“’How can anybody in his right mind be against science?’ asked Crosby.’ I’d be dead now if it wasn’t for Penicillin,’ said Hazel. ‘And so would my mother.’ ‘How old is your mother?’ I inquired. ‘A hundred and six. Isn’t that wonderful?’ (Vonnegut 231).
Vonnegut brings into view several significant abstract concepts about assumptions of modern view and perspective in his novel Cat’s Cradle. This excerpt successfully conveys to the reader about the notion society holds about scientific progress and the way it is achieved through the aim towards truth and of knowledge gained through science, research, and experimentation. It is shown how supposedly the evolution of civilization into the various fields of science, discovery, and knowledge, is leading the world to the imminent hope and objective of a utopia.
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As shown in this section when these characters are talking, the reader gets the sense that just because the life of an individual is lengthened, it does not indicate that the life is either happy or healthy, which is what mankind strive for when looking to better society with science. In the novel Felix Hoenikker's invention, Ice-nine, could be considered as a great triumph for science and a substantial asset to the U.S. military, but after he had built the device Hoenikker also realizes the exceedingly, disastrous destructive nature of his invention, which would ensure the catastrophic demise of the nation. Therefore this exhibits the truth that what Felix had created by the means of science was a danger to humanity’s
Frederic is very much alienated from the science of his day. He finds it obscure and frightening, involved in inhuman and ritualistic experiments, and motivated by goals that are fully detached from the needs of ordinary people. His dread and loathing of the coldness and ruthlessness of the aloof scientist come from the Gothic horror of writers like Edgar Allen Poe and Mary Shelley.
"All the things I am about to tell you are shameless lies." So begins the Books of Bokonon. Bokononism is an original religion that is introduced in this book, Cats Cradle by Kurt Vonnegut. The book shows the importance of religion, even if that religion is "shameless lies". It also displays how people convince themselves that things are better then they really are. I read this book because of a promise I made to my father. I'm glad I made that promise; I just read a delightfully funny and deep tale about the end of the world.
Arthur L. Caplan, in his news article, “Distinguishing Science from Nonsense,” warns the audience about the uncertain economic future of the United States of America due to the abandonment of science within society. Further, Caplan’s purpose is to inform the audience how the dwindling importance of science in children is not only due to schools, but also due to American culture. Therefore, Caplan uses a combination of rhetorical devices to not only warn and inform the public about the importance of science, but to also engage them to an extent that persuades the audience to take action.
In the year 2081 in “Harrison Bergeron,” George and Hazel both have restraints to hold back any so-called “advantage,” that they may possess. This in turn, forces innovation and evolution into a sudden hault. “Totem” on the other hand, says that evolution has overdeveloped where the social structure is back, where sympathy is nonexistent. It suggests that the development of society has also taken a standstill and is struggling to innovate. The two stories are similar in a way that both argue no matter which angle humans approach society from, an equilibrium must be established for a successful environment to unfold.
Atwood takes many of today’s potential scientific developments and illustrates the worst possible outcome of what may happen if we continue the unregulated pursuit of knowledge. In reality, the scientific advances of today will yield a higher standard of living for the majority of the world tomorrow. We will continue to push for the best in everything including science, medicine, and technology; we will not allow any single person to make the sole decision to develop an idea. Scientific progression will save many lives; therefore, it should and will always be there for us.
Kurt Vonnegut's apocalyptic novel, Cat's Cradle, might well be called an intricate network of paradox and irony. It is with such irony and paradox that Vonnegut himself describes his work as "poisoning minds with humanity...to encourage them to make a better world" (The Vonnegut Statement 107). In Cat's Cradle, Vonnegut does not tie his co-mingled plots into easy to digest bites as the short chapter structure of his story implies. Rather, he implores his reader to resolve the paradoxes and ironies of Cat's Cradle by simply allowing them to exist. By drawing our attention to the paradoxical nature of life, Vonnegut releases the reader from the necessity of creating meaning into a realm of infinite possibility. It appears that Vonnegut sees the impulse toward making a better world as fundamental to the human spirit; that when the obstacle of meaning is removed the reader, he supposes, will naturally improve the world.
Deadly and helpful, science is a dual-edged sword. Nathaniel Hawthorne is one of the first to emphasize this through his literary works. “Rappaccini's Daughter” and “The Birthmark” are two of his works where he teaches this lesson through the trials of his characters. Focusing on the motif of the “mad scientist”, Hawthorne brings to light the points that people struggle with humanity, learning to love themselves and others, and that science can be more harmful then helpful.
In his novel Brave New World, Aldous Huxley illustrates ways in which government and advanced science control society. Through actual visualization of this Utopian society, the reader is able to see how this state affects Huxley’s characters. Throughout the book, the author deals with many different aspects of control. Whether it is of his subjects’ feelings and emotions or of the society’s restraint of population growth, Huxley depicts government’s and science’s role in the brave new world of tomorrow.
Dr. Michael Shermer is a Professor, Founder of skeptic magazine, and a distinguished and brilliant American science writer to say the least. In His book The Moral Arc: How Science Makes Us Better People he sets out to embark on the daunting task of convincing and informing the reader on sciences’ ability to drives the expansion of humanity and the growth of the moral sphere. Although such a broad and general topic could be hard to explain, Shermer does so in a way that is concise, easy to understand, and refreshing for the reader. This novel is riddled with scientific facts, data, and pictures to back up shermers claims about the history of science, humanity and how the two interact with one another.
Vonnegut's Cat's Cradle I believe that Vonnegut uses Cat's Cradle as an allegorical tale about what will happen to the world if we are not careful with technology that has the ability to end life on this planet. He points out one of the qualities of humanity: that people make mistakes, thus poisoning our minds and encouraging a better world. One of the obvious ways that Vonnegut uses this book to "encourage a better world" would be by showing that the end of the world may come from an accidental release of technology. At the time when this book was written, nuclear war seemed to be almost a certainty.
...frailty of people and the ease in which they could die prematurely, people were truly fascinated by the concept of longevity. They observed the pine trees in awe, because the trees existed for so long, and the people wondered what it might be like to be like a pine tree and not have to worry about grievous farewells. This fascination goes hand in hand with their reflection on the brevity of life.
"Science, alrady oppressive with its schocking revelations, will perhaps be the ultimate exterminator of our human species-if separate species we be-for its reserve of unguessed horrors could never be borne by mortal brains if loosed upon the world."
After a cursory examination of present day world politics, it seems there exist no sterling examples of society's progression towards utopia, or even a higher state of tolerance or knowledge. It is not that humanity does not seek knowledge or improvement. It is not a fault that curiosity drives society's scientists to explain and improve the world beyond the realm of the philosophers. The fault lies in how easily this motive can be manipulated by the vices of greed, the propaganda of the mass media, the centuries-old, unwavering human thirst for power. It is this desire for power and profit, not the journey in creating new technologies and deducing the mechanisms of life and the universe, which becomes convoluted and thus halts the growth process, just as a biologist can halt or suspend the process of life, of dividing cells, by a simple chemical treatment of colchicine.
Mary Shelley’s Frankenstein has become almost a myth in our culture; it so deeply probes the collective cultural psyche and our fear of science and progress. “Frankenstein is our culture’s most penetrating literary analysis of the psychology of modern ‘scientific’ man, of the dangers inherent in scientific research, and the exploitation of nature and of the female implicit in a technological society” (Mellor, 1988:38). The interesting thing about Frankenstein is that there can be multiple readings of the text. It can be seen as a conservative criticism of science, a Promethean belief of the unlimited progress of science, the feminist anti-female principle angle to the story, even a religion versus science story. What I will explore through this essay is each of these readings and shed some light on this wonderful novel. “The value of Mary Shelley’s novel lies not in presenting a clear morale but encouraging the readers to make up their own” (members.aon.at.htm).
Praises resound around the world everyday in admiration of man's magnificent creation, technology. Scientific progress has been hailed the number one priority of man, while the development of society itself has been cast aside like an old beta vcr. When surrounded by a constant herd of machinery, finding purpose in life is often overshadowed by a desire to continually generate new scientific inventions. In the post-war classics Waiting for Godot and Slaughterhouse Five, the authors rally for meaning within the chaos of technology and stress the importance of "a possibility of choice"(Sartre 339). In addition to improved technology, Vonnegut and Beckett emphasize that members of society need to attach significance to their lives through the use of free will.