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Interpret romeo and juliet
Theme of hate in romeo and juliet
An essay to prove how violence drives the plot of Romeo and Juliet with force rather than love
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Romeo and Juliet, the play which is set in Verona is a story about a long feud between the Montague and Capulet families. This feud causes tragic results for the main characters in the play, Romeo, and Juliet. The events contrast hatred and revenge with love and a secret marriage, forcing the young star-crossed lovers to grow up quickly and die tragically in despair. In William Shakespeare’s Romeo and Juliet, I will be portraying the role of Mercutio in Act 3 Scene 1. In this scene, Mercutio wants to fight Tybalt. Along the way Benvolio and Romeo try to stop the fight and, Mercutio ends up getting stabbed by Tybalt under Romeo's arm. Mercutio acts in pain cursing the two families before he dies. Therefore, the character of Mercutio in William Shakespeare's Romeo and Juliet in Act three Scene one should be depicted with a furious tone in order to emphasize the scene’s theme, violence isn't always the answer. …show more content…
Mercutio is neither a Montague nor a Capulet, but he is known for stealing the show even if he shown in four scenes. In this scene, it is revealed that even though Mercutio is the class clown there is another side of his personality that shows he is a complicated man to deal with. Mercutio's personality affects how he interacts with others by him pushing away others and focusing on the main thing. In this scene, Mercutio says,“O calm dishonorable, vile submission! Alla stoccata carries it away, Tybalt, you rat-catcher, will you walk?” Which states his tone of anger because he does not like how Romeo ended the argument with him and Tybalt. His personality changes because he doesn't like calm arguments he likes drama and fights, that's why he starts a fight with Tybalt. This connects to my theme, violence isn't always the answer because when Mercutio walked in and wanted to start a fight with Tybalt for no reason at all, he ended up getting stabbed and
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
.However,as the play progresses,it becomes noticeable that Benvolio has changed through his character and makes different choices to help his friends,but as the same time deceives them.The text states that,”O noble Prince,I can discover all The unlucky manage of this fatal brawl.There lies the man,slain by young Romeo,That slew thy kinsman,brave Mercutio.”(3.1 144-147) Shakespeare forms him to be a leader when situations are not the best between the Capulets and the Montagues;he portrayed beginning when the “civil brawls”(1.1 92) first started breaking out in the streets.
In the Shakespearean play, Romeo & Juliet, aggression is represented in different ways by the different characters in the play. Tybalt, Romeo, Benvolio, and the others all have their own way of dealing with hate and anger. Some do nothing but hate while others can’t stand to see even the smallest of quarrels take place.
conflict with the Tybalt. Mercutio on the other hand, who is a dear friend. Romeo will not back out of the fight and is killed in the onslaught. The snare of the snare. Romeo, seeking revenge, tragically kills Tybalt.
In a story of unorthodox love, family feuding, and violence, many are at blame for the deaths. One of the people I think is responsible for Romeo and Juliet’s death is Mercutio. Mercutio had evoked a fight with his enemy Tybalt. In Act 1 Scene 1 lines 228-229 Benvolio tells Romeo “By giving liberty unto thine eyes.
Mercutio: Menî–¸ eyes were made to look, and let them gaze. I will not budge for no manî–¸ pleasure, I. This is just a small sampling of crime and violence versus peace and law. Later in this scene, Mercutio challenges Tybalt in a duel, then when Mercutio is slain, Romeo goes on to challenge Tybalt, killing him. If Mercutio, Tybalt and Romeo would have listened to Benvolio, the fights would have not occurred, and the outcome of the play would be changed. An example of love versus hate occurs through the relationship Romeo and Juliet and the hate between their families.
Romeo was very loyal to his friends and family, and it is possible that Mercutio thought that Romeo would help him fight off Tybalt (since he was unaware of Romeo and Juliet’s secret marriage that somewhat united Romeo and Tybalt). However, this argument is easily deemed invalid. Romeo was not in the town square when the fight had first began, so Mercutio expecting his help in the fight would be a far-fetched idea. A person who is not present cannot help or hinder the situation at hand. In addition, Romeo tried to break up the fight when he said, “Gentlemen, for shame forbear this outrage! Tybalt! Mercutio! The Prince expressly hath forbid this bandying in Verona streets. Hold, Tybalt! Good Mercutio!” (Shakespeare 121). Romeo tried to stop the fight and therefore gave Mercutio more time before death, albeit minimal. The blame cannot be placed on Romeo since he did all that he could to stop the fight from
Shakespeare strongly establishes Mercutio’s desire to prove himself as strong through his unwillingness to back down, his carelessness to danger, and his need to be seen. Shakespeare displays Mercutio as a stubborn character when he refuses to leave even when Benvolio urges him to because the conversation was becoming heated. This is best shown when Mercutio says “I will not budge for no man’s pleasure, I.” (1, 1, 58) He uses his persistence to prove himself as though he is stronger than all of the Capulets who were getting angry. Even when the sense to leave the scene is presented by Benvolio, Mercutio abandons his better thinking and stands his ground.
Mercutio is one of the most unique characters in Shakespeare's Romeo and Juliet. His language is always powerful and imaginative. The Nurse is a very important character in the play because as her title suggests, she is. a Nurse for the Capulet family. She is also a surrogate mother to Juliet.
Romeo, Benvolio, Tybalt, and Mercutio often times have their moments, whether they be comedic relief, tense segments, plot fillers, or simple information givers. It is overt Mercutio, Tybalt, and Benvolio is Romeo's best buds and foil. A foil is an opposing character who reveals information or traits about another character, mainly a protagonist. Mercutio is Romeo’s close friend and a blood relative of the Prince and Count Paris, Tybalt is Romeo’s enemy and a Capulet, and Benvolio is a Montague and a sweet one at that. Mercutio’s character arch is often times a jest one. Cracking jokes and teasing Romeo in the opening of the play. He is the one who gives us most of the information about Romeo’s wanted lover Rosalind, and foreshadowing towards
The excerpt shows how even Mercutio recognizes the feud between the Montagues and Capulets being destructive, and how it is now gotten so out of hand he has been dragged into it. Mercutio tries to open Romeo’s eyes on how if this feud continues there will be a demise for both families; but by Romeo choosing to ignore this advice and killing Tybalt he is setting himself up for his failure/downfall. Thus, Romeo is shown as a tragic hero because his demise is partly his fault and not an accident.
In the play Romeo and Juliet by William Shakespeare, Mercutio, a friend of Romeo plays a deep role within the play. Many characters in Romeo and Juliet can represent the masculine or feminine spaces. The masculine space is chaotic and more towards the sexual and material side of the play, which have more of a tragic potential. While the feminine space is peaceful, more romantic and spiritual in giving a better chance for the comic potential. Mercutio represents the masculine space while Romeo prefers the peacefulness of the feminine space. Mercutio tells Romeo to be rough with love, he tries to keep him within the masculine space after the ball, and he fools with the Juliet’s nurse because of his actions he pushes Romeo towards tragedy.
The Role of Mercutio in Romeo and Juliet In William Shakespeare's Romeo and Juliet, each character plays a specific role in driving the action forward and shaping the play's theme. One secondary character, Mercutio, is essential to the play. Mercutio is the Prince's kinsman, but more importantly, he is Romeo's friend and confidant. Mercutio's concern is always for Romeo and for peace between the two families, the Capulets and the Montagues. Mercutio is the first to see that Romeo is deeply in love.
Mercutio's Death in William Shakespeare's Romeo and Juliet In 'Romeo and Juliet' Mercutio is the faithful friend of Romeo. His death comes as a huge shock to the audience, in Act three, Scene one, when he is brutally murdered by Tybalt, the violent cousin of Juliet. To understand the rest of the statement, one also has to look at the difference between a comedy and a tragedy. Shakespeare's plays can be separated into three different categories, the comedy, tragedy and the history.
The trait that best describes Mercutio’s persona is his impetuousness as it propels his impulsive and hot-tempered nature. Throughout the story, Mercutio serves as a fiery foil to Romeo, and often provides comic relief from dark situations and in many instances advances and provides more information on the storyline. This is evident in his impulsive attitude and his ability to always draw attention to himself, unlike most other characters. In one such passage, Benvolio suggests to Mercutio that they leave because the Capulets are coming and he knows they would not be able to escape without a fight. However, Mercutio shows his impetuousness, and tendency to make bad decisions, by not listening to Benvolio’s advice. Following this, his impetuous personality is shown in the lines,” O calm dishonourable, vile submission! /Alla stoccata carries it away./ Tybalt, you rat catcher, will you walk?” (Gill 3.1.44-46) In this passage, Mercutio’s impulsiveness is on full display as he acts on his rage, and ends up getting himself killed for his bravado. This passage uses the foil between Romeo and Mercutio and motivation in character to portray Mercutio’s