Men In Black Sociology

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The above-discussed information is to show how the cinematic apparatus enables filmmakers to make the viewer survive the transformations depicted in the movie. Furthermore, it defends a role of a proper delivering of the point of view in creating the movie. Hollywood managed to learn concept and probably the best example of it Men in Black of 1997. “In the final sequence of Men in Black, the camera flies in seconds from the known universe to an alternative one” (Douglass 104) and preferably introduced the viewer to experience this transition. This task indeed has been a topic of the considerable researchers’ and scientists’ explorations since long. In the Middle Ages, besides a research on the structure of the universe, astronomers have been …show more content…

On the other hand, every movie is a reflection of the ideologies and values shared by an entire society or a particular community. This conclusion is a natural one as is based on the nature of the cinematography. Specifically speaking, since the cinema tends to deliver the reality to the viewer, it also delivers the ideologies, values, and characteristics of this reality. Independently on the theme the movie focuses on, it portrays the particular aspect of social reality. The cinema shows the relationships between people, their decision-making while facing the obstacles, attitudes to the specific events and phenomena, and morals. The filmmakers introduce their visions of the above-mentioned manifestations and the life itself to their works. Furthermore, since the cinematography affects most human senses, the ideological representation in it has profound implications. Moreover, while considering the human nature of filmmakers, it is also easy to conclude that they introduce their ideologies to their works. In this context, the ideological representation of the cinematography is even more noticeable because filmmakers tend to depict the reality that surrounds them in their works (Baudry 42). Consequently, they introduce the spread values and principles of life to their works. It relates to a social life, citizens’ dreams, values, ideals, interpersonal relationships, structure of the society, perception of race and gender, mentality, and state of politics. More specifically, the cinematography is a reflection of the surrounding reality delivered to the audience due to an application of the technical apparatus (Baudry 43). The community’s ideologies represented in the movies are one of the aspects of this reality. At the same time, the technical base of filmmaking is shaped under an influence of the particular ideologies. Jean-Louis Baudry

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