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Important aspects of a midsummer night's dream
Important aspects of a midsummer night's dream
Shakespeare literary techniques
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A Midsummer Night’s Dream, one of Shakespeare’s famous plays, tells a tale of Hermia, Demetrius, Lysander, and Helena who suffer from unrequited love. Throughout the story, the fairies interfere in an attempt to better the situation, but end up making unfortunate changes that the characters must overcome. Throughout the story, there are key elements that clearly differentiates Shakespeare’s writing style from that of others’. Two main elements that occur throughout the play are the use of puns and the young lovers struggling to overcome obstacles.
The use of puns is one prominent element in Shakespeare’s writing as it entertains the audience with references that can help better understand situations. In the play, the characters of working
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Hermia and Lysander struggle dealing with forbidden love as Hermia is in an arranged marriage which Demetrius, so they plan to overcome this obstacle by running away. In the beginning of act 1, Lysander tries to consult with Hermia who is upset about her destiny and explains to her how,“The course of true love never did run smooth”(1.1.134). This ties to the element of Shakespeare’s writing by relating to the theme of how love does not always go the way it is planned. It allows the characters to decide their own destiny if they are given the chance to change it. Another example is when one of the lovers is jealous of another individual. Helena is jealous of Hermia in the play when she is confused on how Demetrius won’t to fall in love with her, but Hermia. In act 4, a mythical character, Oberon takes pity on her and attempts to make her wish come true. However, through a mistake his servant Puck makes, she feels insulted by Demetrius and Lysander who are under an enchantment by falling in love with her. On the quest of love, there needs to be heartbreak and hurt to keep a relationship. Helena deals with pain, but still manages to get what she wants in the end. What also relates to this theme is how people who love others at times seem unattractive or repellent, but over time, it is realized that the beauty behind it is an intense feeling that real love plays
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
Throughout William Shakespeare’s A Midsummer Night’s Dream, Helena evolves from being a heartbroken, desperate girl to a strong woman who effectively advocates for herself. In the beginning Helena is a young woman who struggling with a heartbreak, she had a prior relationship with a man named Demetrius, who is now moving on and not interested in her. He is falling in love with a woman Hermia, who happens to be the best friend of Helena. Slowly Shakespeare uses the literary technique of characterization to show how Helena grows as a person. Helena overcomes her obsession with Demetrius, and is able to stand up and defend herself when everyone seems to turn against her.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
further when Helena, a friend of Hermia is found to be in love with Demetrius.
Due to the fact that the play was written during the Elizabethan era, inequality of rights towards women was extremely common. One of the biggest instances of inequality in that time of and in the play was that women were unable to pick who they wanted to marry as they were often given away to a man that they did not have affection for. The play shows this through the characters of Hippolyta and Theseus as she also has been captured and is being forced to marry Theseus but does not speak against his wishes as she knows she has no place to speak against a male figure. Another example in the play of forced marriage is shown through the characters of Hermia and Lysander. Hermia who loves Lysander enormously is being forced by her father to marry Demetrius which is someone that she has no affection for.
Helena was the younger sister of Hermia. It often bothered her that her sister got all the attention, and she even want it. Helena was madly in love with Demetrius, However Demetrius was arranged to marry Hermia. Helena truly believe she was not good enough, and could not understand why Demetrius did now want
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.
Helena takes the usual gender role of a man fawning after a woman and flips it. Her love of Demetrius knows no bounds as she follows him on a wild goose chase through the forest to prove her love to him, all the while knowing he was just on the search for Hermia and in love with her. This is where the dichotomy comes into play. She chases him, all the while knowing she is not the girl whom he loves. When Demetrius lets her know he has no interest, she has a full mental breakdown, but denies Demetrius the right to reject her.
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.
Helena was at first desperate for Demetrius’ love, following him as he searched for Hermia and showering him with signs of her affection. “Your virtue is my privilege: for that/ It is not night when I do see your face” (Shakespeare 2.1.227-228). Surprisingly, this changed when Demetrius showed similar feelings towards her, and she took it as more signs of hatred from him. She seemed willing to do anything to gain
The “A Midsummer Night’s Dream” play, deals with the difficulty of romance. Shakespeare’s voices about love through many of his plays. They contain a just amount of old prose. It is a recurring theme in Shakespeare’s plays, both comedies, and dramas. It is apparent that Shakespeare was infatuated with love.
In A Midsummer Night’s Dream, William Shakespeare explores the difficult world of true love, past the common unrealistic fantasy of it. While the play itself is a comedy and ends on a cheerful note, the characters go through many hardships to reach their happily ever after. When Lysander says “The road to true love never did run smooth” at the beginning of the story, he is introducing the problem that is dealt with by and between Lysander and Hermia, Demetrius and Helena, and Oberon and Titania. Family