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Use of ethos, pathos and logos in a rhetorical paper
Ethos, pathos, and logos analysis
Logos pathos and ethos topics
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The world around us if full of many wonders, some world renown and appreciated, or some immaculate and taken for granted, such as the Mississippi River. In the passage from Rising Tide: The Great Mississippi Flood of 1927 and How it Changed America, author John M. Barry communicates his fascination with the Mississippi River by analyzing its complex mechanics and describing its enchanting nature. Through the primary application of two rhetorical strategies—logos and pathos—the author services his argument with intelligence and intuition while chartering his passion and zeal for the Mississippi River.
In order to develop the basis for his thesis, Barry opens his passage by educating us about the "extraordinarily dynamic combination
of turbulent effects, and river hydraulics" present in the Mississippi River, teaching us that "anything from a temperature change to the wind to the roughness of the bottom radically alters a river’s internal dynamics." By expounding the depths of the Mississippi River and its systematization, his logical approach is immediate and develops consistency and clarity for his message. Later, Barry furthers his cognitive study by describing how the "river’s sinuosity itself generates enormous force" which can lead to "a continual series of S curves that sometimes approach 180 degrees" and "[scour] out holes often several hundred feet deep.” Next, the author supports his factual data with a minor representation of ethos as he mentions Werner Heisenberg, quoted in James Gleick's book, who he suggests that God may have an answer to relativity and offer some insight on turbulence. Once Barry has educated his audience, he truly shows his compassion for the Mississippi River and his respect for its ferocity and complexity by poetically describing the river as "it moves south in layers and whorls, like an uncoiling rope made up of a multitude of discrete fibers, each one following an independent and unpredictable path, each one separately and together capable of snapping like a whip." By praising the Mississippi River so directly, he adds credibility to himself as we understand sincerity. Enduringly, John M. Barry provides us with an intriguing body about the endless depths of the Mississippi River's instruments and components that demonstrate both his intellectual devotion to the knowledge and understanding of the river and his resulting admiration for the river throughout his years of study. The river is full of convoluted logistics, yet still appears majestic and peaceful as it carries water throughout the Mideast, and Barry reminds us of its beauty and its well-deserved fame.
To continue, Wigmore develops his argument by looking at the multiple tensions that existed on both sides of the river. In one way, Wigmore paints the positive picture that these b...
Contemporary writer, John M Barry, in his passage from Rising Tide: The Great Mississippi Flood of 1927 and How It Changed America, seeks to communicate the extraordinarily perplexing river that has a life of it’s own. Barry illustrates the incomprehensibility and lifelikeness of the Mississippi, and how that makes it so alluring, by establishing it as far superior to all other rivers.
John M. Barry's Rising Tide: The Great Mississippi Flood of 1927 and How It Changed America, takes us back 70 years to a society that most of us would hardly recognize.
The “Dark Tide” by Stephen Puleo was the first book to tell the full story of “The Great Boston Molasses Flood.” The reason he wrote the nonfiction novel was to give the full accounting of what happened in the historical context. He used court records, newspaper accounts, and files from the fire department. He recrafted the tale about what actually happened with painstaking and terrifying details of those affected. Puleo creates a new way to view the dreadful catastrophe as something that changed Boston (“Dark Tide”).
The Grapes of Wrath explicates on the Dust Bowl era as the reader follows the story of the Joads in the narrative chapters, and the migrants in expository chapters. Steinbeck creates an urgent tone by using repetition many times throughout the book. He also tries to focus readers on how the Dust Bowl threatened migrant dreams using powerful imagery. As well as that, he creates symbols to teach the upper class how the Dust Bowl crushed the people’s goals. In The Grapes of Wrath, John Steinbeck utilizes imagery, symbolism, and repetition to demonstrate how the Dust Bowl threatened the “American Dream.”
In a passage from his book, Rising Tide: The Great Mississippi Flood of 1927 and How It Changed America, author John M. Barry makes an attempt use different rhetorical techniques to transmit his purpose. While to most, the Mississippi River is only some brown water in the middle of the state of Mississippi, to author John M. Barry, the lower Mississippi is an extremely complex and turbulent river. John M. Barry builds his ethos, uses elevated diction, several forms of figurative language, and different styles of syntax and sentence structure to communicate his fascination with the Mississippi River to a possible audience of students, teachers, and scientists.
In the same also different way, the coach in Marshall speech also using pathos when he said “ They don’t know your heart. I do. I’ve seen it. You have shown it to me...You have shown just exactly who you are in here.” This is pathos because the coach bring up how good the team have become. Whether they’re losing or winning, the only thing will matter is no one will have a great heart as the players have. They don’t need to win the championship to show that they’re the best, they just need to show how much passion they have with football to show that they’re the best team. The coach also said: “ When you take that field today, you’ve gotta lay that heart on the line, men. From the souls of your feet, with every ounce of blood you’ve got in your body, lay it on the line until the final.” He doesn’t put pressure on the players that they have to win, he speaked how he feel, he speaked from his heart, he just wanted that when the team take the field today, they just need to put all their effort and passion on the field.
Is Systematic Oppression still relevant? An examination into the roots of the Black Lives Matter Campaign and its Validity in Modern Times? Native Son: Essay Rough Copy
In Drea Knufken’s essay entitled “Help, We’re Drowning!: Please Pay Attention to Our Disaster,” the horrific Colorado flood is experienced and the reactions of worldly citizens are examined (510-512). The author’s tone for this formal essay seems to be quite reflective, shifting to a tone of frustration and even disappointment. Knufken has a reflective tone especially during the first few paragraphs of the essay. According to Drea Knufken, a freelance writer, ghostwriter and editor, “when many of my out-of-town friends, family and colleagues reacted to the flood with a torrent of indifference, I realized something. As a society, we’ve acquired an immunity to crisis. We scan through headlines without understanding how stories impact people,
Anticipation is prevalent throughout The Road, which is set by the narrative pace, creating a tense and suspenseful feeling and tone.
In “The North West Blues”, Smith responds to the news that some libraries will be shutting down and writes to protect libraries. In his piece, she uses rhetorical devices, emotional appeal, and emphasizes that the library is an important resource.
Eiseley, Loren “The Flow of the River” from Fifty Great Essays 2nd ed. 2002 Penguin Academics New York.
Charles Yale Harrison’s “in the trenches” and mark twain's” two ways of seeing a river” are both autobiographical narratives that use descriptive language. In Harrison’s “in the trenches,” his brilliant use of sensory imagery lets the readers mind experience the treacherous and horrendous reality of war, with just the use of words. On the other hand, in twains “two ways of seeing a river,” the use of sensory imagery is carefully used to help the reader visualize the change in twains perception of the once “majestic river.” Both authors effortlessly utilize imagery to illustrate the realities of their topics. Harrison uses all the aspects of sensory imagery to display the life men are living in the trenches; meanwhile, in twains essay, he partially
The historian Richard White states the Columbia River, located in the states of Washington and Oregon in the Northwest portion of the United States, as an Organic Machine made by arguments that the habitat established by the environment dictates the survival of mankind. It was previously assumed that mankind dictates the laws of its existence and that the environment is simply a small obstacle that can be overcome. Richard White proves former beliefs about the relationship between mankind and its environment or habitat untrue through the book The Organic Machine by showing the reader why the Columbia River is a perfect example of an organic machine, how organic machines affect lives and different civilizations, and how the alterations that mankind makes can effect the river as a whole.
Rodriguez,Richard. “The Fear of Losing a Culture.” in Writing on the River.2nd ed. By English Faculty and Staff of Chattanooga State Community College. Boston: McGraw Hill, 2009. 129-131.Print.