“Be advised fair maiden. To you your father should be as a god” (Shakespeare, 1.1.47-48). This statement among others is just the beginning of the blatant sexism that takes place in Shakespeare’s A Midsummer Night’s Dream. In a plot filled with love, lust and fairies, the large cast of characters in A Midsummer Night’s Dream includes four key female characters: a captured Amazonian queen Hippolyta, the female halves of the four young lovers, Hermia and Helena, and Titania, the queen of the fairies. In their own way each of the four female leads spend a majority of the play fighting the men in their lives. A Midsummer Night’s Dream illustrates the gender roles prevalent in Shakespeare’s age especially in regards to a woman’s place in a patriarchal society and how the characters of this play either fight the norms of their society or fall into them.
Hippolyta, Queen of the Amazons, is the first female character introduced in the text. She has been captured and is now forced into marriage with Theseus, the Duke of Athens. Louis Adrian Montrose wrote about the Amazonians in the essay, "Shaping Fantasies": Figurations of Gender and Power in Elizabethan Culture” and stated that,
Descriptions of the Amazons are ubiquitous in Elizabethan
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Helena takes the usual gender role of a man fawning after a woman and flips it. Her love of Demetrius knows no bounds as she follows him on a wild goose chase through the forest to prove her love to him, all the while knowing he was just on the search for Hermia and in love with her. This is where the dichotomy comes into play. She chases him, all the while knowing she is not the girl whom he loves. When Demetrius lets her know he has no interest, she has a full mental breakdown, but denies Demetrius the right to reject her. She also upsets the line between male female domination and submission when she tells
The views on women in this play are shown through Hermia’s recklessness, Helena’s desperation, and Hippolyta’s hypocritical behavior. The women in this era of when Shakespeare wrote this play were subservient to men and had no will and choice of their own. This included marriages that were usually arranged by a powerful male relative instead of giving the woman the opportunity of choosing a husband that she loved. First, Helena was a woman who chased after men. She contradicts her gender by breaking society’s rules. Helena even says, “We cannot fight for love, as men may do; we should be woo’d and were not made to woo” (Rogers, 1998, Act 2, Scene 1, 241-242). Second, Hermia disobeys her father and cannot decide on marriage. She is disrespectful towards her father’s commands. Hermia goes on to say, “I do entreat your grace to pardon me. I know not by what power I am bold” (Rogers, 1998, Act 1, Scene 1, 58-59). Lastly, we have Hippolyta who pretends to love King Theseus and is a liar. She stands by through the oppression of different women in the play. Although, Hippolyta shows dominance in her words. “Four days will quickly steep themselves in night; four nights will quickly dream away time” (Rogers, 1998, Act 1, Scene 1, 6). We see the King’s impatience at having Hippolyta, but Hippolyta has the control and patience. “Hippolyta, I wooed thee with my sword, And won thy love,
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
In A Midsummer Night’s Dream, there are many traces of lenses. The lens that I chose to explain is the gender lens. Since this is a long time ago, women weren’t treated the same as men. Women were treated as items, as property. Men were the rulers of everything, they made the big choices. Hermia was treated as property that Demetrius wanted, even though Lysander already “owned” and Egeus (Hermia’s father) was lending out to people. It seems like a sexist world back then.
There are many dissimilarities between the two characters Helena and Hermia in "A Midsummer Night's Dream". Hermia has a bold personality while Helena is more pessimistic. During most of the play, Helena is being compared to and comparing herself to Hermia's beauty. The confidence that Hermia has allows Hermia to be mentally strong enabling her to overcome difficulties unlike Helena who is always insecure. Lastly, Hermia's independence is proven to the audience from the beginning of act one when she continuously talks back to her father and Theseus to not be married to Demetrius. Therefore, in William Shakespeare's play "A Midsummer Night's Dream" Hermia is the pretty and independent woman while her friend Helena is the exact opposite.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
Similar to other works by Shakespeare, such as The Taming of the Shrew, A Midsummer Night’s Dream embellishes the pressures that arise between genders dealing with complicated family and romantic situations. The plot includes a duke who is going to marry a woman he conquered in battle, the king and queen of the fairies embroiled in a fight so fierce that it unbalances the natural world, and a daughter fighting with her father for her right to marry the man she chooses. The girl’s father selects Demetrius to marry his daughter, but she is in love with another man, Lysander, who loves her in return, and her friend Helena is in love Demetrius, but he wants nothing to do with her. Considering the fact that males were dominant during that era, whereas, men chased women, and women remained submissive, Shakespeare dallies with those traditional roles and there are several possible reasons why. Perhaps he made women a stronger force in his plays because he wanted to give his audience a break fr...
Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)
A Midsummer Night’s Dream, by William Shakespeare, is a play that illustrates a good picture of woman’s lack of freedom. It is a story of several couples, among which there is a fairy king, Oberon, who proves his sovereignty over the queen of the fairies, Titania. The two have an ongoing conflict about who should keep the Indian boy, whose mother had recently died. Titania doesn’t want to give him up because she and the boy’s mother knew each other very good; whereas Oberon has no relations to the boy, but really wants him as a servant. Ultimately, Oberon wins the boy by using a trick of his on Titania, revealing her weakness. Shakespeare uses Oberon to show this power of man over woman and to expose woman’s unheard, meaningless, and feeble opinions through Titania. In several scenes throughout the play, the female character, Titania, struggles to do as she desires; however, Oberon takes things under his control and helps to portray the female as weaker than the male.
A Midsummer Night’s Dream, penned by the acclaimed author William Shakespeare, demonstrates erratic relationships in the form of a romantic comedy. The play takes place in ancient Athens where Theseus, duke of Athens, and his fiancé, Hippolyta, prepare for their grand wedding. During the preparations, Theseus must settle a dispute between a man named Eugeus and his daughter, Hermia. Hermia desires to marry a charming young man by the name of Lysander, however, her father forces her to wed Demetrius. Throughout the story, Hermia and many other women, battle with their love affairs. Through these chaotic love affairs, the predominant female characters show their strengths as well as their weaknesses through various events in the play. Two
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
In order to accurately describe the role of women in Shakespeare's A Midsummer Night's Dream, one must first explore the female characters in the text. Shakespeare's works had few females because women were not allowed to act in London in the late 1500s and early 1600s. Disregarding the standards imposed on women of his time, Shakespeare created many female characters that were strong-willed, intelligent, and daring. Hermia of A Midsummer Night's Dream is one such character. She disobeys her father, her king, and the Athenian law so that she might marry the love of her life. She discards all the luxuries of her familiar and comfortable existence for the uncertainties of a distant land in exchange for the freedom to love Lysander. The only complaint against Hermia by feminist critics stems from her willingness to defy one set of confinements derived and maintained by men-her father, the king, and the male authors of Athenian law-to become the subordinate of yet another man. However, even though she rebels away from the limitations she ultimately runs towards, she is much more indep...
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
Born on approximately April 23, 1564 in Stratford-upon-Avon, England, William Shakespeare is considered by many to have been the greatest writer the English language has ever known. His literary legacy included 37 plays, 154 sonnets, and five major poems. Among his many plays is the notable, Twelfth Night, a romantic comedy, placed in a festive atmosphere in which three couples are brought together happily.
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
William Shakespeare’s The Tempest provides dialogue that portrays the social expectations and stereotypes imposed upon women in Elizabethan times. Even though the play has only one primary female character, Miranda, the play also includes another women; Sycorax, although she does not play as large a roll. During many scenes, the play illustrates the characteristics that represent the ideal woman within Elizabethan society. These characteristics support the fact that men considered women as a mere object that they had the luxury of owning and were nowhere near equal to them. Feminists can interpret the play as a depiction of the sexist treatment of women and would disagree with many of the characteristics and expectations that make Miranda the ideal woman. From this perspective, The Tempest can be used to objectify the common expectations and treatment of women within the 16th and 17th Centuries and compare and contrast to those of today.