The Tragedy of Macbeth is a play written by William Shakespeare in the early 1600s. Set almost entirely in Scotland, the play dramatizes the physical and psychological effects of ambition and power. Shakespeare wrote this play during the reign of King James I, who was King James VI of Scotland before succeeding to the English Throne in 1603. Shakespeare paid homage to King James’ Scottish lineage, as well as the witch’s prophecy that Banquo would found a line of kings; this is clearly a reference to King James’ claim that he had descended from the historical Banquo. This essay will discuss how The Tragedy of Macbeth offers insight into the message of ambition and demonstrates how ambition can result in tragedy.
However, Macbeth wasn't the only character that had a striving ambition for power. Lady Macbeth, who can be considered one of the most evil and manipulative characters of all time, even does some horrible deeds to assume her position as queen. Lady Macbeth is a character who offers deep insight into the message of ambition, as she is willing to do almost anything to become Queen. She is one of the main protagonists and the wife of the play’s protagonist, Macbeth. Firstly, she provokes Macbeth to commit regicide, as if this happens, she will become the Queen of Scotland. Secondly, she has far greater strength of will and ambition than her husband Macbeth. While he is worried about committing regicide against the King, she provokes him to commit the act so she can become Queen of Scotland. In Act 1, Scene 5, Lady Macbeth says, “Glamis thou art, and Cawdor, and shalt be what thou art promised.” Thirdly, she seems to be perfectly aware of her own strength and influence over the weak will of Macbeth, and that her ambition wants what she is promised. Nevertheless, she doesn’t mind getting her hands dirty with the blood of King Duncan either. In Act 2, Scene 2, Lady Macbeth replies to Macbeth after he brings the murder weapon to her, “Infirm of purpose!
The sleeping and the dead are but as pictures.” Finally, she takes the daggers and plants them on the guards to frame them for Duncan’s murder, all so she can become the Queen of Scotland. Macbeth’s and Lady Macbeth’s ambition peaks at one point in the play: the murder of King Duncan, which then causes them to lie, frame, and murder all for their ambition to stay in power and maintain their position. The murder of King Duncan is a pivotal scene in The Tragedy of Macbeth. It demonstrates the turning point of each character as they give in to their desires and ambition to gain power. Many factors are involved in Macbeth’s crucial decision in the demise of King Duncan. King Duncan’s murder is a result of Macbeth and Lady Macbeth’s unyielding ambition to gain power.
She also asks them to give her the strength to kill Duncan, she just wants to get on and do it without feeling guilty. At the end of the scene she takes full control of the situation, and Macbeth seems glad to let her have the responsibility.
After the death of King Duncan, Macbeth becomes the more controlling one, and Lady Macbeth’s guilt eventually becomes too much for her to handle which leads to her death. Lady Macbeth is in fact the one that performs the preparations for the murder of King Duncan, but still shows some signs of humanity by not committing the murder herself because he resembles "My father as he slept". After the murder has been committed, she also shows signs of being a strong person because she calms Macbeth down in order to keep him from going insane.
Macbeth is captured by his wild ambition at the opening of the play when he and Banqou meet the three witches. The witches tell Macbeth that he is the Thane of Cawdor, and later will be king. They tell Banquo that his sons will be kings. Instantly Macbeth started to fantasize how he is going to be king. He understood that in order for him to become king he has to kill Duncan. “My thought, whose murder yet is but fantastical”(Act 1 Sc. 3, p.23). He was pondering about the assassination until the moment that he could no longer control his emotions. “To prick the sides of my intent, but only vaulting ambition, which overleaps itself and falls on the other-“(Act 1 Sc. 7, p.41). Because of his “vaulting ambition” he killed Duncan.
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
William Shakespeare’s Macbeth is a play centred around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a noble and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very nave, gullible, and vulnerable.
This quote explains how Macbeth thinks how could killing the King be bad or good? If anything the witches say is bad then why am I Thane of Cawdor? If he wanted to do the right thing he wouldn’t even think about killing King Duncan. Ambition is already starting to show as his flaw. Later into the act, Macbeth’s lust for power comes into full swing when he decides that he will kill Duncan. This lust blinds him to what he really should do. The audience can see this greed in this quote, “If it wer...
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
In Macbeth ambition plays a huge role in character devolvement. Ambition affects four of the major characters. The characters are Macbeth, Lady Macbeth, Malcom, and Banquo. The sisters are the source of Ambition. It is as if they control ambition. The ambition the sisters’ control is negative ambition. Ambition is, wanting to have more then you have and wanting it now.
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
The Tragedy of Macbeth is a play written by William Shakespeare that focuses on two characters who are driven by their intense desire to dominate the country. In the first act, Macbeth is visited by three witches who reveal to him a prophesy that he will become King of Scotland. When Macbeth's wife, Lady Macbeth, learns about the witches' prediction she begins to use her powers of influence over Macbeth and persuade him to sabotage anyone who presents a threat to the fulfillment of the prophesy. The outcome of these events is destruction riddling the country in many forms, including: tyrannical leadership and deteriorating relationships. The annihilation that results from Macbeth's misguided ambition can be shown through the reoccurring motif of hallucinations. Ambition is a characteristic necessary to succeed in life; however, if the ambition is misguided it will lead to the dissolution of a person's character.
The Shakespearean play, Macbeth, is one of the most famous works of English literature to have ever been written. It is also Shakespeare’s shortest and bloodiest tragedy. The ruthless nature of the plot can be attributed directly to the overflow of ambition in the play’s characters. The theme of ambition is the driving force of the play as it has the greatest effect on the story itself. The impact of ambition is exhibited through the actions of Lady Macbeth, Macduff, and predominantly, in the main character, Macbeth.
Words are the basic elements of the English written language. With words, one can say precisely what one wants to say, a skill that Shakespeare has mastered. In Macbeth, he carefully chooses each word so as to say exactly what he wants to say, and often leaves these words open to the reader’s interpretation. One such carefully chosen word is the word “slave,” a simple word meaning “someone entirely under the dominion of a person or an influence” (Random House, 674). Although this word appears only four times within the play, it’s importance should not be underestimated. Every time that Shakespeare chooses to use the word “slave” he is using it to show a “slave of ambition,” an important symbol within the play.
Macbeth, who at the beginning of his play’s plot is in a position of some honor and power, obtains position as king of Scotland through secretive foul play, spurred on by some external manipulation as well as personal ambition. “Macbeth’s ambition is unchecked by both moral and legal considerations-he will stop at nothing to get what he desires… Macbeth’s unbridled ambition is the root of the play’s evil because he is willing to throw the world into chaos in order to satisfy his personal desires.” (Thrasher, 92). His rebellion is heinous, but so long undiscovered. His ambition, though present in some degree from the beginning, metastasizes within him through the play as more obstacles to his retention of royal status crop up. “He begins well…but this...
Ambition is an underlying theme throughout Macbeth, it is the tragic flaw in human kind, bound to lead to disaster. In Act 1 scene 7 this is one of the most interesting scenes of the play. This is the last time as we see Macbeth a freeman, he can still make the decision whether he wants to be good or evil. The choices that are preventing Macbeth are committing the murder, fear of the consequences on this earth, variety of feelings of kinship, loyalty, and hospitality he admires Duncan’s goodness as he is not the most moral character but hes power is what urges him on that are motives of good A soliloquy, which is found in Act 1, scene 7, in the lines 1-28, Macbeth debates whether he should kill Duncan. The imagery that is in this speech can be dark and moody for most people. Some examples we hear of imagery are “bloody instructions,” “deep damnation,” and a “poisoned chalice”—and suggests that Macbeth is aware of how the murder would open the door to a dark and sinful world. When the soliloquy ends, Macbeth goes to resolve to not kill Duncan but this only...