Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
A comprehensive essay on life after death
Essays about hallucinations
A brief essay on life after death
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: A comprehensive essay on life after death
It was a dull misty day, just like how Michael's family felt, in the hospital room where Michael lays as stiff as a rock with no impulse in motion. A nurse comes in and informs the family that Michael is no longer in their present and notifies them that she is to remove the body. The nurse carefully places the body into the morgue and closes the door where the deceased fades into complete darkness. Suddenly, Michael is mumbling in his sleep, but this mumble consisted of strange popping noise like he was under water. He awakens to a blurry sight, but as it clears he awakens to the viewing of blue coral in the ocean. In complete horror, he swims hastily up to sea level, however, as soon as he submerges his airways were parched and immediately …show more content…
When he tries to speak, the only thing that comes out is the popping noise he repeated in his dream. The fish turn to him and repeats the popping noise, but Michael doesn’t understand anything and so he freaks out and swims away. Michael doesn’t understand, he’s been reincarnated into a fish, yet can’t seem to function as a fish because he only has the mindset of a human. A few days later, Michael still struggles to adapt to his new life, to frighten to go out he hides away in the dark to avoid predators. So far, Michael has been bullied by other fish, been in a battle with a sea lion, almost cannibalized by a catfish, nearly suffocated when sleeping (daydreaming) for not containing the flow of water for his gills to maintain the proper oxygen level, and still can’t figure out why he still remembers his past human life. While Michael falls to sleep (the right way), he falls deeper and deeper to sleep where his surroundings fade to dark, just like it did when he perished as a human. As far as he knows, he is still a fish, but in actuality, he is not. Michael is still, in fact, a dead human who is intensely sleeping in his grave to where it feels as if he’s been
The parents’ dilemma, the visuals of their anxiety and fears were captured very clearly in this clip. The stills of Michael connected to the breathing tubes, having his head prepped for surgery etc., visually evoked the magnitude of what the parents and the Michael had to go through. However, the recovery and progress was an awesome success story filled with all the elements of an inspirational narrative that not only inspired but educated as
Jackson’s concept of the ‘known’, the ‘unknown’ and the ‘longing for an absolute meaning’ was expressed in the story by the Creature’s character. The Creature is like a human being because he talks like a human and acts like a human even though his looks is different from a real human being. For this reason, the Creature seems to be real, so I was able to suspend my disbelief and think that the Creature is real while reading the story. The Creature looks like half man and half fish, so maybe that is the reason why some people call him “Fish Man”. However, according to him, “he’s not a fish, but an amphibian” (Bailey). It is unknown if he really is an amphibian, and “he’d never known another of his kind” (Bailey). The unknowns in the story caused me to immerse myself more. As I read, I was looking forward to find out more information about the Creature. I wanted to know where did he come from, and I was hoping to find a happy ending for him. Thus, I think I was able to feel what the author wants the readers to feel. Through the whole story, the Creature was searching for happiness, and I too, as the reader, was looking for something or someone that will help improve the Creature’s life after all the wrongs he had suffered. One of the Creature’s co-actors, Karloff, gave him an advice and said, “Underwater, my friend. Water is your natural milieu” (Bailey). I think this message is the absolute meaning that the Creature was looking for, and as a result, he finally knew where he can find happiness. “The Creature strikes off for home, knowing now how fleeting are the heart’s desires, knowing that Julie too would ebb into memory” (Bailey). From the beginning until the end of the story, I was able to understand the Creature’s feelings, and it caused me to willingly suspend my
Throughout the novel Swallowing Stones, Michael is faced with problem after problem. Each problem that occurs, he must make choice after choice. Michael is faced with a position that he must make the choice that will change the course of his indefinitely. Michael soon finds out the mystery death of Charlie Ward. Soon Michael starts asking himself the question “Could he be Charlie Ward’s Killer?” Michael is sure of it. He is now faced with the ultimate consequences that he must face. He knows that if he turns himself he might be let off easy. But then Joe gets him thinking about how easy it would be to just get away with it. He knows that there is know way that they could ever trace that bullet back to his Grandfathers antique rifle, or could they.
In the opening scene we get a sense of what Michael is like. He is driving a boat of a car across the barren desert, like he is scavenging for something. Strapped for money he stops at a somewhat abandoned gas station where he finds a bundle of twenty dollar bills out in plain view. We get the sense that he tries to be honest because he doesn’t take the money and he buys gas with the last five dollars that were in his wallet, just enough to get him to Red Rock and not any further. He then gets turned down from his job because he told the truth about his leg being injured. When he goes into the Red Rock Bar we can see the change in his life coming. He walks in from the bright daylight into the darkness of the dimly lit bar. This lighting hints to the audience that from that point on Michael is fated for disaster.
In 1945, the United States released a nuclear bomb that destroyed the city of Hiroshima. Nagasaki was also bombed. Thousands of people died and a quarter of a million more perished of radiation poisoning (“There Will Come Soft Rains (short story)”). With the development of nuclear weapons in the world the possibility of a nuclear war was a daily fear within people (“There Will Come Soft Rains (short story)”).
In “A Rainy Morning” by Ted Kooser, we get a lot of imagery, as well as figures of speech, specifically metaphors. This poem through the use of an extended metaphor helps us to see life and our everyday actions into a new perspective. Here we will examine the poem’s language and imagery to help understand what the theme of “A Rainy Morning” is.
Firstly, the narrator gives little detail throughout the whole story. The greatest amount of detail is given in the first paragraph where the narrator describes the weather. This description sets the tone and mood of the events that follow. Giving the impression that a cold, wet, miserable evening was in
the point of view of Michael. We, as the audience, are being told the story through Michael’s
Set in the 1950s, Michael now stays in Lake Tahoe, Nevada. The scene opens with party held in Michael’s house to celebrate the communion of his son, Anthony. Inside the house, he conducts business with Nevada Senator, Pat Geary, who bluntly express his hatred towards Michael and intend to blackmails him. The second meeting is with a man named Johnny Ola, Hyman Roth’s messenger man, who sends word for the hope of future partnership with Michael. The
The exile felt between him and his father is rooted in his lack of understanding for his father. He describes his father as “loving, kind, cruel, mean, head strong, unloving, playful, gentle, and on until all adjectives were exhausted”. It is in the journey through the wake that Michael realizes the lack of clarity and pursues a path of personal isolation in order to properly contemplate such matter. This lack of clarity also is compounded with Michaels’s lack of understanding of his own feelings. Throughout the story Michael describes his feelings as a “confusion of emotions”. He states that “he felt no sorrow and was somewhat even “relieved by the father’s death”. The root of the confusion can be ascribed to be the disconnect felt during the wake itself with it being described as “more upsetting then his father’s death”. As Michael progresses along his journey to clarity, he realizes that increasingly carnivalesque nature of the wake becomes the barrier in which he must escape to gain understanding in his
Tuesday: Dear Diary, this morning when I woke up I felt like I did not sleep at all. I confronted him after school today. I did not think I would end up saving his life. I talked to Douglas. There was one little problem though. He couldn’t talk.
...we found the bodies, yet the crashing blue-green water spins me into a reality that is worlds away from the sight of stiff men. I'm not sure if this is healing or forgetfulness; all I can be certain of is the bite of the water on my skin and the dropping sun. I stare at my hand under the surface of the water, fascinated by how far away it looks and by the deep blue color of my fingernails. That hand isn't a part of my body, how can it be, it is deep in the water, opening and closing experimentally as water crashes on top of it. I want to leave it there, forever feeling the numbing water, forever fighting the currents that would wash it out to the Pacific Ocean. But then my arm moves, lifts my hand, and I realize it is mine, as are my legs and toes and wet matted hair. And the water keeps falling, pounding, rushing and I just stand there, staring, watching, waiting.
There are an estimated 8,000 deaths per year in the United States from drowning. Near-drowning occurs anywhere from 2-20 times more frequently (for estimated 16,000-160,000 events per year)7. The definitions for drowning and near-drowning have for the longest time been very confusing to understand. Recent health officials have attempted to resolve some of this confusion by redefining drowning as “the process of experiencing respiratory insufficiency or difficulty following a submersion or immersion in a body of liquid.” Near-drowning has also been redefined as “survival from a drowning event which involved impaired consciousness or water inhalation for 24 hours or more”2. Both near drowning and near-drowning occur when someone experiences a submersion event. A submersion event is when someone, in this case a pediatric patient, experiences an unexpected submersion in water. When an unexpected submersion, regardless of water type (salt or fresh) occurs, the individual experiences breath hold, panic, and a struggle to resurface1. Humans, naturally, can only hold their breath for a short period of time. This prolonged breath hold results in hypoxia and eventually leads to involuntary gasping. As the individual attempts to gasp for air they sometimes aspirate7. This paper will attempt to look at the clinical presentation of a near-drowning patient who has suffered from a submersion event.
The season is winter, the time is night, but, . . .the scene, we are reminded four times over, is a wood. Woods, especially when as here they are "lovely, dark and deep," are much more seductive to Frost than is an open field. In fact, the woods are not merely "lovely, dark, and deep." Rather, as Frost states it, they are "lovely, [i.e.] dark and deep"; the loveliness thereby partakes of the depth and darkness which make the woods so ominous. The recognition of the power of nature, especially of snow, to obliterate the limits and boundaries of things and of his own being is, in large part, a function here of some furtive impulse toward extinction, an impulse no more predominate in Frost than it is in nature. It is in him, nonetheless, anxious to be acknowledged, and it significantly qualifies any tendency he might have to become a poet whose descriptive powers, however botanically or otherwise accurate, would be used to deny the mysterious blurrings of time and place which occur whenever he finds himself somehow participating in the inhuman transformations of the natural world.
In "Riders to the Sea" several reactions to the death of Michael take place when each of the individual characters learn of the tragedy and express their grief.