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Women's roles in greek mythology
Gilgamesh journey of immortality
Character of media by euripides
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Recommended: Women's roles in greek mythology
1-Based on what we learn of the Mesopotamian ideas about the afterlife, how do we explain Gilga-mesh’s fear of death, and his search for eternal life?
The Mesopotamians believed in a higher power and they believed in what we would call Heaven and Hell. The devil, or the Queen of Darkness, rules the Palace of Irkalla which in basic terms is hell. Enkidu describes all the terrible things he’s done and in describing the dream he has while he’s on his death bed, he tells Gilgasmesh, “There is the house whose people sit in darkness; dust is their food and clay their meat. They are clothed like birds with wings for covering, they see no light, they sit in darkness” (Gilgamesh 92). After Enkidu’s passing, Gilgamesh realizes that the actions he’s taken in his life are not going to send him to heaven to be with Anu and he does not wish to suffer for all eternity, so he begins his quest for eternal life to avoid his inevitable death.
4-Why is it significant that Medea is known to be clever?
Euripides casts Medea as a clever and spiteful woman because he is a misogynist. In his eyes, women are mean and hateful creatures who know nothing of the world except their own house and their own bed. Medea is known to be clever because she is cunning and manipulative which is im-portant because if she was not, she would not have been able to carry out her plan for revenge. My fa-vorite quote from Medea says, “You have / the knowledge, not mention woman’s nature: / for any kind of noble deed, we’re helpless; / for malice, though, our wisdom is unmatched” (Euripides 416-19). Ba-sically, the negative connotation that comes with the word clever implies that women are useless for anything in the real world, but when it comes to affairs of the bedroom, th...
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...the loss of her virginity (not necessarily sex-ually) as well as her plunge into madness and eventually her suicide.
9-Hamlet is a tragic hero. What is his flaw? Where do you find evidence of this flaw, and where do we see the consequences?
Hamlet proclaims in a soliloquy in Act 2 Scene 2, “Oh what rogue and peasant slave am I!” (Shakespeare Line 560). Here, he realizes that his cowardice is keeping him from avenging his father’s death. I believe his tragic flaw is his inability to act. When he has the chance to kill Claudius while he is praying, he hesitates and talks himself out of it. He sets up the play Mouse Trap to prove Claudius’s guilt, but fails to kill him even after it’s proven. Throughout the play he is offered many opportunities to confess his love for Ophelia, but each time he fails to do so and actually has her convinced he never loved her at all.
Hamlet believes that he must have a false character, this will help him in his plan to kill the king. This sense of false character that Hamlet conveys, however, is a fatal flaw that would ultimately lead him to be a tragic hero. This false sense of character is later when realized when Ophelia exclaims, “Lord Hamlet, with his doublet all unbraced...with a look so piteous in purport/ As if he had been loosed out of hell”(2.1.80-85). Ophelia implies here that she cannot beleive the overall state of Hamlet, she believes that Hamlet no longer loves her.
So “At his third snort a huge pit opened up, and Enkidu fell in up to the waist” (Tablet, 6 lines 110-111). Enkidu was created to get Gilgamesh to see his ways of how he was hurting the city of Urk. Gilgamesh knew he could not beat him so he joined him on his journey. While upon their journey, Enkidu told the elders to tell Gilgamesh not to enter Cedar Trees or bad things would happen to him but he did not listen at all so someone had to suffer the consequences. And Enkidu died because of Gilgamesh foolish actions. Gilgamesh felt that he was not as brave as Enkidu, but Gilgamesh said “I am going to die! --- am I not like Enkidu?!” (Tablet, 9 line 2). He felt like he needed to find a way to be immortal because his friend being killed made him scared of death so Gilgamesh said “I will set out to the region of Utanapishtim, son of Ubartutu, and will go with utmost dispatch” (Tablet 9, lines
Shakespeare’s Hamlet is an interesting play in many ways. The character Hamlet is particularly intriguing in regards to his fatal flaw. Hamlet’s fatal flaw is a specific trait that forces him to postpone killing the king and it is this trait that drives Hamlet mad (Shakespeare 1.4.23-38). This Shakespearean tragedy is open to many interpretations of Hamlet’s fatal flaw. Two recent film productions of the play, Kenneth Branaugh’s Hamlet and the Zeffirelli’s Hamlet, each show a different fatal flaw in Hamlet. Branaugh shows his fatal flaw to be that Hamlet over thinks everything. Zeffirelli accentuates the Oepipus Complex in Hamlet meaning that Hamlet is jealous over his mother. Branaugh and Zeffirelli both use different methods to illustrate their interpretations.
The beginning of the Epic finds Gilgamesh hunting immortality through the ways of old. He is trying to achieve everlasting life through the fertility of young virgins promised to another. This action by Gilgamesh caused the people of Uruk to call for the gods to restore the order which the traveler from abroad had destroyed (pg.62). From the sacred order of the goddess Aruru's mind Enkidu emerges from the profane wilderness (pg. 63). It is told that a trapper came "face to face" with the chaotic ways of Enkidu and was "frozen with fear". It is only through the love of one woman that order is brought to the life of Enkidu. He is then declared wise enough to challenge Gilgamesh and restore the order to "strong walled Uruk" (pg.65). So, when Gilgamesh is headed to the bridal bed to partake...
"I'm not afraid of death; I just don't want to be there when it happens," is a quote by Woody Allen. Death is something unavoidable, because to live means to die. After experiencing death, outlooks on life can change, and the reality of when and what will happen sets in. Yet it can also be a motivating factor to live as much as possible with no regrets, before the last days come. In the Epic of Gilgamesh, the theme of death plays an important role by becoming a motivating factor for Gilgamesh, who didn't want to end up like his friend Enkidu. Enkidu's death affected Gilgamesh by making him come to the realization that it is inevitable, to finally realize what's important, and to become compassionate by thinking and caring for people other than
Mesopotamian religion offers a glimpse into the afterlife, but it gives very little comfort—the dead spend their time being dead. Shamash, the sun god, gives solace to Enkidu in death by reminding him how magnificent his life has been, and even though Enkidu finally accepts his fate, Gilgamesh is terrified by the thought of his own fate. Gilgamesh is resentful that only the gods can live in immortality and admits his fears when Enkidu attempts to dissuade him from their fight with Humbaba. Uta-napishti attempts to show Gilgamesh that death is inevitable for him, being that immortality is ordained by and for the gods. “Man is snapped off like a reed……but the day of Death they do not disclose.” (Table X, pg. 86-87). Mesopotamian culture was focused on the longevity of their city and to ensure entrance into the after-life, though it was not a sure thing, because no one who had died could tell them if their efforts to please the gods paid off. They only hoped that their valiant efforts to live a long prosperous life, pleasing the gods was enough to gain a pathway to heaven.
When examining the character of Gilgamesh, in The Epic of Gilgamesh, one realizes the significance of Enkidu’s death. This death changed Gilgamesh’s views on peace, despair, and his understanding of his own mortality. This transformative moment is summarized in Gilgamesh’s own words when, wandering the wilderness he says, “‘How can I rest, how can I be at peace? Despair is in my heart. What my brother is now, that shall I be when I am dead’.” (Gilgamesh 97) From this quote we see a new aspect of Gilgamesh. One that is not motivated by his yearning for adventure and glory. He has now become a wounded man looking for peace, suffering from despair, and fearing his own death. This quote shows the reader the causes of the dramatic change in Gilgamesh’s attitude following the death of Enkidu.
In the Epic of Gilgamesh, we are introduced to a man who is two-thirds god and one-third man, whose name is Gilgamesh and his inseparable companion, his friend, his brother, Enkidu, a ½ human ½ god. Gilgamesh’s main purpose is to cheat death and gain immortality. In the process of trying to gain immortality, Gilgamesh and Enkidu kill two Godly beings. Due to that, the Gods declared that one had to die, therefore they killed Enkidu. It was the first time Gilgamesh has had to face death, and it caused him to fear it even more, making his journey way more important than it was before. Hoping to learn the secret of immortality, he makes a long and difficult journey in search of Utnapishtim, the one human being who has acquired it. Utnapishtim
... takes matters into her own hands and doesn’t wait for a man to handle things for her. Also, her internal conflict that is visible throughout the entire play signify that she actually thinks for herself, and is strong enough to need to make serious decisions on her own, regardless of her gender. All of this goes back on the traditional Greek society, and helps make Medea into a play that is ahead of its time. With Euripides challenging the notion of misogyny, he creates Medea to show how powerful and dangerous a woman can be in a story, even though it was never heard of in the modern eras.
Hamlet’s obsession with taking revenge destroys the relationships in his life. His furiousness with his mother’s marriage causes him to lose respect for her and wish for no more marriages in Denmark (III. i. 144-152). Hamlet’s loss of respect for women affects his relationship with his girlfriend, Ophelia. He slowly begins to drive her away. Hamlet becomes impetuous and consequently kills Ophelia’s father, which permanently destroys their relationship. Another instance of obsession to revenge is Laertes. He becomes so bent upon avenging his family, that he does not think clearly. Claudius deceives Laertes by persuading him into killing Hamlet so that he remains out of harm’s way. However, their obsession to revenge becomes the foundation of their
For a man thought to be feigning insanity, Prince Hamlet seems to have very little control of his emotions. In fact, Hamlet admits this to Horatio, his confidant, when he says, "Sir, in my heart there was a kind of fighting / That would not let me sleep" (5.2. lines 4-5). This lack of restraint leads to Hamlet's unpredictable mood swings throughout the play. Hamlet's relationship with Ophelia easily spawns such dramatic alterations in the prince's attitude. For example, when Hamlet first suspects Ophelia acts only as the pawn for Polonius's ploys, he reacts rashly, bitterly denying that he ever loved her. "You should not have believed me, for virtue cannot so / inoculate our old stock, but we shall relish of it. I loved / you not" (3.1.117-19). This massive reversal in disposition is later contrasted by another reversal when Hamlet leaps into Ophelia's open grave at her funeral to dispute Laertes and claim, "I loved Ophelia, forty thousand brothers / Could not with all their quantity of love / Make up my sum" (5.1.252-54). These abrupt mood changes also appear in Hamlet's relationship with his mother. He seemed to believe in his mother's purity and goodness, but eventually Hamlet seems to hold a great mount of contempt for Gertrude, especially when he mocks her words, and then snidely proclaims: "You are the queen, your husband's brother's wife, / And would it were not so, you are my mother" (3.4.15-16). Such mood swings as these definitely prove, if anything, that Hamlet could not keep adequate control of his emotions.
Gilgamesh realizes that if Enkidu, his equal, can die then so can he. For example, when Siduri asks him why he is so depressed, Gilgamesh replies by telling her about the adventures he and Enkidu were involved in, such as the overthrow of Humbaba. And, Gilgamesh also tells her about Enkidu's tragic death, and he says he is “afraid of death.” Enkidu’s death forces Gilgamesh into despair, but it also makes him recognize his own mortality. Gilgamesh acknowledges that he will also face death like Enkidu,his equal, so he wants break this common fate by gaining an everlasting life. Gilgamesh’s denial of Enkidu’s death shows that he doesn’t want to accept his own mortality.
Hamlet is a scholar, speaker, actor, and prince. For some reason, Hamlet is not able to avenge his father's death without considerable delay. There is one major flaw in Hamlet's character which causes him to postpone the murder of Claudius. I believe that this flaw is Hamlet's idealism. While his idealism is a good trait, in this case, Hamlet's environment and his...
One of the major problems with the analysis of liberalism is that markets are not a natural phenomenon. Liberalism often thinks that the market can adjust itself. However, the evidences from many economics crises show that there are instances where the markets are unable to adjust itself. Furthermore, economic liberalism does not look at the political and social context which is needed if we are to understand how economic actors operate. Liberalism sees individuals as rational actors operating in a system free from political boundaries and social constraints. However, actors are not always rational. Actors are not equal thus they don’t have the equal opportunity to achieve their set goals. Liberalism also only the reflection of the values and ideas associated with the capitalists. Thus, the analysis rather static and the virtues of the status quo are assumed. Furthermore, the lack of government control does not make the market stronger and individual prosperity greater as expect. The uneven distribution of income would create tension between the classes. At the international level, the asymmetry in term of development between North and South shows that liberalism only serves the interests of the strong, particularly a few developed states. Thus, liberal trade policy can create tensions between states instead of bringing peace. Furthermore, free trade has left many industries in different states crumble such as textile and agriculture. Many started to subsidies those products to keep the industry alive.
Hamlet’s wit and play of words deceits everyone. He seems to be philosophical and existential being with a certain interest to the meaning of life. Many may see him as the tragic hero fighting against a superior force. This image of a tragic hero seems to be just a façade. Although there can be many reason why he may be seem as a tragic hero he is corrupted by those around him making him evil.