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Literary analysis for frankenstein
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Frankenstein
(Frankenstein as the modern Prometheus.)
Prometheus was a Greek God that gave fire to humans. Humans see him as one of the greats, meanwhile, the gods see him as a betrayer. The same observation can be said of Dr. Frankenstein. Whether it is entirely true, is left up to the audience's discretion. The idea that creation of life is bad, isn’t often argued as a bad thing. Like creating a baby, most people are excited of the prospect of bringing a child into the world. Couldn’t the same be said of a creation made by man? Dr. Frankenstein thought his creation would be the foremost of science; however, after completing his work, he despised it. Frankenstein can be seen as the modern Prometheus for three reasons; his creation was unparalleled
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Before Frankenstein realized he regretted making the monster, he honestly thought that what he was doing was in the absolute right. “After so much time spent in painful labour, to arrive at once at the summit of my desires was the most gratifying consummation of my toils.” (Chapter 4, 5th paragraph) Before he hated his creation, Victor didn’t mind the extra time put into his discovery. All the late nights, lack of sleep and food, dropping out of college, it all seemed worth it. Nothing was too big of a sacrifice for what he believed in. Victor felt the great realization was the epitome of his life thus far. Similar to Prometheus, after he had received his punishment, he felt no remorse for giving fire to humans.
Prometheus did have some differences than Dr. Frankenstein did. Prometheus never had any regrets with his actions, whereas Frankenstein definitely did. Although the similarities between the two were much greater between the two. Prometheus and Frankenstein believed they were bestowing great gifts on mankind, each believed they would be received as great heroes. Not that they were wrong. The seamen wanted to know very badly how to create life, but understood why Victor wouldn’t tell
When Victor Frankenstein breaks his promise to the monster, it threatens him by saying that he’ll return on Victors wedding. Victor assumes that it’s his life that’s being threatened but the night of the marriage, Victor finds his Elizabeth. “She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and… running with the swiftness of lightning, plunged into the lake.” (Chapter 23) This quote conveys that the monster didn’t feel bad for killing Victor’s bride, he believed that it was a justified murder because he was repaying the heartache that he felt for his lost mate. This act of cruelty helped develop the monsters sense of right and wrong. The monster was born innocent but after being treated so cruelly for so long, his moral compass was corrupted. He felt as if it was his right to do this to this to Victor.
A foil is when a characters differences contrast with another in order to show the main characters traits clearly. By using certain parts of their personalities, the reader sees the other characters opposing qualities. When an author uses foil in a novel the main character is thoroughly developed because the reader can gain more information about the characters own reactions. Mary Shelley’s use of foil characters in Frankenstein Or, The Modern Prometheus enhances the story greatly. Shelley’s way of comparing Victor, the Creature, Robert Walton and Clerval is what leads to the readers greater understanding of who Victor is. The most obvious foil throughout the novel is the Creature and Victor, child and father figure. Shelley uses their similarities
In Frankenstein, everyone treats Victor’s creation like a monster including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflected on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that
Although some critics say that the monster Victor has created is to blame for the destruction and violence that follow the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being. This is obviously something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and finding out what he is doing. At the end of Mary Shelley's Frankenstein, Victor says:
Although the Creature later went on to commit crimes, he was not instinctively bad. Victor’s Creature was brought into this world with a child-like innocence. He was abandoned at birth and left to learn about life on his own. After first seeing his creation, Victor “escaped and rushed downstairs.” (Frankenstein, 59) A Creator has the duty to teach his Creature about life, as well as to love and nurture him. However, Victor did not do any of these; he did not take responsibility for his creature. One of the first things that the creature speaks of is that he was a “poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, (he) sat ...
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Upon first discovering how to make life, Victor is overwhelmed with excitement and pride, feeling as though he has unlocked the greatest power on earth. His imagination is “too much exalted” by this newfound ability, and thus determines there is no “animal as complex and wonderful as man” for him to attempt as his first creation (Shelley 43). Frankenstein does not contemplate how he will react to or interact with the human he gives life to, or that he has created an extremely twisted parent-child relationship by creating a human from dead bodies. His general lack of concern regarding the consequences of his remarkable yet dangerous power is the root of the rest of the conflict between him and his monster throughout the rest of the novel, and it exemplifies Shelley’s underlying theme that science should not be pushed past morally and psychologically safe boundaries.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
Imagine being brought into the world to be completely thrown away by whoever created you, for being born. Now, this is the perspective of the Monster that Frankenstein created. The Monster was immediately hated as soon as he came to life. His own creator found him to be repulsive: “ I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” Pg 59 PP 3. This hatred caused the monster to feel awful and run away in despair. Victor Frankenstein felt that he was justified to give up on his creation because it was ugly. This is completely unfair to the Monster because it has not done anything wrong, yet Victor Frankenstein feels he has the right to immediately turn his back on his creation. This is something that is frowned upon in society, but is sometimes the case. If this betrayal had not have happened, the Monsters nature could have been completely different. The Monster merely acted out because he was so greatly betrayed. In all honesty, the monster had good intentions in his heart, and he had a great soul. This great soul became diminished by the instant rejection as soon as he came to life. Now the Monster tried to keep it's spirits high but then things just seemed to get worse for him. Once the Monster
Dr. Frankenstein, the so labeled decent, no-fault man, is actually irresponsible, stubborn, and extreme in his actions throughout the novel. From the very first encounter with Victor Frankenstein we get a hint if his insaneness when he asks R. Walton, "Do you share my madness?". That is the first thing that he says when he recovers from his illness. Right from the start we know that something is awry with Victor. Dr. Frankenstein's irresponsibility shows through many times in his feelings toward his creation. While he was in the process of shaping his creation, Frankenstein gets so caught up in his work and his yearning to be remembered for all time that he does not consider what will happen after life is breathed into his creation. He is so consumed by his work he does not sleep for days on end, go outside, eat meals, or write to his family. Frankenstein even admits that he could not control his obsession with his work, "For this I had deprived myself of rest and health". What sane person puts his work before his own health? After his cre...
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Victor Frankenstein is originally a happy character that loves to learn and read a large variety of books. He was a fiery individual who sought to understand all knowledge; regardless of how practical the information was. Evidence of this is when his father tells him not to worry about fictional writers like Cornelius Agrippa. Yet, Frankenstein states, “But here were books, and here were men who had penetrated deeper and knew more. I took their word for all that they averred, and I became their disciple” (21). Frankenstein embodies the movement in science to understand everything, and that is not necessarily a good thing (Storment 2). Frankenstein only understands that this train of thought is bad when he reaches the pinnacle of knowledge and produces the creature. The fruits of Frankenstein’s labor end up costing him the lives of his friends and family, as well as his own sanity. The feeling of guilt thrives in Frankenstein because he knows his work was the direct cause of the chaos in his life. In Frankenstein’s case, his goal of total enlightenment led to his pitiful demise. Frankenstein’s creature was not originally a monster. He is born with good intentions and is a gentle- although atrocious looking- being until he learns of the sins of the human race. The ultimate factor in the creature’s progression from harmless to
Victor was consumed with all the information he had learned from school and his own experiments and he did not care to offend anyone who would try to show affection. The monster wanted Victor to create a monster just as hideous as he was because he didn’t want the other creation to find attention from someone else due to the fact that the female monster would be scary. Victor did abandon the monster and that was a selfish act because he didn’t want the burden of something that was unable to fend for itself to consume him; furthermore, the reason why the monster killed Victor Frankenstein’s younger brother was the selfish act of revenge.
Frankenstein’s entire family and his best friend are murdered by his creation. The monster is abandoned by Frankenstein the moment he was created. Frankenstein’s creation feels that Frankenstein did not do him justice, seeing as he was rejected from society, and therefore vows to get revenge on him. The monster is successful in making Frankenstein suffer throughout the novel by murdering his wife, father, best friend, servant and brother. At one point, Frankenstein admits that he has “turned loose into the world a depraved wretch whose delight was in carnage and misery” (Shelley 63). Prometheus’ creation, humans, also caused Prometheus to suffer. One of the creations, Pandora opened a box which unleashed evil and suffering upon humans. Prometheus was punished by his creation just like Frankenstein is punished by the monster. Due to the similarities between their punishments, it is evident that Frankenstein portrays a modern
For my final project of the novel unit, I chose the novel Frankenstein written by Mary Shelley and first published in 1818. Frankenstein is a tale about an ambitious young scientist who in his practice oversteps the boundaries of acceptable science and creates a monster which destroys everything Victor Frankenstein loved and held dear.