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Psychosocial family dynamics
Psychosocial family dynamics
Mental illness and oppression in literature
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The comparison between the reality world and the imaginary world is a present in many of the stories we have read this semester, in particular Charlotte Gilman’s “The Yellow Wallpaper”. In the Gilman’s work, the reader sees a troubled woman who has an internal struggle, but projects it onto a hideous wallpaper. It is evident that the protagonist is suffering from some form of mental illness, but she also suffers from the lack of attention ended to help her condition. Throughout the story, the protagonist’s mental health continues to deteriorate until she can no longer distinguish reality from her imagination. Living in one’s own imagination can bring disastrous results to one’s actual reality, but imagination is not the true evil one. It is …show more content…
The protagonist explains that John does not really believe in her condition, and even though he claims to want to help her, he is never home. John is never home because he is working, “John is away all day, and even some nights when his cases are serious” (Gilman 794), this shows that John does not see his wife’s condition serious instead he, like many people in that time, viewed physical injuries more important than mental illnesses. John may be a loving husband but he does not help his wife’s condition, instead he actually worsens it. It is evident that the protagonist’s suffers from postpartum depression and John does not see the signs, to be fair it was not “discovered” until much later. Postpartum depression symptoms include: depressive moods after giving birth, reclusive behavior towards child, and …show more content…
The rest cure had worsen the protagonist’s depression, it actually developed into a severe case of psychosis. The psychosis impaired the protagonist’s view of reality and made her let out her condition onto this wallpaper. The wallpaper confused the protagonist with its pattern and distinct smell. The protagonist began to study it since she did not really have anything to do and wanted to crack the pattern. After spending countless hours studying the wallpaper, the protagonist finally discovers the woman behind it. This imaginary woman mesmerized the protagonist and caused her to believe the woman was trapped and wanted to be let out. On the last day of the three month stay at the house, the protagonist has finally given herself completely to her imaginary world. The protagonist starts to say some interesting lines like: “But I am here and no touches this paper but me—not alive!”, “I tried to lift and push it until I was lame, and then I got so angry I bit off a little piece at one corner—but it hurt my teeth”, and “I am getting angry enough to do something desperate. To jump out of the window would be admirable exercise…”(Gilman 802). All of these quotes show how far the protagonist is inside the imaginary world she created based on a yellow wallpaper. The protagonist is so far into this imaginary world that she would kill John’s sister and herself, and hurt herself for
She was placed in this treatment called the “rest cure” that made her somewhat like a prisoner. She started to slowly decrease into psychosis due to her husband’s treatment, the environment, and the way society has treated her illness. The love the husband felt for his wife and the fear he had of losing her lead him to treat her in questionable ways. He placed her in environment that made her feel trapped and aided to her reduction in sanity. Ann Oakley in her article, “Beyond the Yellow Wallpaper” discusses how important this story truly is. Oakley talks about the gender differences and the harm that it can bring to a society. This treatment was acceptable and normal for the situation because society has taught him and her that it was normal. Even if the protagonist’s husband meant well the treatment she was placed in for depression lead her to have more psychological damage, increasing her insanity more each
The irony between the two characters shows us how the narrator has a false sense of how a marriage should be. “John laughs at me, of course, but one expects that in a marriage” (Gilman 478). It is ironic because in a healthy, normal marriage, no one expects for a husband to laugh at his wife, but the narrator finds it to be completely normal. The narrator truly believes that her marriage is normal and that everything is fine, when in fact her husband has tricked her into going to an abandoned insane asylum in hopes of curing her. Another ironic moment is when John’s course of treatment backfires. John believes that taking his wife to an old asylum and locking her in a bedroom will be the cure for her for her depression, but it does the complete opposite. The narrator states, “I’ve got out at last, in spite of you and Jane. And I’ve pulled off most of the paper, so you can’t put me back” (Gilman 489). Both John and his sister believed that by isolating the narrator she would eventually become sane, but they failed to realize what was really wrong with her. John’s state of ignorance and his stubbornness lead him to misjudge the situation a...
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
There are various interpretations of what causes the narrator to go crazy in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. These interpretations include suggestions that the narrator is possessed, that she is oppressed by society and is acting out, that she has suffered from a traumatic childbirth, and so on. While all of these ideas hold merit and are supported by evidence in the short story, there is an alternative explanation that fits the story just as well, if not better. That explanation is that the reason the narrator in “The Yellow Wallpaper” acts strangely and sees images in the wallpaper of her room is that she is suffering from the disorder of postpartum psychosis. During this essay I will be going into depth on a psychological analysis of “The Yellow Wallpaper”.
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
The “Yellow Wall Paper “ by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper itself as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity.
The initial factor that leads to the narrator’s following slip into the madness is John, her physician and husband. John’s definite dominant and highly respected figure generates a controlling relationship with her, taking away the narrator’s freedom even in the slightest aspect of her life. For instance, as simple as to write a journal, she is not able to do so because “John would thinks it’s absurd”(79). Her husband’s therapeutic process and opinions on how to handle and treat her mental sickness makes her not to trust her own thoughts doubting them instead, and restricts her to do anything in her will. At one point when the narrator tries to talk to John and said that she ”really was not gaining here” (80) and she “wished he would take [her] away”(80), he calms her by suggesting that she should not be having such worries and he replies “My darling, … There is nothing so dangerous, so fascinating, to a temperament like yours… Can you trust me as a physician when I tell you so?”(80). This demonstrates how John’s manipulative authority causes her to feel unfaithful and irrational. John does not notice that every instance that he refuses and shuts her out, her need to express her thoughts
The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.
The narrator has been prescribed the rest cure as a treatment for her hysteria, which in reality is probably postpartum depression. She is not allowed to have any physical stimulation and, as such, only observes details of her environment. The wallpaper, in the beginning of the story, is described as "flamboyant" and "the color revolting" (793). This is little more than a minute detail in the narrator's description of the home in which the family is vacationing.