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The godfather character analysis
Comparison between two movies
The godfather character analysis
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The Godfather Part II juxtaposes two stories: Michael Corleone’s journey after he became the Don and Vito Corleone’s past times (portrayed by Robert De Niro). Since this research only uses Michael’s dialogues, the writer decided to leave out Vito’s story and focuses only in Michael’s story plot. Set in the 1950s, Michael now stays in Lake Tahoe, Nevada. The scene opens with party held in Michael’s house to celebrate the communion of his son, Anthony. Inside the house, he conducts business with Nevada Senator, Pat Geary, who bluntly express his hatred towards Michael and intend to blackmails him. The second meeting is with a man named Johnny Ola, Hyman Roth’s messenger man, who sends word for the hope of future partnership with Michael. The …show more content…
Unfortunately, Fredo has slip of the tongue moment where he accidentally reveals that he knows Roth and Ola. Cut to at The Cuban presidential palace, Michael celebrates the New Year, Michael orders Ola’s and Roth’s death, although, unlucky to Michael, Roth’s is not dead. At the party, Michael tells Fredo he knows that he is the traitor. Michael flees to New York in a chaotic Havana. The rebels, led by Fidel Castro, take over the city and the Cuban president resigns. Back to Nevada, Tom tells Michael that Roth is still alive and that Kay had a miscarriage. When Michael testifies before Congress, he denies ever participating in any illicit activities. Pentangeli is still alive and he is going to testify against Michael. Michael tells Fredo that he is nothing to him and that he never wants to see Fredo again. The next congressional hearings, Michael brings along Pentangeli’s brother. Cut to the hotel room after the hearing ends, Kay reveals that she didn’t have a miscarriage, but an abortion. Michael felt betrayed and at rage, he punches Kay in the face. At Mama Corleone’s funeral, Connie said she forgives Michael and try to remind Michael to forgive Fredo too. While Michael finally hugs Fredo, Michael
“A&P” and “Godfather Death” are stories that fall under two different categories in reading. While “A&P” is a short story and “Godfather Death” is a folktale, it is clear that there are differences between the two stories. Despite their differences, there are some similarities shown through the protagonists of each story. Sammy, the protagonist of “A&P”, is an all-around character who is close to his family but makes poor decisions. The godson, the protagonist of “Godfather Death”, is also an all-around character and loves his job but takes advantage of his godfather, Death. Although Sammy and the godson are the protagonist in each story, they have differences regarding their work ethic and heroism, but they also share a few similar personalities.
...k with less than noble intentions. In the Baron, Michael discovers there are people willing to take advantage of children when he is coerced into breaking and entering. The narrator Michael explains that it was not until years into the future that he realized his misleading.
The movie Gangs of New York takes place in Lower Manhattan’s Five Points’ neighborhood. It begins in 1846. The main protagonist Amsterdam Fallon, Priest Fallon’s son, watches his father who is the leader of the Dead Rabbit gang prepare and die in battle. As his father is on his last breadths of life giving his son counsel, Billy “the Butcher” Cutting snaps the Priest Fallon’s head. Amsterdam runs away from Cuttings henchmen to hide his father’s knife before he is captured by the Natives gang. He is taken to Hellgate orphanage. In 1862 Amsterdam returns to Five Point’s neighborhood and finds his old friend Johnny Sirocco. Johnny works now for Billy “the Butcher” and introduces Amsterdam to Cutting. Amsterdam makes his way into Cutting’s inner circle of Natives. Amsterdam also meets Jenny Everdeane while hanging out with Johnny. She bumps into Johnny to pickpocket his watch. Amsterdam notices and lets Johnny know. Johnny claims he always lets her take things. As both Cutting and Jenny take a liking to Amsterdam Johnny becomes jealous. He notices young Vallon quickly making his way into Cutting’s gang’s high ranks and into Jenny’s heart. Out of jealousy, Johnny reveals Amsterdam’s true identity to Cutting. Cutting decides to make Vallon angry. He succeeds by playing a dangerous game that involves knives with Jenny at the annual celebration of Priests Vallon’s death. Amsterdam then attempts to assassinate Cutting but fails and is taught a lesson by Cutting. Amsterdam lives at the help of Jenny. To avenge his father he starts the outlawed Dead Rabbit gang up again. He proposes a challenge to Cutting after his friend “Monk” McGinn is killed by Cutting. The fight takes place at Five Points’ neighborhood on the day the ...
In the opening scene we get a sense of what Michael is like. He is driving a boat of a car across the barren desert, like he is scavenging for something. Strapped for money he stops at a somewhat abandoned gas station where he finds a bundle of twenty dollar bills out in plain view. We get the sense that he tries to be honest because he doesn’t take the money and he buys gas with the last five dollars that were in his wallet, just enough to get him to Red Rock and not any further. He then gets turned down from his job because he told the truth about his leg being injured. When he goes into the Red Rock Bar we can see the change in his life coming. He walks in from the bright daylight into the darkness of the dimly lit bar. This lighting hints to the audience that from that point on Michael is fated for disaster.
S. E. Hinton’s argument is given from the perspective of a 14 year old Greaser named Pony boy Curtis who is being raised by his older brothers Darrel and Soda pop. The theme of the Outsiders is no matter what side you may grow up on whether you are a Greaser or a Socs, that you all can still have the same problems, see the same solutions, and dream the same dreams. You are also able to see how his character grows up and matures during the various interactions throughout this book. The two gangs in the book are the Greasers and the Socs (socials) and honestly, even after reading the book the only reason they didn’t like each other is they both had assumptions about each other that really weren’t correct.
Does family matter? Yes- family always matters. It is necessary to have some sort of family structure in order to have a stable foundation. This need for stability and structure is how the family survives and the children find safety. In the movies The Godfather and Scarface we will discover how the two differ when it comes to family and family business. These two patriarchs have different views on family and how the family is involved in the business. In this discovery one struggles to gain and maintain power- but looses everything in the process. While the other maintains the family through peace negotiations and understanding business and revenge can not always go hand and hand in order for the family to survive.
I believe the reason that, 'The Godfather', is such a great film is because it lets audiences decide whether they like the characters or not. Too many movies made about organized crime begin with some seemingly random act of violence. 'The Godfather', however, lets it be known from the start to judge the characters in the film based on what type of person they are instead of the criminal activities they may engage in.
Michael McDonald and his family were constantly subjected to oppression and discrimination due to their social status, skin color, and looks. They all moved several times trying to find an affordable and safer place where to live, but their quest was far beyond their reach and capabilities. The McDonalds were prisoners of their own social immobility which prevented them from prospering in life. Michael was less than a year old, when his mother, Helen McDonald, known as Ma moved with him and her other seven children to Jamaica Plain, a neighborhood of working-class Irish families, escaping the insecurities and oppression of Columbia Point, a mostly black neighborhood. Then, they move to Old Colony after being forced to leave Jamaica Plain because Ma’s dad believed they were deteriorating the house too rapidly and it represented a loss on its book value. They all live in Old Colony for a very long time, experiencing some of the worst crimes and life experiences before the ones that survived Southie’s lifestyle could ever being able to get out.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
Gran Torino is an interesting portrayal of communication dilemmas, spread out across several characters and in particular that of main character Walt Kowalski. After the death of his wife, Walt is bombarded with unwanted attention from several angles and attempts to “deal” with the attention to the best of his ability. There are many examples of communication struggles in the film, but they all seem to follow a similar pattern, and that is distance in time and culture. I’d like to focus on some of these communication barriers between his family, neighbors and priest and see how some of these walls got broken down, or could have been removed more easily.
The film exhibits and analyzes the story of NFL player Michael Oher’s life through high school as he endures various adversities and difficulties in his life. It tells Oher’s story of being the son of a cocaine addictive mother and absentee father, who is homeless due the circumstances of his family. Despite not having either of his parents in his life he did have Big Tony, who was his friend’s dad. Big Tony would allow Michael to sleep on his sofa some days when he did not have anywhere else to live and he also was the main cause to Michael being admitted to the Wingate Academy Christian School. At this school Michael meets S.J., who is the son on the Tuohy’s. S.J. begins a friendship with Michael at a time when no one else would and on a rainy day after S.J.’s thanksgiving play, the Tuohys see Michael walking. They ask him ...
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
CRITICAL ANALYSIS ON "GODFATHER DEATH", A FAIRY TALE WRITTEN BY JACOB LUDWIG GRIMM AND WILHELM CARL GRIMM