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Medea euripides analysis
Medea euripides analysis
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21st century America values a variety of things; some people value money, some value their families, and some value Netflix. Just as each generation and various subcultures around the world have different values, the people of Greece around 500 B.C.E. also had their specific set of beliefs and certain concepts held above others. Euripides exemplifies the Greek values of contest, wit, and acts of the gods through the title character of his Greek tragedy Medea. One of the Greek values embodied in Medea is the value of wit . Although one could argue that Medea’s behavior is rather impulsive and the result of an unstable state of mind, the fact that was able to cause the damage she did in the matter of one day could only add to the argument of just how quick Medea really was. The first example of …show more content…
this is shown when Medea convinces Creon - the king of the country in which she is residing as an alien – to allow her to stay one more day before her and her two sons are permanently exiled. Creon has heard of Medea’s wit and fears it, but Medea uses that fear to soothe him, explaining she is “...not really so clever” and “…in no position…to go against those who rule” . Unfortunately for Creon, letting her stay that one day lead to the demise of himself and his daughter. Another scene portraying Medea’s cunning is when the King of Athens, Aegeus, comes to Corinth hoping for a solution to his inability to produce a child. Medea takes advantage of this situation by telling Aegeus of her powers to give him what he needs, if in return he provides residency in Athens after she is exiled from Corinth. Aegeus agrees to her bargain, and Medea now has a place of refuge. One of the last places Medea’s wit is emphasized is her second encounter with Jason, the man who is technically her husband and the source of all Medea’s malicious intentions. After verbally attacking Jason and calling him out on all the wrong he laid upon her, she comes back and apologizes to him, claiming she now understood why he left her for a princess and supposedly regrets acting so moody. This display of remorse to Jason is pleasing, and gains Medea some of his sympathy. So yes, at the start of the play one might jump to the conclusion of assuming the story is following an unstable, manic woman; but, however manic, the ease with which Medea persuades and deceives shows just how clever she had to be given her state of mind. The next Greek value displayed through Medea is contest – or as the ancient Greeks called it, agon .
To Medea, her conflict with Jason is a game to see who can take more from the other, who can leave her arena having gone through the most pain. Agon is shown through what Medea takes from Jason, how she makes him suffer for what he’s done to her. First, Medea takes his mistress, the princess of Corinth. By playing her strengths in herbs, Medea offers gifts of a dress and crown laced with a poison that essentially burns the princess’ skin off along with anyone who touches her. After she takes away Jason’s lover, she takes away what she knows will hurt him the most: their two sons . It is obvious at this point that Medea has become so consumed with this idea of contest that she fully believes the way to win is by killing her own two children. Lastly, to ensure that Jason’s pain exceeds her own, Medea not only refuses to let Jason bury the children but also prophesizes to him of an insignificant and shameful death. With a goal, target, and strategy in mind, the empowering concept of agon really is what pushed Medea to do all she did; she was simply trying to win her
game. A third classical Greek concept found in Medea is the influence of the worshipped Greek gods in the characters’ lives. We know the Greeks greatly valued their gods by learning that the Parthenon and other great pieces of architecture were built as temples, and that the Olympic festival that is still celebrated today originated as a holy ritual dedicated to Zeus . With Jason and Medea, Jason proclaims that Medea was not in fact in love with him, but was put under the influence of Eros (Cupid), a god of love, and his powers. Medea also later claims that “…the gods [a]nd [her] own evil schemes…” had brought about all of her misfortune – showing that Medea believes that everything that has happened to her is not just her doing, but that the gods she worshipped brought it upon her as well. Lastly, the gods, or more specifically the Sun, was credited in providing the chariot Medea occupies while in her final confrontation with Jason, also the machine she intends to take to Athens. So while Jason believes the gods are to blame for Medea’s love for him, Medea believes the gods have not only been partially responsible for her behavior but also end up aiding her as she leaves her justified murders in Corinth. In conclusion, through the characters’ dialogue and interaction, Euripides displays the Greek values of wit, agon, and the impact of the gods in the tragedy that is Medea.
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,
She gave the children the dress she made and the diadem, submerged with poison and instructed her to give these gifts to the princess under the false impression that she wants to please her so she may convince her father to allow the children to stay in Corinth. After the death of the king and the princess, Medea kills her two children. The only time the children have spoken and they plead to live. There is no future for the children, to escape their mother’s wrath and anger and her drive to hurt and destroy everything and everyone that Jason loves and cares about. Medea contributes to the work as a whole because we see her side of the story and understand the motives behind her action and the consequences as the result of her madness. Medea is the rising action and the climax of the play. We also see Jason side of the story from his conversations with Medea and his explanation was awful. He is the reason for the conflict and issues for Medea but Jason does not take care of the problems he created nor does he take the responsibility for the consequences of his actions. He married a sorceress and not a normal Greek
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
Medea is a tragedy written by acclaimed Greek playwright Euripides.fortunately, had the opportunity to view last night's performance. Euripides cleverly uncovers the reality of Ancient Greek society, shining a light on the treatment of women and the emotions and thoughts that provoked during their time in society. As they were voiceless, Euripides acted as a voice. The scene is set during a male- dominated society, Medea the protagonist challenges the views and chooses to ignore the normality of civilisation. Treated as an outsider her passion for revenge conquers the motherly instincts she possesses, provoking a deep hatred and sparking revenge towards her once loved family.
Despite the contrast in the characters of Euripedes' Medea and Aristophanes' Lysistrata, the two playwrights depicted how gender inequality can start a fire. As with Medea and Jason, the battle between the two lead to former's madness, leading to the death of the enemies she considered, and, unfortunately, leading as well to the death of her own children. Medea felt betrayed and left behind by her husband Jason, as well as continuously aggravated by Creon despite the fact that i...
Euripides tried to show the Athenian audiences the problems with society. He expressed his ideas that these people must be treated better. The women and the foreigners not only need more political and social power, but they also need to be treated with respect and dignity within the Athenian society. Euripides showed Medea as an extreme example of the erring ways of Athens, hoping it would lead to the better treatment of foreigners and women.
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Aristotle, a philosopher, scientist, spiritualist and passionate critic of the arts, spent many years studying human nature and its relevance to the stage. His rules of tragedy in fact made a deep imprint on the writing of tragic works, while he influenced the structure of theatre, with his analysis of human nature. Euripides 'Medea', a Greek tragedy written with partial adherence to the Aristotelian rules, explores the continuation of the ancient Greek tales surrounding the mythology of Medea, Princess of Colchis, and granddaughter of Helios, the sun god, with heartlessness to rival the infamous Circe. While the structure of this play undoubtedly perpetuates many of the Aristotelian rules, there are some dramatic structures which challenge its standing with relevance to Aristotle's guidelines, and the judgment of Medea as a dramatic success within the tragic genre.
In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.
Although Medea killed and did things that people felt were wrong it is evident that through out the play that along with her other characteristics, she was a caring and loving person. The first time we are shown this is when we discover everything she did for Jason. If she did not love him she would not have done those things. We are also shown that Medea can be a caring person by the love that she had for her children. Although she killed them in the end during the play she was a mother to her children, she showed affection to them, and she did think twice before she killed them. It is because Medea was a caring and loving person that she did what she did. Her feelings were hurt and her heart was broken; and she did what she felt she had to do to hurt Jason for hurting her.
Euripides’ style of work mostly focus on personal issues and dilemmas. He portrayed the flaws of humans and heros in his plays during ancient Greek, thus he was not a very popular writer during his time. As shown in one of his famous work, Medea, centralizes on the characters Medea and Jason and their broken marriage and erratic behaviors. Euripides use his main characters to express his opinion of Greek society during his time. In Medea, he uses Medea and Jason to express his concern of the disfunction of marriage, divorce, and vengeance. He reveals the flaws of Medea and Jason as he develops through the play. Medea and Jason made decisions that hurt each other, their marriage, and other victims. They justified their wrongdoings not because they were saving themselves, because they
Medea's plan was set into motion. She has nothing to loose. She is even angrier because she betrayed her own father and her people for him. She even bears the burden of having Pelias killed by his daughters for Jason. She decides to take revenge out on Jason's bride and poisons her. She also doesn't want Jason to take the children from her. She decides to kill them, but agonizes over this decision before killing them. Some critics view this as a pathetic attempt at motherhood. I know there is a certain bond between mother and child. She just wants to hurt Jason as much as she has been hurt. "She first secures a place of refuge, and seems almost on the point of bespeaking a new connection. Medea abandoned by the entire world, was still sufficient for herself." (blackmask).