Meet Patel Film review Motivational Quadriplegic Sport Murderball successfully conveys the emotion and mentality of people with disability. In this movie, Mark Zupan and Joe Soares prove that disability may put them at a disadvantage, but as long as they have a will they can make something out of their life. Their competition is a huge indicator of their mentality of not giving up. However, there are some contradiction to how actors are portrayed. In the beginning Zupan is referred as an “asshole” and a “jock” by his friends, but later he is seen attaching to Keith Cavill- a new quadriplegic patient who is in denial of the accident- at emotional level and giving him motivation to accept his life and move on. Similarly, Soares behaves like he …show more content…
For example, as Zupan puts it in a satirically aggressive way, “What, are you not gonna hit a kind in the chair? Fucking hit me, I’ll hit you back.” And also when Hogsett describes his hand function, “Hold on let me move ‘em. There you see? I moved ‘em.” (Showing he couldn’t move them at all). A particular scene from Zupan’s high school reunion showed how people should behave and be open to quadriplegic. As one of the Zupan’s friend put it, “Zupan was very much an asshole before the accident, so any attempt to point to the accident as the cause of his behavior would be an utter hoax.” Now, this might be an critical way of saying that they don’t really feel any different about him than they used to prior to the incident, and that’s exactly how Zupan and many other people with disability wanted to be treated- equals. Igoe, the one who put Zupan in the wheel chair, wasn’t present mainly for the reason that Zupan’s friend described, “Some part of Igoe thinks he is responsible.” Zupan is able to forgive his best friend from high school, but question remains if Igoe can forgive himself, which is answered at the
In this work Nancy Mairs, a woman with multiple sclerosis, discusses why she calls herself a cripple as opposed to the other names used by society to describe people with disabilities. She prefers the word “cripple” over the words “disabled” and “handicapped”. Nancy Mairs presents herself as a cripple using a straightforward tone, negative diction, repetition, and logical/ethical appeal.
3. Throughout the movie, it was apparent that Dr. Francis and Dr. Gallo, displayed the same objective of wanting to discover the cause of AIDS; however, in terms of critical thinking, it’s obvious that they utilize different styles of critical thinking. To further explain, in one segment of the movie, Francis compares and correlates already known viruses that cause cancer, damage t-cells, and exhibit the same symptoms with what he thinks might be the cause of AIDS. However, Francis is comparing his fields of expertise in which he already knows and thinks might be true, not with what has been scientifically proven; therefore, he is using wishful thinking, a speed bump of critical thinking. There are also times in the movie, where Francis thinks
Meeting the Patels is a 2014 romantic, comedy documentary directed by Geeta V. Patel. The film depicts the journey of Ravi V. Patel on the search for an adequate Indian wife that meets the criteria of his family, and who he can also feel a personal connection with. In the film the depiction of two countries: United States and India played a role on Ravi’s decision on finding a wife, and how each country portrays the role of marriage and the laws surrounding it.
The documentary The Dhamma Brothers deals with a group of prisoners in an Alabama who partake in an intensive Vipassana meditation retreat, their experience illustrates that even those serving life sentences for crimes are not beyond personal growth and rehabilitation. In the documentary, the Birmingham Maximum Security Prison in Alabama participated in an intensive meditation program based off the Vipassana principles. Prisoners that volunteered were to remain in total silence and meditate for 10 days as part of the program. It viewed the lives of four prisoners convicted of murder before, during the intensive and arduous meditation process and the after effects of the program. Through the Vipassana program, it emphasizes even inmates that
...ive most of their life as a perfectly able-bodied person until a tragic accident one day could rob you of the function of your legs, and you have to learn how to cope with being disabled. Mairs illustrates that being disabled is more common than the media portrays, and it’s hard to deal with feeling alienated for your disabilities. These three authors have evoked a sense of sympathy from the reader, but they also imply that they don’t want non-handicapped people to pity them. The goal these authors have is to reach out to the able-bodied person, and help them understand how to treat a disabled person. The disabled people don’t want to be pitied, but they still need our help sometimes, just like if you saw someone with an arm full of grocery bags having difficulty opening their car door. They want us to accept them not as a different species, but as functional people.
This tone is also used to establish an appeal to pathos which he hopes to convince the audience of the fact that handicapped people are still people and not less than anyone else. A very prominent example of Peace’s emotion is displayed when he says, “Like many disabled people, I embrace an identity that is tied to my body. I have been made to feel different, inferior, since I began using a wheelchair thirty years ago and by claiming that I am disabled and proud, I am empowered,” (para. 15). This declaration demonstrates to his audience that Peace is honored by who he is and what disabled people can do and that he is tired of being oppressed by the media. Peace also makes this claim to support his thesis in the first paragraph that states, “The negative portrayal of disabled people is not only oppressive but also confirms that nondisabled people set the terms of the debate about the meaning of disability,” (para. 1). This is Peace’s central argument for the whole article and explains his frustration with society’s generalization of handicapped people and the preconceived limitations set on them. Peace’s appeal to pathos and tone throughout are extremely effective in displaying to his audience (society) that those who have disabilities are fed up with the limits that have been placed in the
Murderball is more than a narrative about a solitary occasion. Not exclusively does the film pay praise to the players yet it brings to light the issues faced by individuals experiencing quadriplegia. The film indicates diverse parts of expert and private realities of the debilitated competitors. Highlighted is the strength and enthusiasm of the players who conflicting with the chances figure out how to live to the maximum.
These handicaps not only took away their emotions, but gave them seriously horrible headaches. They gave the people something that they described as,"visions". The people would have screeches in their handicaps. Harrison Bergeron does not deserve to be known as the crazy man who jumped on the stage and ripped off his handicaps. He should be known as the brave man who was willing to take off his handicaps. Bergeron might have seemed like a threat at the moment. But he is a hero. Other people might think of him as a threat to society, but they need to read the story more carefully, because it is unreasonable to describe someone as a threat when they are just trying to be
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
The movie fails to represent modernization theory, due to its focus on economic and political interests and intrigue, rather than the social development of the people of Zangaro.
Many people do not realize that Indian people are around us everyday. They could be our neighbors, our bus driver, or anyone that we see on a daily bases. In Thomas King’s essay “You’re not the Indian I Had in Mind,” and his video “I’m not the Indian You Had in Mind,” he exemplifies the stereotype that many people make about Indians. King mentions in his essay that people always would say to him, “you’re not the Indian I had in mind,” because he did not look like the stereotypical Indian. Through King’s essay and video, I have been educated about this stereotype that I was unaware of. Since I now have an understanding of how unrealistic this stereotype is, I now can educate friends and family members on this issue.
In the film Sankofa it gave the viewers a direct representation of what it was like to be a slave. What it felt like, the pain, the abuse and the anger that drove them to killing their master’s. The main character Shola went from someone who did not agree with violence as a source of revenge to someone who had nothing but fight left in her. This character's change in emotion alone just made me even more angry about what they did to my people. This film made me really see how much life and innocence they took away from black race. This film was different from other slavery films I have seen. The characters showed raw emotion which gave a more impactful insight of slavery. The character Joe who struggled so much with his own identity and
Films are made to both entertain and educate, offering sources not only of joy but also knowledge and information. It is widely assumed that films, Hollywood movies in particular, mainly provide visual pleasure and happiness, as well as inviting them to make affective investments into the plot of a film. However, more than just a visual aesthetics, films, a major element of societal multicultural education, can be perceived from an educational point of view as acting as a functional educational tool, exercising enormous power to influence the ways mass audiences think, talk, feel, behave and desire. In this sense films hold the power
Personality is a branch of scientific discipline that studies temperament and its variation among people. It is a dynamic and a set of characteristics possessed by their atmosphere, cognitions, emotions, motivations and behaviours in various things. Personality conjointly refers to the pattern of thoughts, feelings, social adjustments and behaviour consistently exhibited over time that powerfully influences one’s exceptions, self-perceptions, values and attitudes. It also predicts human reactions to different folks, problems and stress.
The movie Gandhi starts off with the assassination of Gandhi on January 30, 1948. He was killed because of the split of Hindus and Muslims into Pakistan and India, instead of trying to keep the country united (which was impossible at the time). The story then jumps back to Gandhi early in his life, when he is a practicing attorney. He is traveling in South Africa on a train and is thrown off because he refuses to give up his first class seat. The conductor wants him to move because he is Indian. This upsets him and he organizes a burning of the discriminatory codes. The protestors are arrested and released.