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Analysis for twelfth night shakespeare
Character development othello
Shakespeare drama literary analysis
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Tyshawn Brown
Ms. Milliner
EES21QH-01
1/20/17 After reading the play Othello by William Shakespeare, the use of mindset and grit was quite prevalent throughout the play. He used the roles of Iago, Cassio, Desdemona and Othello to show how each role has a different type of grit and mindset, which made the storyline type fascinating. Grit in other words is when you stick to something even when it’s difficult, but succeeds at the end. Mindset which comes in two types, fixed and growth, is the person’s way of thinking as well as their opinions. Both mindset and grit had a huge impact on the roles in this play. One of the cast members which is Iago is the villain in this storyline. Throughout the play he showed several actions in which he can
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In Act I, Scene I we are introduced to Iago and Roderigo talking about Othello. Iago states that “O sir, content you. I follow him to serve my turn upon him. We cannot all be masters, nor all masters Cannot be truly followed. You shall mark Many a duteous and knee-crooking knave That, doting on his own obsequious bondage Wears out his time much like his master’s ass For naught but provender, and when he’s old, cashiered. Whip me such honest knaves. Others there are Who, trimmed in forms and visages of duty. Keep yet their hearts attending on themselves And, throwing but shows of service in their lords, Do well thrive by them” (Pg. 5, 39-49). From this quote Iago basically has a fixed mindset about Othello as a person, in which Othello never did anything to wrong him. He wants take advantage of Othello to ruin his career as well as ruin his life. He admits this to Roderigo with no sympathy about what he is saying which shows that he does have a fixed mindset. When it comes to a fixed mindset, the article Mindset: The New Psychology of Success by Carol Dweck is an article when she discusses her interpretation of what a fixed mindset is. She states that, “Believing that your
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
Iago is the main antagonists against Othello, throughout the entire play. Iago is not realistically motivated. Even though Iago makes many of his decisions with careful thought, he does have a main flaw that will come back to haunt him in the end. Iago unlike other characters, doesn’t have true honorable morals. Because of this, he makes many situations which are manageable, and takes them further out of proportion he does this for his own pure enjoyment to create havoc for sport. Iago manipulates the characters who trust too easily, such are Roderigo and Othello. Iago uses them as an addition to his plans, which he manages so they will work in his favor in the end, or so he believes they will.
the play, Iago is jealous of Cassio of his title and plots his plan to get rid of him. Afterwards, Iago
Although in William Shakespeare's tragedy Othello, Iago initially provokes Othello’s insecurities and anger towards Desdemona, it is Othello’s lack of self confidence that make him responsible for the murder. Despite being a foreigner from Africa, Othello has gained his war hero reputation and greatness from his excellence on the battlefield. He earned the respect from his troops and when dealing with military matters, his confidence is at it’s peak. Othello’s insecurities are put into the background while he receives this war hero fame, however, Iago is able to poke at these hidden feelings and slowly break down Othello’s character. Othello’s lack of confidence is considered one of his biggest flaws, eventually causing the death of Desdemona.
Like with many evil personalities in history and literature the question is always asked did he really plan to make this happen or was it just luck and convenient circumstances, was it intentional or just circumstantial. To determine how good Iago really is at plotting and whether it is really his own influence or just lucky circumstances that cause events I will examine his asides, soliloquies and interaction with key characters because they give an extra insight into his character.
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
In the play ‘Othello’ by William Shakespeare, the tragedy of the play is largely a result of Iago’s animosity towards Othello. Iago’s hatred for Othello emanates from the very core of his being and is further amplified due to Othello’s status as an outsider in the ‘white’ Venetian society. This alone causes Iago to perceive Othello as a threat to society, as he goes against the societal and contextual values of the time. Although Iago is acting and reacting based on his own character traits, he is also acting upon the societal norms and expectations which classified Othello as a threat. The accumulation of Iago's hatred
was the one Iago wanted dead or out of his position. At the end of the play,
Important quotes explained from Act 2 1. “He takes her by the palm. Ay, well said; whisper. With as little a web as this will I ensare as great a fly as Cassio” (II.i.163-165). The context is when Iago, Cassio, Emilia, and Desdemona are talking amongst themselves.
role in the outcome. Iago was very consumed in the idea of revenge and wishing to be of
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
Which is where Iago fell a victim to their irresistible urge to assert blame, when a man named Othello, who denied Iago a job at the beginning of the play, went mad at hearing Iago’s mere belief and went off planning the deaths of his beloved adulterous Desdemona who had various opportunities to question the accusations of her and the backstabbing Cassio who he once called friend. When Iago's too loyal wife who followed his every whim and would do anything to please him until she realized her doting servitude to her husband had commenced the path of death to two high profile people in love with one abandoned handkerchief. While Iago was surely not innocent, neither was he guilty of it all or deserved to be called the villain of the play for the tragic ending when all characters caused the death as equally as Iago. Iago should not be called the villain of the story because all of the characters played as the villains; if he were to be called a villain, all of the other characters should also be categorized as villains no matter their role, it all ended in the demise
jealousy which moves him to do many evil things in the play. He pays Iago large
In William Shakespeare’s “Othello”, the main character is presented as an admirable leader but a poor rationalist. He is recognized as a hero with the qualities of vigor, charm, and eloquence. However these principles of leadership aren’t always viewed as the criteria for a leader. The battleground is, to Othello at least, is depicted as a place of admiration, where men speak truthfully to one another. Also, the given circumstances of state and warfare are rather straightforward; no one deceives Othello because as leader he should be esteemed. This one-dimensional view does not help him in issues of the heart though. Thus the main assessment of Othello must be that, even though he leads well and means well, he lacks sensible judgment and common wisdom. Evidently in his concluding two speeches, where Othello didn’t entirely understand the situation and not take responsibility for what has taken place.