The plays Medea, by Euripides, and Antigone, by Sophocles, are often analyzed as being supportive of feminist ideas. Yet, one wonders whether Euripides and Sophocles really could have been behind what would have been a very radical idea in their misogynistic society. A feminist is defined as “a person who supports the advocacy of women’s rights on the basis of social, political, and economic equality to men.” Key word: advocacy. Euripides and Sophocles portrayed ideas we now recognize as feminist, however, I do not believe they themselves supported or could even conceive of equal rights for women.
Medea and Antigone were written in 5th century Athens during a period that has been referred to as the “Golden Age of Greece.” In this burgeoning democratic society, new ideas and philosophies were common and thought was encouraged. However, (give an example or describe the treatment of
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The fact that Medea refused to conform to society’s expectations when she had been abandoned by her husband for another, was taboo to the play’s audience, to say the least. Back then, her husband Jason’s actions were entirely normal, but Euripides forces the males in the audience to question their everyday beliefs about women. This plot line, along with its loose attachment to feminist ideas, was reminiscent of my sophomore year study of The Great Awakening by Kate Chopin. Chopin did not consider herself a feminist writer. Rather, she simply intended to show a truthful perspective of what it was to be a woman in the 1800’s. She aimed to express in her writing that not all women could be the perfect wives and mothers expected of that society. Both Edna and Medea wanted more than society was willing to allow. They weren’t cookie-cutter women who fit into the motherly, nurturing,‘good wife’ box that society carved out for
In learning about the feminist movement, we studied the three articles and discussed and reviewed the different authors perspectives on the topic and learned how important the role of woman in Greek Mythology. In presenting the feminist theory to the class we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept.
In the play Antigone written by Sophacles, Antigone did not really have a role to play in society. She explored a contrast between the behaviour expected by women and the way she really acted in society. Women were considered as slaves being servants in homes, weaving all the time. During those days women did not have any rights and only had to obey the King’s orders.
Medea and Antigone are two stories of women fighting back for what they want, or what they feel is right. These stories take place in ancient Greece, around the time of its rise to power. Medea and Antigone are both strong, sometimes-manipulative characters but have different moral settings that control what they do.
The texts Antigone and Wicked challenge conventional ideas about gender. Both Elphaba and Antigone demonstrate strong will and are figures of rebellion as they challenge the status quo in their patriarchal societies. The main characters in these books reject feminine constructs of leadership, challenge democracy, and deconstruct ideologies of maternity and male dependency through embracing the label as “the other” courageously.
Medea is a tragedy written by acclaimed Greek playwright Euripides.fortunately, had the opportunity to view last night's performance. Euripides cleverly uncovers the reality of Ancient Greek society, shining a light on the treatment of women and the emotions and thoughts that provoked during their time in society. As they were voiceless, Euripides acted as a voice. The scene is set during a male- dominated society, Medea the protagonist challenges the views and chooses to ignore the normality of civilisation. Treated as an outsider her passion for revenge conquers the motherly instincts she possesses, provoking a deep hatred and sparking revenge towards her once loved family.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
“Medea,” a play by Euripides, depicts the difficulties that befall women and how their suffering from mistreatment, turned her to commit violent and terrible transgressions. Medea’s display of ceaseless demoralized actions lead to the death of nearly her entire family. The text depicts powerless women that live under the rule of their husbands in a male dominated society. Medea rises against societal norms during this time by her strong belief in her own ideas, she rises to power, and begins to challenge the idea of a strong, heroic character.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
Considering the behavior of not only Medea, but of all the women in Euripides play, Medea can be viewed as the first feminist work that paved the way for feminist views that are still being considered today. In Euripides play, Medea realizes fairly quickly just where her place as a woman is in the society. She says, “We women are the most beset by trials of any species that has breath and power of thought” (Euripides and Taplin 14). The chorus also says, “New value is coming for our female kind, no longer shall slanders pollute our story” (Euripides and Taplin 22), the other women are crying out for people to see the value in females, for a feminist revolution.
Life cannot be without a measure of darkness, trials and tribulations, for success would lose its meaning if it were not balanced by sadness. A women’s place in society has been a constant bumpy road when it has come to adding equality into women’s roles in society. Sophocles exposes the unequal power relevance between men and women in 441 B.C. as Thebes has a conflict between Antigone and Creon unfolds in his play Antigone.
The speech itself highlights women's subordinate status in ancient Greek society, especially in the public eye." When Medea points out that women, especially "foreign" women, "require some knowledge of magic and other covert arts to exert influence over their husbands in the bedroom," she argues for a kind of alternative power that women can enjoy. A power that remains invisible to men and unknown by society, yet sways each with unquestionable force. Medea also supplies a method for interpreting her own character towards the end of her speech (lines 251-257): we should read her history of exile as a metaphoric exaggeration of all women's alienation; in fact, her whole predicament, past and yet to come, can be read as an allegory of women's suffering and the heights of tragedy it may unleash if left unattended. Under this model of interpretation, Medea portrays the rebellion of women against their "wretchedness." Such a transparent social allegory may seem forced or clichéd in our own contemporary setting, but in Euripides' time it would have been revolutionary, as tragedy generally spoke to the sufferings of a generic (perhaps idealized) individual, rather than a group. It would be a mistake, however, to claim that Medea's speech elaborates a clearly progressive political message, as her concluding remarks appeal to women's natural talent for devious manipulation (line 414). While Euripides' play manifests many revolutionary political sentiments, its social criticisms remain sporadic, forming just a part of some of the many trains of thought he follows.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
For centuries women have fought to obtain basic civil rights and today, they are still fighting to obtain equal rights. From the right to vote to their right to birth control, women have always been trying to assert their own independence in order to expand their freedom. While much progress has been made, there is still room for improvement. However, the evolution of women’s rights and the role of women is mirrored in literature and can be used to illustrate the progression throughout history. Sophocles’ Oedipus Rex is no different. Through the character Jocasta, Sophocles creates a counterpart to Oedipus and uses her to reveal the oppression of women by contrasting her and Oedipus’ relationships and reactions to the prophecy. Throughout the play Oedipus Rex, Sophocles illustrates Jocasta’s vulnerability and supportive nature in order to women as fragile, doting, and obedient wives and mothers to facilitate the necessity of self-assertion.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.