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Essay on michelangelo's paintings
Essay on michelangelo's paintings
Michelangelo influence on art
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Michelangelo was the greatest artist of the Renaissance era. He was one of
the most diverse sculptors, architects and painters of his era. His painting in the
Sistine Chapel, his sculptor of David and his design of St Peters Basilica are some of
the greatest works in the world. These works identify him as the greatest of his
time. The techniques that Michelangelo used in The Sistine Chapel, The David and in
the design of St. Peters Basilica make him the greatest artist of his time.
Michelangelo was born in Caprese, Italy on March 6, 1475 and spent most of
his childhood growing up in Florence. His family was very wealthy as his dead
worked for the government and his relatives were bankers. However, Michelangelo
did not want to follow in his father’s footsteps. Instead, he was attracted to the
artistic world. Michelangelo soon became an apprentice to Domenico Ghirlandaio,
who was the best fresco wall painter in Florence. Michelangelo’s first teacher was
Domenico Ghirlandaio. Ghirlandaio was a master in fresco and Michelangelo learned
St. Peters Basilica was one of the greatest architectural designs of the High
Renaissance era. The Basilica is spaced in two sections both surrounded by tall
colonnades, a row of columns supporting the roof. The faced, which is a space in
front of the building, is covered with a huge order of columns that stretches across
the end of St. Peters Square. The Basilica is cruciform in shape (meaning cross
shaped) with an extended nave. The central space of the Basilica is Michelangelo’s
design of the dome, and is located on top of the church. It is the biggest dome in the
world. The dome stands at 136.57 meters (448.1 feet) in height and 41.47 meters
(136.1feet) in di...
... middle of paper ...
...oulders to rest at different angles giving a little bit of a curve to the entire upper
body. The detail Michelangelo gives the body of David is unmatched by any other
detail in a sculpture. His muscles react with how his body is posed; he has his left
foot almost off the ground as if he is going to take a step forward at his fallen
opponent showing how he is moving. David’s massive size was something that
really impressed Michelangelo’s fellow artists and sculptors like Donatello and
Leonardo Di Vinci. Donatello’s statue of David only stood 158 cm tall (5 feet) that’s
twelve feet smaller than the massive seventeen foot tall David of Michelangelo’s. It
looked as if Michelangelo had brought back life into a dead heroic classical figure
with this incredible sized sculpture. His seventeen-foot tall sculpture surpassed any
other sculptures of his time.
One of the most defining features of both the Pantheon and Jesse Hall is the larges domes that sit atop their structures. When the Pantheon was created, there was no dome ever created to the scale or size of the one that tops the building to this day. The dome itself sits on a drum like structure that supports the structure. The top is not completely curved like many other domes today. A stepped dome is used near the bottom and begins to curve more towards the top where the oculus sits. This oculus allows any sort of element into the building including sunlight, rain, and snow. The Pantheon, being a space of religious worship when originally created used the dome for many different purposes. In Understanding Architecture, extra contributor David Wat...
St Peter’s basilica which is built based on rational form of architecture is a Late Renaissance church located within Vatican City, designed by Donato Bramante. Its significant history is that according to the Catholic tradition this was the place that Saint Peter was buried. Not so far away...
A little over 6 feet of marble, Donatello’s first version of David was one of his earliest known commisions that mark the beginning of his artistic career. He was commissioned by the Operai of the cathedral of Florence to create a David statue to decorate one of the buttresses. The statue ended up looking too small when placed high up, so it was taken down and later requested to be displayed in Palazzo Vecchio, the town hall. Many historians dismiss his first version of David, calling this piece unoriginal and nothing to praise.
Michelangelo was born in Caprese, Italy on March 6th 1475. His family was politically prominent as his family had large land property. His father was a banker and was looking to his son to engage in his businesses. As a young boy, he has ambitions of becoming a sculptor, but his father was very discouraging of this. He wanted his son to live up to the family name and take up his father’s businesses. Michelangelo became friends with Francesco Granacci, who introduced him to Domenico Ghirlandio(biography.com). Michelangelo and his father got into a series of arguments until eventually they arranged for him to study under Ghirlandaio at the age of thirteen. Ghirlandaio watched Michelangelo work and recognized his talent for the art and recommended him into an apprenticeship for the Medici family palace studio after only one year of at the workshop. The Medici’s were very rich from making the finest cloths. Lorenzo, which was one of the most famous of the family had a soft side for art and is credited for helping the Italian Renaissance become a time of illustrious art and sculpting. At ...
Named after the pope that had the project commissioned Pope Sixtus IV. Although Pope Julius II being the pope that contracted Michelangelo to paint the famous fresco on the ceiling.” For such an important building the Sistine Chapel is remarkably plain outside – a high, block-like rectangular brick building without adornment.”(Telegraph.co,2013)
This sculpture seems to epitomize the ideal male human form. All of the body parts seem perfectly proportioned and the muscles are beautifully defined as if the image were of an athlete. The image is youthful with a calm demeanor. The right missing forearm looks as if it used to be resting at his side, while the left elbow was probably at a 90 degree angle, with the hand holding something. The slight bend in the left leg gives the impression of movement, as if the image was frozen while walking. The counterpoised stance adds an air of nobility to the "man".
When one sees the Notre Dame de Paris cathedral in person or in pictures they are likely to be awestruck. The twin towers of the western façade rise high into the sky, seemingly in an attempt to scrape heaven. Spiky arches seem to grow out of the sides and claw at the ground. Inside it is cavernous with colored light filtering in through the large, intricate stained glass windows. All of these physical qualities make Notre Dame a prime example of Gothic architecture. It does not stand alone in that distinction. One is also likely to see several hundred examples of this style on varying scales throughout Europe. Because, despite its humble origins, Gothic architecture became the standard for religious buildings in the early 11th century thanks to innovative use of new and old design techniques which resulted in majestic buildings that symbolized the builder’s version of heaven.
While in Milan, Da Vinci spent a considerable amount of time on a number of dissections of the horse in preparation for a statue. While the bulk of the drawings on the anatomy of the horse are of the surface anatomy, and drawn by Leonardo in the guise of the artist, there are nevertheless some detailed ones illustrating the muscles of the horse's thigh compared to the corresponding muscles of man, suggesting that ...
These sculptures presented the body in a way no had ever seen before. Most of the sculptures were very detailed, had Greek and Roman classical influences, and were free standing with the often use of bronze to construct them. A few examples of sculptures are Michelangelo’s David, Moses, and Pieta. His David marble sculpture glorifies the human body and is standing in a contrapposto stance, with more weight on one leg. Contrapposto is very humanistic as it was used a lot by ancient Greek and Roman sculptures. The facial expressions as well were very individualistic and emotional. Michelangelo’s Pieta was the most “perfect” block of marble he had ever used. This sculpture is Mary holding the dead body of Christ before he was placed in the tomb. The proportions of the body are not entirely natural in relation to the other as Mary’s body appears much larger than Christ’s. Michelangelo’s Moses was another example of a sculpture in the Renaissance. This sculpture is very large and shows the power of the man which gave people even more ideas about the
Leonardo Da Vinci could be argued as one of the most famous persons in the Renaissance Era and one of the greatest painters to ever live. Leonardo is talented and has made many contribution throught his life. He did so many things such as painting, anatomy , mechanics, and architecture. And he is one of the reasons why the Renaissance era could be regarded at one of the greatest time periods in history.
Most people do not realize that a parachute and the Mona Lisa have one common factor—Leonardo da Vinci. His techniques of self-teaching are very impressive and unique from anyone else’s during the Renaissance era. This Renaissance man, Leonardo da Vinci, generously impacted the art and science world by creating new-world inventions, perfecting newly found art techniques, and creating the most famous pieces of art in history.
The Propylaea also carries an aesthetic value. Many of the famous architectural designs from its era are featured. According to The CSA Propylaea Project, doric and ionic columns, colonnades, and hipped roofs are all included in the structure. In a time period full of conquest and destruction, any example of architecture that is still standing is not only extraordinary, but extremely
age of twenty-five and is the only work he ever signed. This sculpture shows a
The Papal Basilica of St Peter in the Vatican, or simply St Peter’s Basilica is one of the largest church’s in the world with a total area of 44,000 square meters, with 219 square meters of the basilica itself. (Dupre’, J., 2001, p.65) Located in Vatican City, the papal enclave within Rome, St Peter’s Basilica is the most renowned work of Renaissance architecture. There were 4 main architects who contributed to the project: Donato Bramante, Michelangelo, Carlo Maderno, and Gian Lorenzo Bernini. Construction began on the new basilica on 18 April 1506 under Julius II, who also laid the first stone and was completed in 1615 under Paul V. The Façade, designed by the architect Carlo Maderno, “Is 114.69 metres wide and 48 metres high, and has an order of Corinthian columns and pilasters, over which lies an imposing cornice with a central tympanum, crowned by a balustrade with thirteen statues (nearly 6 metres high).”
the house I am surrounded by four columns leading to the most elegant doors I