these artists have tested this theory, and have results that are shocking. White artists are becoming more accepted and appreciated for their music and are being mentors for the hip hop community. As a result of the outbreak of hip hop out of the Bronx, all races were able to enjoy and love the culture of hip
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries, and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and content. It will also identify the history of hip hop and its transition into popular music. In particular, this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Hip- hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).