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An essay on othello morality
An essay on othello morality
An essay on othello morality
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Morality and Destiny in Othello
They are questions as old as civilization itself. Does man have control over his own destiny? Is man ultimately held accountable for his actions by a higher power? Within the plays of William Shakespeare can be found such fundamental questions and conflicts of humanity, as well as situations, attitudes, and problems that continue to hold strong universal meaning to this day. During his lifetime, morality was at the forefront of society's concerns. Outstanding men such as Newton, Copernicus, Bacon, and Locke were leading great advances in science and reason, and these new ways of thinking, combined with the need for order and religious stability provided the perfect foundation for the development of the morality-based style of writing which is especially evident in his powerful tragedies.
..........Shakespeare's tragic heroes and villains have flaws which are synonymous with Christian sins. Greed, lust, envy, and jealousy are consistently among the issues that arise with these characters. The idea that improper dealings with such evil emotions must surely lead to a terrible fate is consistently demonstrated. Sylvan Barnet notes that after creating this world of certain consequences the author adds a special "twist" to his tragedy "for it insists that the good are rewarded and the bad are punished" (227). In William Shakespeare's classic tragedy, Othello, the playwright emphasizes the belief in man's inability to control his own destiny because of the actions of rivals, the emotional conflict within himself, and the moral guidance of the universe.
..........From the onset of this tragic play, conflict begins to brew in the soul of the title character's ensign, Iago. ...
... middle of paper ...
...use of the actions of rivals, the emotional conflict within himself, and the moral guidance of the universe.
Introduction
I......Iago plants the seeds of hate.
.......A..... Iago plots against Othello.
......B......Others are affected by Iago's web of revenge.
......C......Coincidence and opportunities for deceit arise.
II.....Emotional conflict brews within the minds of the characters.
......A......Othello struggles with trust and honor.
......B......Iago is a product of his own insecurities.
......C......Roderigo, Emelia, and Cassio fight their emotions.
III....In a triumph of morality, God's justice prevails.
.......A.....Desdemona dies an innocent death, and Othello commits suicide.
.......B......Cassio's honor is reinstated.
.......C. ....Iago declares his silence and realizes his punishment.
Conclusion
... on the other hand is described in the court room as to be staring off at the ceiling with no type of attitude change which suggests that he is less concerned with himself and surroundings (Dickens 72) We are told that Carton does not keep up on his physical appearance which is complete opposite of Darnay who is well reserved and up kept. Even so Carton is the reason behind Darnay being acquitted since they look so alike, which suggests Carton is heroic. To Carton, Darnay is a representation of the life he could have had. They both are in love with Lucie Manette and are similar in many ways. Carton comes to Darnays rescue again in the novel when he is sentenced to death and takes Darnay’s place. This suggests that although Darnay is portrayed to be heroic, Carton is far more heroic since he risked his entire life to allow Darnay and his family to have a happy life.
Sydney’s execution seems to allow him to forgive and redeem himself for his past wrongdoings. In his final actions (such as the reassurance of the weaver girl and the Bible quotation), Carton appears to better himself as a person in his last moments of personhood. In addition, Sydney potentially improves the life of future generations by giving up his own. He is motivated by the thought his love, Lucie, and Darnay having a child of his namesake, and pledges that his loyalty and death will mean betterment for thousands of good people. This is supported by the following quote: “I see him [Darnay’s child] winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away.” (pg. ) Carton’s choice could either be seen as a noble rebirth, Christ-like in its execution, or a final self-indulgent act of fatalism. However, Dickens certainly seems to think that he is nothing less than a
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
...he will do anything for her, even die for someone she loves. Lucie recalls Sydney by opening him up to doing something with his life. He later uses this new mindset to save Charles’s life. After Sydney is inspired to make something of his life he vows to do something good. To do this, he dies for Charles Darnay to show his love for Lucie. This is how Sydney Carton is recalled to life.
... by his daughter and he is returned to sanity. Sydney Carton's life is changed from despair to honor. Because of the great change in Carton, Darnay's life is spared. The power of love and determination is clearly exemplified by the resurrection of Dr. Alexander Manette, Sydney Carton, and Charles Darnay.
The play does not open with the protagonist, nor with the direct disclosure of the problem. It points to unanswered questions and reveals anxiety and unrest. There is said to be a ghost, but the reason and purpose for the ghost's appearance are unknown. Basically, we can say that the first scene creates an atmosphere and the basis for the disclosure of the specific problem. The first point dramatically established is that there really is a ghost, although the questions raised by its appearance are unanswered. Horatio, the scholar and the skeptic, comes to test the report given by the simple soldiers. The empirical proof that Horatio seeks is there; the ghost appears and it is seen to have a specific identity, that of the deceased King Hamlet. But the reason for his presence is not disclosed and the men on the platform, confronted by the upsetting mystery, have to guess in the dark, literally and metaphorically. Unable to offer an explanation, Horatio sees the apparition in convention terms as an omen of some evil. This is immediately connected with the expository fact that there are feverish military preparations in the kingdom. The indication is that there are pre-existing questions brought into the open in connection with the ghost. The specific question relating to preparations for war, concerning the kingdom and not necessarily the ghost, is answered by Horatio; he gives us expository background concerning the immediate past in the kingdom of Denmark, involving King Hamlet and King Fortinbras of Norway, we hear there was open, chivalric combat between them in which the Danish King vanquished and killed Fortinbras, as a result of which he obtained (fairly) the land which was gained by the Norwegians. But additionally we hear th...
A complex and relatively new field of study, behavioral genetics is particularly interesting because is sheds light on the inner workings of a favorite subject: ourselves. Human behavioral genetics is broadly defined as the examination and characterization of genes as a basis for human behavior. The link between genetics and behavior was first recognized by Sir Francis Galton, a 19th century scientist and cousin of the very famous Charles Darwin, who studied the heritability of mental abilities of close relatives and family members (Stigler, 2010). Since then, genetics has been linked to many more behavioral phenotypes from eating and mating activities to substance abuse, social attitudes, violence and mental abilities. Geneticists are able to study this by analyzing parallels in physical and behavioral characteristics of families and populations (Rothstein, 2005). However, as with many other new scientific fields, the study of behavioral genetics and its implications has been the subject of increasing scrutiny and co...
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
Humanity and Reason in Othello In Othello Shakespeare probes deeply into the human condition by creating characters, who, by their inability to think rationally, surrender what sets them above animals. Before he succumbs to Iago's poisonous innuendoes, Othello himself expresses his clear understanding of this role of the human intellect. He initially refuses to listen to Iago's suggestions that Desdemona cannot be trusted, "Exchange me for a goat/When I shall turn the business of my soul/To such exsufflicate and blown surmises" (3.3.194-96). Othello feels that he would be acting like an animal if he became irrationally jealous because someone would say "my wife is fair, feeds well, loves company" (3.3.198).
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Each character makes their own decisions and has their own flaws, which is very humanistic. Shakespeare’s use of tragedy shows, “…in a universe in which order and disorder coexist, human choices play a vital and potentially destructive part. ”(3:100) Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio.
He has a very strong character of virtue and nobility that is intact up to the horrid end. Iago’s deceit and trickery are more the cause of Othello’s tragic fall than any fault of Othello himself. This innocence and greatness of the tragic hero, unequaled in any other Shakespearean tragedy, is what gives the play its terrible irony and passion. Othello plays on the most powerful of all human emotions: faith and love, both embodied to the fullest in the great and honest Othello.
The tragedy of Othello, the Moore of Venice. As it hath beene diuerse times acted at the Globe, and at the Black-Friars, by his Majesties servants. Written by William Shakespeare set in Venice. The plot is based on a story about two people who love each other dearly and the problems and conflicts they face from the start. The conflicts are, for the most part, tied in with racial issues and questions of loyalty. These conflicts stem from the society around the couple, as well as from the couple themselves as they too are part of this society, but with very different backgrounds: The female protagonist is the daughter of a highly-respected Venetian senator: Brabantio. Othello--also known as the Moor--is a foreigner, black in color, has a past
In society there are always people who are easily manipulated and possess poor judgment. This leads them to make wrong decisions and negatively affect their lives and the lives of the people around them. The reason for Othello’s tragic downfall was because of his poor judgement, his easily manipulated conscience and his jealousy and obsession with. These traits displayed why Othello was responsible for the play’s tragic outcome.