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The influence of realism
The influence of realism
Social movements and its impact essay
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The times are changing, and so the art does the same along with the people that buy paintings. Every piece of artwork might be compared to apples and oranges for an example one piece of art may be enjoyed by one person may not be appreciated by the next person. The difference between these two paintings has a lot to do with the time these artists live in because the social movements change people's moods it depends on the time where we live. For example, the Great Depression or more currently the Recession in 2008 when people who love art cannot afford to buy art. Why would someone buy art when they cannot even pay their mortgage? The expressionism movement was the beginning of the modern contemporary time in comparison to the realism …show more content…
It appears Pechstein paints the background with bright, dramatic shades of blue, red, and yellow this is the way he sees his subject in dramatic lighting. This style is different in the Madonna and Child, while Pechstein's showing his loose brush strokes with a big brush when the Madonna and Child use of brush strokes are almost none existent judging how realistic the style is in the painting. Pechstein captures a moment in time with gestures of how the ballerinas stand. The figures look as if they might have been moving while the artist was creating this painting it would have been difficult to fine tune this painting as much as the Madonna and Child. Pechstein's uses paint almost straight from the tube because the pigment is so bright that it is different in comparison to the Madonna and Child where the painting is more mixed with other colors to create that natural glowing flesh tones of the skin. Pechstein captured the stance of the ballerinas and the overall shape of their bodies in this painting. At the beginning of the 1912 expressions, contemporary movement artist stopped caring as much in defining the subject in the art as if it were a photograph. In the Madonna and Child picture, the artist painted every fold down to the glowing roles of the skin of the baby. The details of both paintings had a lot to do with the time they were living during the 1500s when the art crowd loved realistic art with religious subjects a big difference compared to the year 1912 when the art crowd enjoyed the expressionistic style with bold, bright colors. The expressionistic style of painting is apples and oranges compared to the realistic style of the Madonna and Child. In 1912 the art crowd might have been tired of looking at the same practical
Madonna and child is one of the early Christian paintings. It shows “Madonna” as the virgin Marry and the “Child” as baby Jesus. The artist Berlinghiero did this great painting in the Greca period in the twelfth century. This painting was done on wood with two figures in front of a gold background. Madonna is wearing a dark blue cloak with golden decorations that cover most of her body; she is also wearing a reddish dress underneath her cloak that is only visible on her arms. To show here modesty the only thing that can be seen is here arms, neck and face. Her hand has and unrealistic look to them so as if they look long and skinny. According to the museum label “Berlinghiero was always open to Byzantine influence, and this Madonna
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
I will compare the emotions that both artworks send to the viewers when they first look at them. When I look at the portray 1, I fell sadness. That’s what the artwork is conveying to me. No one in the picture is happy or smiling. Everyone is sad, upset or indifferent. When we look at their gaze, the father is looking traight away, with tired eyes. His gesture shows that he doesn’t want to hear what his wife has to say and is asking her to stop. The mother’s gaze is on something in front of them. Her eyes are big and she seems to be giving more attention to things than the man. She seems sad sad to be spoken that way. On portray 2, the atmosphere is visibly different. The man and woman have a little smile on their faces and the kids are playing next to them. The people in the portray don’t look indifferent to each other or sad like in the other portray, they look pleased and caring. The man and women gaze are relaxed and they seem to be enjoying themselves. They are looking straight away in a pose as if someone is taking a picture of them. The kids gaze are in their
The painting is intimate, almost as if was not meant for the eyes of the viewer. The mother gently holds the baby, within her arms, as she feeds him. The mother’s gaze is met by the child as it reaches out to touch her face. The background is simple, emphasizing the closeness between the mother and child, much like Le Brun’s piece. Additionally, Cassatt’s The Child's Bath, 1893 “with its striking and unorthodox composition, is one of Cassatt’s masterworks” (“The Child's Bath”). Within this composition, she employed the use of unconventional devices such as cropped forms, bold patterns and outlines, and a flattened perspective (“The Child's Bath”). Cassatt utilizes a pastel-like color scheme, exemplifying the delicateness and tenderness between the mother and her bathing child. Her brush strokes are swift and gentle, again, suggesting the passionate, yet soft, love the mother has for her child. The elevated vantage point invites the viewer to observe this intimate moment, but not to
All the artist during that time all portrayed similar ideas that were introverted abstract art. Artist started portraying common objects in an abstract expressionism that were aggressive and emotional. During this era, Basquiat and other similar artist created pieces that were rich in detail that demonstrated different aspects of life. During this art movement, many people considered it be controversial and didn’t find the artwork to be intriguing. This movement started in Germany and later on settled in the United States. Neo-Expressionists were sometimes called Neue Wilden (“The Wild Ones”). The word Expressionism was a movement in poetry and in paintings and this is usually would present the subjective
A distinction of colors exists within the painting: there is dreary dark blue background contrasted by the intense shades of red and white worn by the figures. A specific example of this the women flanking the Virgin Mary. The woman to the right of Mary attracts the most light and is the brightest in color. The Virgin Mary herself is dark, dull, and shadowed. The woman behind Mary, similar to the other woman, is wearing red and bright. In reality, the lighting of these figures do not make logical sense. If Rosso’s mission was the depict reality than the women would be shaded evenly from light to dark. Due to the overall lack of a single swath of colors, the eye is forced to look all over the painting rather than focus on one main
The history of the Madonna and Child starts in the Byzantine era. In this era paintings were not meant to look realistic, but rather were supposed to remind the viewer of a story or theological concept, in this case usually the concept that Jesus was both fully God and fully human. The years progressed and these paintings became more and more realistic as the Renaissance era was ushered in. During this time period artists strove to paint more accurate representations of their subjects. Even during this time, however there was still a use of iconology. Though all of these paintings have basically the same content, with the addition of various saints and angels, the theology that we can see in each painting differs greatly.
Raphael’s painting is arranged with the Madonna in the middle and the two infants placed in her arms and at her feet, allowing for them to capture the viewer’s attention as well. There is no one focal character, as each is placed to draw attention to all three of the characters as a whole, something that is not seen in Titian’s Venus of Urbino. In Titian’s, Venus of Urbino, Venus is clearly intended to be the main focal point, whereas the two other characters in the background are meant to support but not overpower Venus herself. The differentiation between these two character placements in each painting is extremely important when it comes to determining the overall meaning and understanding what the artist was trying to portray with their works of
“The Met’s very own Mona Lisa” (Tomkins 9). That is what Duccio di Buoninsegna’s Madonna and Child painting is known as today. “The Metropolitan Museum of Art bought the Madonna and Child for forty-five to fifty million dollars” (Tomkins 1). However, the painting was not always in public hands; in fact, the Met purchased the last known work of Duccio in private hands. Originally, the painting was held in the private hands of Adolphe Stoclet and his wife. When the couple died, their house and their collection went to their son, Jacques who held onto the painting, and passed it down to his daughters who lent it to an exhibition in Siena of Duccio and his school. The painting was eventually withdrawn from the exhibition and sold (Tomkins 2). Madonna and Child painting dated 1300 and was painted by Duccio di Buoninsegna a Sienese painter, who is considered the founder of modern Italian painting. I chose to research this painting because the subject matter of religious imagery and symbols interests me. Also because when I looked at the painting the emotion on the Madonna’s face almost jumped out at me. It is as if, she is looking at her newborn child with this deep sadness, which almost makes you think that the painting is foreshadowing the death of Jesus Christ. In addition, the burns of the side of the frame peaked my interest, as to why they were there. Art critics were also interested in this work they even consider Madonna and Child one of Duccio’s perfect works, and it said to be worth all the other paintings exhibited under the name of Duccio (Christiansen 14). The Madonna and Child painting’s iconography, imagery, emotional appeal to the viewers, and meaning all make this painting still a great work of art today.
This painting is a great example of asymmetrical balance. The angels are placed nearly exactly identical on each side of the throne. The angels themselves are sort of mirroring one another. Besides the navy cloak worn by the woman this painting does a great job at equally distributing the visual weight. The yellow hue is found to be consistent throughout. Giotto did a good job at blending and balancing the colors from yellow all the way to green. There is also a great deal of emphasis found throughout Giotto’s painting. The woman holding her child is definitely the main focal point of the painting because it is found directly in the center on a throne worshiped by angels. There is also a great deal of emphasis found on each character of the painting by the light yellow halo found above their heads. This does a good job at emphasizing everyone’s importance in the
Abstract art in comparison to realism, can be described as two art forms on opposite ends of the art style spectrum. Picasso and Pollock both had a massive impact on the outcome of modern art through their ability to challenge viewers as they interpret art, not for what the painting shows, but instead what the idea of it came from. Picasso’s painting is now an iconic symbol for an anti-war message, and Pollock’s painting now represent a form of freedom of speech and expression throughout America. Ultimately the reason artists moved from realism to abstract came from the invention of the camera, giving artist a reason to branch to new and edgy art forms, which will later create the modern art
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.
In order to explore new venues of creativity Modernists tinkered with the perception of reality. During the Renaissance, the depiction of a subject was very straight forward. A painting had to look like what it represented. The truth was absolute and right and wrong were clearly defined. For Modernists, the world is much more obscure. In Impressionist paintings, lines are not definite and things tend to blur together. Faces usually do not differentiate one person from another.