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Portrayal of youth by media
Portrayal of youth by media
Portrayal of youth by media
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In contemporary America, energetic twenty-somethings were on the border of transitioning from teenage years to adulthood. Might Magazine exposes many of young adults’ concerns and frustrations about financial, family, friends, and future struggles. They desire to be heard and noticed, instead of remaining to be a quiet nobody. The magazine embraces youth. “We are tired of such misuse of our creative powers, and have decided that we will not wait to raise money this way to fund Might...I simply wrote a check,” (Eggers 159). Egger describes how Might Magazine isn’t producing much money, he and his friends are just spending. Thus, this represents financial concerns and frustrations. Eggers was interviewed for a spot on MTV’s Real World show, “‘Might’
The authors both making sweeping statements about the political nature of the United States, but Ames addresses a more concentrated demographic of American society than Hedges. The latter points the finger at the venal egotism of celebrity culture for entrancing the public into complacency, and at America’s political leaders for orchestrating the fact, but he also places substantial blame on the people at-large for allowing themselves to be captivated by the entertainment industry. Ames discusses an issue in which the Millennial generation stands as the focal point, but she speaks directly to the teachers of these adolescents due to their position of influence. Although today’s youth are proven to possess a spark of political energy through their own volition—displayed through their generation-wide interest in dystopian literature—an environment of learning and in-depth analysis provides the best opportunity for the novels’ underlying calls-to-action to strike a chord with their young
In the documentary film, Page One: Inside The New York Times, the inner world of journalism is revealed through journalists David Carr and Brian Stelter as the newspaper company The New York Times, struggles to keep alive within a new wave of news journalism. The film is dedicated to reveal the true inner mechanics of what modern day new journalists face on a daily basis and leaves the audience almost in a state of shock. It broadcasts news journalism as yes, an old school method of news generation, but it also highlights an important component that reveals the importance behind this “old school” methodology. We often think that progression always correlates with positive products, but the documentary insists that within the case of modern journalism, the new wave method is actually a detriment that can reap negative consequences.
This past month I made my last visit to the popular teenage/college student retail store Abercrombie and Fitch. Finishing up some back to school shopping, I was on a quest for jeans, and I knew the place to get them. My last two favorite pairs were from Abercrombie and Fitch, and I was planning on buying the same kind once again. Happy and relieved that I would not spend the afternoon ransacking the mall for one pair of jeans, I entered the store to the pulsating beat of techno dance music. In front of me was the teenage Mecca of what is truly hip -- the first thing I noticed were the life-size pictured that covered the walls -- half-clad muscular and glistening young men, frolicking around with pouty faced but beautiful young women who were wearing either size 2 short shorts with bikini tops or 3 layered sweaters. The tables were covered with overpriced shorts, shirts, and sweaters, strewn about by desperate customers searching for the perfect outfit. The sales people who roamed the floors were definitions of cool themselves -- ranging from age 16-22, they modeled their employee discounts in a haughty way which encouraged the customers to strive for their ultra-hip look. And strive the customers did. What was the most noticeable upon entering the store (besides the blaringly loud music which made me wonder if I was at a clothing store or a dance club) were the herds of desperate young men and women, who seemed to range from age 12-25, strutting around the store and searching for anything that had the name A&F on it. I can only imaging how many nights of baby-sitting it would take some of these eager teenagers to buy one sweater. The young custome...
In Rushkoff’s film, The Merchants of Cool, he rhetorically questions if “teenagers even have a culture to call distinctly their own.” In the late 1990’s when the documentary was made, the implication was that they do not. However, with the internet’s advancements and the accessibility of communication with massive amounts of people, teenagers today can form authentic cultures that are not contaminated by the corporate media.
Currie, Elliot. 2005. The Road to Whatever: Middle-Class Culture and the Crisis of Adolescence. New York: Metropolitan Books.
Almost every generation criticizes the current adolescent generation due to the difference of historical perspectives. In response to this, I went out into the world and decided to interview someone of these older generations, Diane Partee Miller. Mrs. Miller is the age of seventy-five and is my maternal grandmother. She grew up in the small town of Evansport, which is located in the Northern part of Ohio. Mrs. Miller was an adolescent and primarily grew up in throughout the prime years of the 1950s. Differences between these generations is evident in classes taken in high school, social acceptance of dress, romantic relationships, and technology.
The typical hipster is obsessed with trends before they were trendy- they wore American Apparel v-necks1 before Mitchell Davis2 came around, Vans before Warped Tour even existed, and skinny jeans long before Tripp jeans3 went out of style. Whether or not they are truly original is hardly the point- hipsters all confidently vocalize how they pioneered certain trends. However, the irony in this is that hipsters all claim to dissociate themselves with trends and conformity, making their “moment of self aggrandizing glory4” if not presumptuous, hypocritical. The hipster style is often compared to that of the Indie Kid. However, hipsters and Indie kids differ in that a hipster will go to an American Apparel store and pay $25 for a v-neck; whereas the Indie kid will simply cut a v-neck into one of their t-shirts because they don‘t have the money to do otherwise. Hipsters, conclusively, attempt to buy the Indie fashion, mostly due to its recent media acclaim. Shows such as The O.C. and One Tree Hill show the Indie kid as being the non-leading protagonist everyone ends up rooting for, regardless of their lack of place in most episodal plot. However, the Indie kids’ whole appeal lies in th...
Millennials are well on their way to redefining the “American Dream.” In a world where they have to constantly exercise critical thinking to financially survive the debts the average Millennial life incurs, suggesting that their reluctance to fall into the status quo will hurt them is a stagnant, inflexible view. It only hurts those entrenched in a narrow worldview limited to one accepted lifestyle and standard of living. To this life, Millennials are thoroughly disillusioned. They’re causing all these economic ‘problems’ because they aren’t buying into the hazy suburban complacency that the traditional dream represents. It’s not just that it costs too much to get there, it’s mostly that it’s hardly achievable. Contemporary high school is less of a system for education as it is an Olympic triathlon. Students must jump through every well-nigh arbitrary hoop, competing against each other for the most scholarship money based on the right opinion said in the right words. Who was in the most meaningless clubs at the same time? Who happened to attend a school with the most extra-curricular activities or AP courses? When school – that
Life for Millennials is not as easy as it has been said to be. According to Taylor Tepper, an editor of Money Magazine, when the Great Recession peaked in 2010, the large mass of Millennials graduating college were more vulnerable being that the unemployment rate among young adults peaked at 14% (Tepper). A Pew Research Center survey came to the conclusion that “Millennials are the first in the modern era to have higher levels of debt, poverty and unemployment, and lower levels of wealth and personal income than their two immediate predecessor generations had at the same time” (Tepper). In addition, David Bass, a Millennial himself and author of “The Millennial Generation Lacks a Strong Work Ethic,” states that the current employment rate for young adults is 55.3%, “the lowest rate since the end of World War Two” (Bass). These numbers do not tell it all, rather “a generation’s greatness is not determined by data; it’s determined by how they react to the challenges that befall them,” challenges that this generation does not fall short of
This generation of American teenagers and young adults have the greatest advantage in the history of humankind when to comes to advances in technology, science, and every other field of study. Yet, today’s youth of America is facing obstacles that past generations did not have to deal with. According to Josh Mitchell, a reporter for The Wall Street Journal, student loan debt has surpassed one trillion dollars with two-thirds of college students graduating with over thirty-five thousand dollars of debt each. Competition for jobs has made it progressively harder to find a stable job and make a living. According to Hardin’s metaphor of the world being a lifeboat, it is increasingly difficult for people who are not on the lifeboat to find away
..., S. (2007, January 9) The goal: Wealth and fame. USA Today. Retrieved February 3, 2014, from http://usatoday30.usatoday.com/news/nation/2007-01-09-gen-y-cover_x.htm
Maclean’s is a Canadian news magazine established in 1905 by John Bayne Maclean. Distributed weekly, it is Canada’s only national current affairs magazine; it covers such matters as politics, international affairs, social issues, business and culture. On average, the magazine circulates 366,394 issues per week and has a readership of 2,753,000. 51% of readers are men and 49% are women, with an average age of 45 years old.
Conclusion Time: The “glorious” life ain’t all that it’s cracked up to be. Because when a person wakes up from the fantasy of having everything they want, they are able to realize that money is nothing more than paper with a dead man’s face on it. The youth should know that there is more to life than wealth. Look hard, and they will be able to find what I’m talking about.
The youths carve their identity using role models such as parents or anybody worthy of emulation. After national advertising for one year dubbed the...
In Sex and the City, one of the main characters was paying $700 a month for a 600 square foot apartment in the exclusive Upper East Side of Manhattan. Now, such an apartment would go for triple or quadruple the price. Between the luxurious brownstone and the extremely expensive Manolo Blahnik shoes, the show highlights the unobtainable for many women. Although these consumer goods portray an image of a “hip urban feminist” to make the show more appealing, many women cannot afford the standard set by some of these shows. A more recent television show, Girls, is an example of the shift to the attainable. For example, one of the characters lives in a 250 square foot studio in a not extremely prominent area in Manhattan. However, this is much more realistic for many young people than the Upper East Side