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World War 1 and the changing role of women
World War 1 and the changing role of women
World war i and women
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“It Is Nice in the Surf BUT What about The Men In The Trenches Go And Help” Analysis In my poster the message is it maybe nice at home but the men in the trenches need help. The poster is from World War I July 28, 1914 through November 11, 1918.
The target audience was any guy age 18 through 38 but could not go overseas until age 19. The opinion in the poster was for young men to go to war to help fight in war. Emotional words about the men in the trenches and scare tactics that you might be there one day.
The color of the poster was black, red, and blue. The print of the text is big and bold. The viewer's eyes can draw attention to the go and help. The color red symbolizes blood that will be shed, black for all the deaths, blue for the
All of these hardships the soldiers faced caused an overwhelming sense of hopelessness and constant fear. To counter this sense of despair, the soldiers had many ways of coping with or avoiding the reality of the war. Tim O’Brien, with Going after Cacciato and In the Lake of the Woods, addresses th...
When World War II broke out in 1939, many countries began using propaganda to strengthen support for the war. Countries battling in the war used propaganda to unite citizens and keep them focused on contributing to the war effort. During the World War II period, Great Britain and their allies; which included the United States and China, were one of the groups in the war that used various techniques and platforms in order to spread propaganda across their countries. One such platform that played a major role in the spread of propaganda was Britain and their allies’ use of posters to increase morale among people.
"Feature Articles - Life in the Trenches." Firstworldwar.com. First World War, n.d. Web. 05 Apr.
...be exaggerated to grab the media’s attention. The source A9 is helpful as it tells us how terrible the trenches were such as the diseases and hygiene problems that were present in the trenches.
This affects each soldier when the war is finished. When a soldier returns back to his home after the war, he is unable to escape his primitive feelings of survival.
This contrast in style affirms that the soldiers are human and provides emphasis to the weight these intangible objects have on the soldiers. An emotional burden that the men must carry is the longing for their loved ones. The Vietnam War forced many young men to leave their loved ones and move halfway across the world to fight a questionable war in an unfamiliar land.... ... middle of paper ... ...
Ultimately, they were trying to survive. They were trying to make it back home when they knew they would never be the same man as before. They were scared, but walked around and carried the war on a courageous front. Often, these men carried each other with unconscious support. They were brothers in arms.
Essentially the posters intentions were to boost morale at home. This was a necessity since the United States had to cut short American liberties and rights in order to successfully wage a war. Such liberties included: food rationing, involuntary drafting, metal rationing, relocation of citizens, and many other restrictions. Posters were used to keep morale high and reassure the public just what they were fighting for and that victory is inevitable.
These two colors draw the viewer’s eye to look directly at words first then to the picture located in the middle. The text says, “When you ride ALONE , you ride with Hitler,” is highlighted in black. The color black represent power and control and that also emphasizes who Hitler was.The text located on the bottom of the page, “Join a car-sharing club today,” is highlighted yellow and that colors represent positivity and energy. Also, the color of the text is a mirror image of the problem and solution. “When you ride ALONE, you ride with Hitler” highlights the problem the United States is trying avoid. “Join a car-sharing club today” is the solution to how the United States can stop their
This poster was executed by Cornelius Hicks for the American Red Cross in 1928, shortly after World War I. It is recruiting poster for volunteer nurses/ mother dressed in a white nurses outfit with a white hat and the Red Cross symbol on the front and red cap. This figure is the lightest and most prominent figure in the illustration drawing mediate attentions to her and her motherly features. The nurse’s right hand is open and stretched as
“World War Two: Government Posters. How did Britain encourage people at home to help win the war?” The National Archives. 2008. http://www.nationalarchives.gov.uk/documents/education/propaganda.pdf
"World War II on the home front: Rationing." Rationing . Web. 17 Mar. 2014. .
Keith Haring’s poster of Ignorance=Fear, Silence=Death has a series of three yellow colored people in several different positions. The figures are non-representational because we do not see anything that truly defines the gender, age, or possibly even race of these people. The first yellow colored figure has their hands covering to what appears to be their eyes, and has a pink x over their stomach. A series of black lines surround the figure. Some of these lines are straight and others curve around the figure’s body. The second figure is covering the sides of their head. Once again a pink x mark is covering their stomach, and there are black curved and straight lines surrounding the body. Finally, the last figure we see is covering the bottom
Trench warfare was introduced in order to bring a barrier between forces. They were dug by soldiers and were very lengthy, but very cramped. Soldiers crouched down for extended periods of time to keep their heads blocked from being a target for the other side. They sat their watching their friends die from disease and from being shot, bombed, or poison gassed while they waited to fire their weapons at the enemy.
Trudging through ravaged landscapes with rooted out trees, blood and mud everywhere, trenches infested with rats, half filled with water and with corpses – these were the circumstances in which some 8,700,000 lives had been lost during the First World War. However, this reality was long kept from the knowledge of the civilians at home, who continued to write about the noble pursuit of heroic ideals in old patriotic slogans (Anthology 2012: 2017). Those poets who were involved on the front soon realized the full horror of war, which is reflected in their poetic techniques, diction, and imaginations. Campbell (1999: 204) refers to their poetry as trench lyric, which not only calls attention to the poems’ most common setting, but also the accompanying images of filth, barbed wire, shell fire, and so forth. The genre portrays these distressing conditions in an unromantic light, thus differentiating it from the patriotic lyrics of the early war. It is realistic in that it employs the traditional styles and diction of English poetry, however uses these conventional poetic forms to portray the gruesome details of the situations of the trench (Campbell 1999: 205).