Minority groups have gone through several years of oppression and discrimination, just to see their community stripped of its authenticity. Mass media have portrayed the destruction of such lives through films that include their history. In doing so, filmmakers are using preconceived ideas to portray diverse characters. Instead, they make movies depicting racially offensive characters. By allowing society to continue this act of misrepresentation, the cycle of negligence towards underrepresented history will continue to be fabricated within the eyes of the media. Each label and misinterpretation of cultures in films depletes a community’s identity that defines what it means to be part of their culture. Minority communities are being misrepresented …show more content…
While they may do it unintentionally, any form of misrepresentation sets the viewers up for failure. Such lack of acknowledgment will result in the audience living a life of lies due to not knowing the reality of what minority groups have to endure. By learning about the trueness of one’s culture, a greater chance of connectivity will be made between the two sides. Instances of such misrepresentation can be seen in popular movies like Disney’s Moana, in which the company “spins a tale about the advice and support of Indigenous collaborators, but the corporation created the final film without their input, consent or ability to intervene” (Mentz and Smith). Disney disregarded what experiences the characters may encounter that would tie into their cultural background of being Polynesian. The company’s ability to depict a story of the ethnic community would solely rely on those who share a Polynesian background. When people choose to ignore how they can precisely represent minority groups openly, they are susceptible to making mistakes in how the public perceives cultures due to misunderstandings between the filmmakers and ethnic …show more content…
Those who attempt to recognize minority groups who are not part of them result in “the dehumanization done on the big screen. has aided in civilization’s justification for harming Indigenous people and communities” (Silva). The wild lifestyle that is seen on screen makes them seem less human as they replace authenticity with predispositions. They are no longer seen as people of their culture due to society’s failure to represent their history, which is how these preconceived ideas started. The film industry unrightfully “source communities--as represented by those who take up the role of spokespeople-- [that] do not approve of, and are aggrieved by, an unwanted taking of an important cultural practice, cultural form, or body of cultural knowledge” (Jackson). It is common for filmmakers not to account for how cultures may react to certain events used to represent minority groups. Using the stories of Native Americans as a way of entertainment immensely neglects how they have to endure the retelling of their
In the essay, Disney’s “Politically Correct” Pocahontas written by Jacquelyn Kilpatrick, a considerable and well-known example of the media misleading the public, the Disney movie, Pocahontas is discussed.
Lliu, K., and H. Zhang. "Self- and Counter-Representations of Native Americans: Stereotypical Images of and New Images by Native Americans in Popular Media." Ebscohost. University of Arkansas, n.d. Web. 19 Apr. 2014
Disney is a huge contributor to the misleading ideas and the way we view the Native population. In the movie Peter Pan with the scene showing the “Indians” they completely exaggerate their skin tone to make it a darkish red look. Not only is the skin tone altered, but they top it off with the iconic feather in the back of their hair. Another stereotype would be their actions during the movie when they put a hand over their mouth to make the whooping sound and dance around. I asked Sebastian Hunt, a member of the Iowa Tribe of Kansas and Nebraska, what he thought of the clip I showed him of Peter Pan with the “Indians”. He replied, “ Wow I think it’s funny and sad that that's how the producers thought of the Native population when making the movie showing kids that's how we act, dance and most importantly look when in reality it’s not true at all.” That's not the only movie that Disney came out with that falsely portrays Natives. In Pocahontas they show the Natives as savages and even have a chant/song in the movie stating they are savages, barely even humans and dirty freaking devils. This is only one way that Western pop culture has brainwashed Americans to believe in such
It has been a while since a movie depicting wrongful images of Native American has been developed. This would continuously happen about 70 years ago in cookie cutter Western films in which Indians would often be represented as barbaric, savage, and non-human. With time, these films became bland and repetitive; as a result of this, less and less money was profited with every passing Western film made. Propitiously enough we have abandoned this form of filmmaking and although Native Americans still don’t receive the ideal representation in Western movies, they are no longer presented as the villain all the time. There has recently been a resurgence of this treatment of Indians within
... due to the way their roles interact with the Amerind people in the film.
It appears the caricature of Native Americans remains the same as first seen from the first settler’s eyes: savage-like people. Their culture and identity has become marginalized by popular culture. This is most evident in mainstream media. There exists a dearth of Native American presence in the mainstream media. There is a lack of Native American characters in different media mediums.
Andre, Judith. “Stereotypes: Conceptual and Normative Considerations.” Multicultural Film: An Anthology. Spring/Summer 2014. Eds. Kathryn Karrh Cashin and Lauren Martilli. Boston, MA: Pearson, 2013.
Many of this is changing up in our own homes. Little kids are growing up thinking native Americans and Indians are what they are as shown on television. Hypothetically speaking for myself this film educated me on Native Americans and I feel as though we should educate our young people at their age therefore they’ll have a better understanding of the realistic term of Native
The representation of First Nations people in popular culture is both relevant and done without consultation. Movies, television shows, advertisements, music, and children’s books all seem to portray the negative stereotype that was introduced with historical literature. According to Shaughnessy, “society was forced to generate extreme racism in order to suppress the large Indian population,” and consequently, these formed perceptions are what carry on through to today. Racist depictions are both subliminal and blatant in their representations in popular culture and society is shown this at an early age. Disney films such as Pocahontas and Peter Pan introduce concepts of sexual objectification and stereotyping First Nations peoples to a young
...ent from the silent era of film, overt racism of ethnic minorities was blatantly apparent within the film medium. However, presently this overt racism however has shifted into a more subtle segregation of casting and racial politics within the film medium. It seems that both the problem and the solution lies in the Eurocentric domination within the Hollywood film industry – and it seems that it still remains challenged to this day.
Hollywood’s diversity problem is well-known; however, the extent might be surprising to most Americans. According to a 2014 report by the Center for the Study of Women in Television, Film & New Media, found that females comprised only 30% of all speaking characters among the top grossing films of 2013. (Lauzen, 2014) However, minority women faired far worse than their Caucasian counterparts. As a matter of fact, if one looks at the numbers even female characters from other world’s were as better represented in film than some minority women; the numbers are as follow for women: Caucasian (73%), African American (14%), Latina (5%), Asian and other world tied (3%). (Lauzen, 2014) If the lack of representation were not enough consider a 2009 study which found that when minority groups are portrayed on television the portrayal tends to be negative. (Alexandrin, 2009) A study by Busselle and Crandall (2009) found that the manner in which African-Americans are portrayed, often as unemployed criminals, tends to have an influence on the way the public perceives African-American’s lack of economic success. Furthermore, the news media does an equally poor job in the ways that African-American’s are presented; according to the same study while 27% of Americans were considered “poor” in 1996 the images of America’s “poor” being presented by news media was heavily Black (63%). (Busselle & Crandall, 2002) Today, this can be seen in the way that African-American victims of police brutality are depicted in the media. Even when African-Americans are murdered at the hands of police for minor and non-violent offenses (e.g. Mike Brown, Eric Gardner, and Tamir Rice) they are often portrayed as thugs, criminals, and vandals. What’s more, seve...
The Indians were an invented people. The place they inhabited was not the Indies, and their culture varied from tribe to tribe. The Indian in film is also an invented population of people. No distinction between reality and the imagination are made in these movies. The portrayal of the Native American, and the Native American ways of life were displayed incorrectly in film, and warped the image of the Native American in the eyes of all Americans, especially their descendants.
Often racial injustice goes unnoticed. Television tries to influence the mind of their viewers that blacks and whites get along by putting them on the screen to act as if interracial relationships has been accepted or existent. “At the movies these days, questions about racial injustice have been amicably resolved (Harper,1995). Demott stresses that the entertainment industry put forth much effort to persuade their audience that African Americans and Caucasians are interacting and forming friendships with one another that is ideal enough for them to die for one another. In the text, Demott states “A moment later he charges the black with being a racist--with not liking whites as much as the white man likes blacks--and the two talk frankly about their racial prejudices. Near the end of the film, the men have grown so close that each volunteer to die for the other” (Harper,1995). Film after film exposes a deeper connection amongst different races. In the text, Demott states “Day after day the nation 's corporate ministries of culture churn out images of racial harmony” (Harper, 1995). Time and time again movies and television shows bring forth characters to prove to the world that racial injustice has passed on and justice is now received. Though on-screen moments are noticed by many people in the world it does not mean that a writer/ director has done their
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
Despite many progressive changes, racism is still a major issue. No one is born racist, racism is taught and it is taught in popular culture. Younger generations are exposed to racism through popular culture; one of the many mediums in which racial stereotypes are still supported. Matt Seitz, in his article, “The Offensive Movie Cliche That Won’t Die” claims that metaphorically, in popular culture cinema, African-Americans are mentors of a white hero, but beneath the surface, it is racially offensive towards these mentors because they are still considered servants of whites. Michael Omi, in “In Living Color: Race and American Culture” adds to the claim of Seitz that racial issues in our society brought on by the media and popular culture. He