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Characters of romeo and juliet
Characters of romeo and juliet
Characters of romeo and juliet
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Mercutio's Part in William Shakespeare's Romeo and Juliet
Romeo and Juliet, one of the most outstanding stage plays in the
world, was produced by William Shakespeare in around 1595. It is one
of the greatest tragedies ever produced as it explores and expresses
the sensations of love and has the most memorable storylines of all
time. One of the most entertaining characters Shakespeare has created
throughout his career without a doubt is Mercutio, who is the kinsman
to prince Escales and could be argued to be the most significant
character in the play. The following argument will bring about the
essay that I am writing.
Mercutio, though he is one of the most influential characters of Romeo
and Juliet, still plays the 'second fiddle' to Romeo and maybe even
Juliet (as it might be suggested by the title). However his
intelligence, wit and charisma have a huge part to play in the outcome
of the play. This means that it could be argued that Mercutio is as
important as he thinks he is.
Mercutio is perhaps the most cynical and poised characters in the
history of stage plays. His insolence and irresponsible bawdiness make
him a brilliantly effective figure on stage. Love to him is to be
treated roughly and his outrageous comments and gestures to the other
characters are wittily exaggerated, bringing great entertainment and
comedy moments to the play. Mercutio's main role in the play is to
enhance the purity of Romeo's love by contrast. He acts as Romeo's
conscience when he urges him in to the ball. Moreover the figurative
'Queen Mab' speech, where the almost mystical and enchanting midwife
ends up as an incubus, shows how Mercutio us...
... middle of paper ...
...nd comedy makes his character vital to the
play and to keep the audience entertained.
Mercutio has an essential part to play in the whole play despite the
fact that Romeo and Juliet are the main characters. It is he who
unites them both and his relationship with Romeo is vital to the play.
Overall it is Mercutio's characteristics, language, themes that he
adds and appeal to the audience which makes him such an interesting
character to watch. When Mercutio feels a false sense of honour, it
will ironically contribute to the death of his friend. Merutio had
seemed to turn the play into a comedy at times: but some can say that
it is with his death that we know the play to be a tragedy. He is one
of the greatest characters that Shakespeare has ever created and his
character is essential to the whole play Romeo and Juliet.
from Odysseus, hero of the Trojan War, to Richard III of Shakespeare’s play. A prominent,
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
While reading Shakespeare's play “Romeo and Juliet” it is easy to see that everybody in the story is at fault for the deaths of Romeo and Juliet. Personally however, I believe that three of the main characters are more at fault then the other characters. First is Mercutio, Romeo’s best friend. Next is Benvolio, nephew of Lord Montague and Romeo’s other friend. Last is Friar Lawrence, Romeo and Juliet Franciscan Priest. In a story of unorthodox love, family feuding, and violence, many are at blame for the deaths.
It is human nature to place blame and point fingers at someone, but it is a lot less common to take responsibility for your own actions. Sometimes, we put ourselves in positions that are detrimental to our lives or well-being. Even though we are responsible, it is likely that we will place the blame elsewhere. In Shakespeare’s Romeo and Juliet, Mercutio found himself with a similar conflict. Tybalt, Juliet's cousin, killed Mercutio during a fight in the town square. It would be easy to say that Tybalt caused Mercutio’s death since it was his sword that killed him, but that is simply false. Mercutio ignored many warnings and continued to antagonize the fight that lead to his death. The character ultimately responsible for Mercutio’s death is
Mercutio and the Nurse in William Shakespeare's Romeo and Juliet. Throughout the whole of Romeo & Juliet there is a strong comparison. between Mercutio & the nurse. Neither are a part of either family, but they get drawn into this family brawl.
Romeo and Juliet has many themes which are fate, death and love, these are all intertwined. At the very beginning of the play, before we even know the characters, we know that ‘death-marked’ ‘Star crossed lovers’ will ‘take their lives’ which already brings in the major themes. Shakespeare uses dramatic irony throughout the play and builds up the tension until Act 3 scene 1 where death starts to play a role. The Prologue also informs us about the Montagues and Capulets dislike for each other. The theme of love is also there thought the play. There are different types of love, the unrequited love the Romeo feels for Rosaline and that Paris feels for Juliet. There is also the love between friends such as with Romeo and Mercutio as Mercutio dies to protect Romeo’s honour and then Romeo avenges his death, and then the romantic love Romeo and Juliet share. I believe the Mercutio is one of the main characters in this play. His speeches tell us a lot about him and his actions have a large affect on the ending of the play. Mercutio’s name means mercurial meaning “an unpredictable and fast changing mood” which is an accurate description of Mercutio's personality because in Queen Mabs speech at the beginning he is joking and seeking attention, but at the end he becomes serious and angry.
Romeo & Juliet (1968) was originally a play that was written by William Shakespeare, but as time progressed, plays became less popular and films became more popular. In 1968, Franco Zefirelli directed the film Romeo & Juliet that was nominated and won fifteen awards. Some of these awards are two Oscars, three Golden Globes, and five Silver Ribbon Awards. Romeo & Juliet is a romantic tragedy about forbidden love between two young teens whose families despise one another (CITE). Juliets family is referred to as “the Capulets”, and Romeo’s family are “the Montagues” (CITE). Zefirelli uses lighting and framing to capture the audience’s attention and design to reflect that the Capulets and Montagues during the Medieval time era. Meanwhile, he portrays
The tradition of the tragedy, the renowned form of drama based on human suffering that invokes an accompanying catharsis, has principally become a discontinued art. Plays that evoke the sense of tragedy-the creations of Sophocles, Euripides, and William Shakespeare-have not been recreated often, nor recently due to its complex nature. The complexity of the tragedy is due to the plot being the soul of the play, while the character is only secondary. While the soul of the play is the plot, according to Aristotle, the tragic hero is still immensely important because of the need to have a medium of suffering, who tries to reverse his situation once he discovers an important fact, and the sudden downturn in the hero’s fortunes. Arthur Miller’s Death of a Salesman is the modern tragedy of a common man named Willy Loman, who, like Oedipus from Oedipus Rex by Sophocles, exhibits some qualities of a tragic hero. However, the character Willy Loman should not be considered a full-on tragic hero because, he although bears a comparable tragic flaw in his willingness to sacrifice everything to maintain his own personal dignity, he is unlike a true tragic hero, like Oedipus, because he was in full control of his fate where Oedipus was not.
...tion the audience does he confronts Romeo and loses his life in a fight. In the most heartrending instance of dramatic irony, Romeo kills himself after seeing Juliet in her grave. Romeo’s death is all the more tragic because the audience is aware that Juliet is in fact not dead, and had this information gotten to Romeo neither him nor Juliet would have died.
Romeo and Juliet is a tragedy. It tells the tale of two lovers from rival households and the tragic journey that leads to their destruction. The play shows all the events over the course of four days in Romeo and Juliet’s home town of Verona. Monday through Thursday is all we have to see of the Montague and Capulet families to acknowledge their hatred for each other. The play shows the struggle of Romeo and Juliet in their efforts to stop the hatred between their families and live happily ever after. But despite their efforts, they end up digging their own graves, showing how different actions have different consequences.
Beginning with the Greeks, tragedy has been an essential form of entertainment. Although it has changed slightly over time due to different religious and social values, it is still written and performed to this day. Perhaps the most well known tragedy of all time is Shakespeare's Hamlet. Hamlet is perhaps the epitome of all tragedy. Not only does the tragic hero Hamlet meet his demise, but all the main characters in the play at some point due to some flaw in their character, or some fatal decision, also meet the same fate. It is because of their character flaw and/or their fatal decision at some time during the play that their death can be justified.
Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary work that describes the downfall of an honorable, main character who is involved on historically or socially significant events. The main character, or tragic hero, has a tragic fault, the quality that leads to his or her own destruction. In reading Aristotle’s point of view, a tragedy play is when the main character(s) are under enormous pressure and are incapable to see the dignities in human life, which Aristotle’s ideas of tragedy is based on Oedipus the King. Shakespeare had a different view of tragedy. In fact, Shakespeare believed tragedy is when the hero is simply and solely destroyed. Golden (1984) argued the structure of Shakespearean tragedy would be that individual characters revolved around some pain and misery.
...h it is tragic that Romeo and Juliet both die in the end, this play is not a tragedy as they alone did not determine their destiny. Certainly, tragic heroes have their lives ended for different reasons, but according to Aristotle, only true tragedies have tragic heroes that bring about death through their own mistakes.
Before the twentieth century plays were mainly written as either a tragedy or comedy. In a tragic play the tragic hero will often do something that will eventually destroy him. In the book Oedipus the King, Oedipus is the tragic hero. In this tragic play the main character, which is portrayed as Oedipus, will do a good deed that will in turn make him a hero. This hero will reach his height of pride in the story, and in the end the action, which he had committed earlier, will return and destroy this man who was once called a hero.
Arguably the best piece of writing ever done by William Shakespeare, Hamlet the is the classic example of a tragedy. In all tragedies the hero suffers, and usually dies at the end. Othello stabs himself, Romeo and Juliet commit suicide, Brutis falls on his sword, and like them Hamlet dies by getting cut with a poison tipped sword. But that is not all that is needed to consider a play a tragedy, and sometimes a hero doesn't even need to die. Making not every play in which a Hero dies is considered a tragedy. There are more elements needed to label a play one. Probably the most important element is an amount of free will. In every tragedy, the characters must display some. If every action is controlled by a hero's destiny, then the hero's death can't be avoided, and in a tragedy the sad part is that it could. Hamlet's death could have been avoided many times. Hamlet had many opportunities to kill Claudius, but did not take advantage of them. He also had the option of making his claim public, but instead he chose not too. A tragic hero doesn't need to be good. For