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Essay on the strange case of dr jekyll and mr hyde
Essays on the strange case of Dr Jekyll and Mr Hyde
Changes during the industrial revolution
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Discuss representations of social and/or moral decline in Victorian texts.
Moral and social decline are essential concepts to the Victorian era, the period having experienced radical change, innovation and uncertainty. The texts: The picture of Dorian Gray, The Time Machine, and The Strange Case of Dr Jekyll and Mr Hyde, analogously act as dynamic explorative pieces of Victorian literature, centralising on pre-existing anxieties and concerns. The three pieces focalize on the anxieties specifically associated with the Fin-De-Siècle, demonstrating the apprehensive Victorian society. This essay will explore mutual notions within the selected texts, focalizing on Degeneration, the divergence of the central to the ‘other’, and appearance in terms of surface and reality, all relative to the concept of progress and Devolution. These crucial themes will facilitate a discussion on how these texts enabled a profound understanding of the anxieties and changes. Darwinian theory as well as modern critics will be engaged in order to consider distinctive vantage points and contemplate the texts in their moment of production.
The transgression of moral codes and degeneration are central themes to all three texts. Dorian Gray, also referred to as the decadence manifesto, embodies creeds relative to art, that conflict with Victorian society’s conformities regarding art. Therefore, the book itself would have been deemed degenerate. Wilde adopts Walter’s notion of the art for art’s sake. He addresses the idea of valuing ‘Not the fruit of experience’, but’ the experience itself’ through denying that art should be didactic or morally instruct. (Pater, 1868:152)‘The books that the world calls immoral are books that show the world its own shame’, thi...
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...rising anxiety towards the ‘professional’ men highlighted the blurring between the classes illustrating how the decline of social and moral code inhabits in both.
Bibliography:
Primary:
Stevenson, R .L (2003) ‘The Strange case of Dr Jekyll and Mr Hyde and other tales of horror’, Mighall, Penguin books
Wilde, O. (2008) ’ The Picture of Dorian Gray’,Akroyd, Penguin Classics
Wells, H .G.(2010) ‘The Time Machine’, Orion publishing group.
Secondary:
Mighall,R.( 2003)’Diagnosing Jekyll: The scientific context to Dr Jekyll's experiment and Mr Hyde's embodiment’.
Nordau,M (1895)’Degeneration’ ,New York: Appleton, URL: < https://archive.org/details/degeneration1895nord>
Showalter. E, (1990), Sexual anarchy; Gender and culture at the Fin-de-siècle (New York, Viking Penguin), 105-16
Stutfield ,H.M.E. (1895)’Tommyrotics’
Pater, W .(1868)’The Renaissance’
The concerns of Victorian England about the status of faith and manhood have left a deep mark in the literature of the period. The Picture of Dorian Gray and Dracula are good examples of this concern. In both books there is an emphasis in the corruption of the body and of the soul as maladies that haunt the greatness of England. The aristocracy is pointed as the social strata from where this decadence will spread. These books show a population of youth that lacks the guidance of parents and are apparently deprived of fertility as a consequence of the disorientation that reigns among them. This corruption is shown in conjunction with a lack of religious faith and an excess of sin that will result in the transference of England to the forces of evil.
Robert, Stevenson L. The Strange Case of Dr. Jekyll and Mr. Hyde. New York: Dover Publications, 2013. Print.
Within The Picture of Dorian Gray, Oscar Wilde depicts two characters that follow the philosophy of Walter Pater. These two characters are Dorian Gray and Henry Wotton. They both embody Pater’s ideal of placing as much enjoyment in one’s short life as possible. While Dorian learns of Pater’s philosophy from Henry he soon exceeds his teacher and becomes invested within the philosophy of living life to the fullest. Dorian exceeds Henry in Pater’s philosophy through his active experimentation and desire for beauty, but Dorian fails to live up to all of Pater’s expectations due to his inability to separate morality for art.
Stevenson Robert L., Strange Case of Dr. Jekyll and Mr. Hyde and Other Tales. (USA: oxford university press, 2008)
Victorian Morality was completely adamant and strict. It can be best described as the principle that condoned sexual prudery, zero tolerance of criminal actions, and its social ethic, as it changed England. It was all based on behavior and conduct. Lifestyle practices in England were way different until Victorianism, as it correlates with morals and religion.
Ruddick, Nicholas. "'The Peculiar Quality of My Genius': Degeneration, Decadence, and Dorian Gray in 1890-91." Oscar Wilde: The Man, His Writings, and His World. New York: AMS, 2003. 125-37. Rpt. in Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 164. Detroit: Gale, 2006. Artemis Literary Sources. Web. 27 Apr. 2014.
Stevenson, Robert. Strange Case of Dr. Jekyll and Mr. Hyde. London: Longman, Green and Co., 1886. Print.
The Supremacy of Youth and Beauty - The first principle of aestheticism, the philosophy of art by which Oscar Wilde lived, is that art serves no other purpose than beauty. Throughout The Picture of Dorian Gray, beauty reigns. It is a means to revitalize the wearied senses as indicated by the effect that Hallward's painting has on the cynical Lord Henry. It is also as a means of escaping the brutalities of the world, as Dorian distances himself from the horrors of his actions (not to mention his consciousness) by devoting himself to the study of beautiful things: music, jewels, rare tapestries. In a society that prizes beauty so highly, youth and physical attractiveness become great commodities. Lord Henry reminds Dorian of as much upon their first meeting, when he laments that the young...
Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in the portrait. After the switch, Dorian not only is under Lord Henry’s influence, but he is also Oscar Wilde’s subject. In his novel The Picture of Dorian Gray, Wilde manipulates Dorian, his surroundings, and his circumstances to capture a realistic portrayal of the character’s downfall by depicting the nature of the body, mind, and soul, and the relationship they share.
Stevenson, Robert L. "The Strange Case of Dr. Jekyll and Mr. Hyde." The Norton Anthology of
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
In The Picture of Dorian Gray by Oscar Wilde, Dorian Gray slowly becomes more influenced by things and people around him. Eventually, Lord Henry gifts him with a book describing a wealthy man’s pursuit of aesthetically and sensually pleasing items. “The yellow book” has a much stronger effect on Dorian Gray’s perception of beauty than Lord Henry Wotton does. Although it can be argued that Lord Henry introduced Dorian to the idea of aestheticism, the “yellow book” drives Dorian to live a life full of it, and changes his focus. Dorian shows the fact that he is not strongly influenced by Lord Henry through his interactions with Sibyl. Contrary to this, Oscar Wilde illustrates the substantial influence the yellow book has on Dorian by one, the