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Social Conditions and Characteristics of the Realism Art Period
Realism developed during the French Revolution, a time of upheaval in social and cultural practices. Clothing, food, heat, light and sanitation were just a few of the basic areas that were being “modernized”. For the upper class, modern life was about social mixing, social mobility, frequent journeys from the city to the country and back, and a generally faster pace which has accelerated ever since (Gersh-Nesic, n.d., para. 4). How could paintings and sculptures about Classical gods and biblical stories of the previous Romantic period relate to a population so enchanted with this progress? In contrast, there were those that wanted to portray the reality of everyday life in hopes it would spur social and economic reform. The revolutions led to the growth of large factories whose owners grew wealthy while the working and lower class toiled long hours for low pay. “Realism was thus a handmaiden for the socialist political activists of the time attempting to shake up the bourgeoisie (middle classes) in order to spearhead social changes leading to an idealistic “golden age of humanity”(Lane, 1998, para. 2)
Akin to the photograph, which was developed a few years before the age of Realism, the realist artist depicted its subjects devoid of any unnecessary dramatics or artistic affection by attempting absolute accuracy. Refraining from undue embellishment and aiming for a natural tone, the works during the age of Realism where much like the camera; catching every detail and portraying a very realistic experience. Brushstrokes were very subtle, almost invisible to the naked eye. The focus was on the subject rather than the medium used.
Social Conditions and Char...
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...and even insult. Ironically, the term Impressionism was meant to disparage the new technique, but the term stuck and consequently gave rise to some of the most well-known artists to this day whose works are some of the most replicated. Lionello Venturi worded it perfectly when he said, “Impressionism, in effect, has changed the vision of the world. In spite of all the natural and artificial obstacles, it has triumphed by its intrinsic value because it represents the moral vision of its epoch. The last of the privileged classes, the “notables,” were about to disappear. From a new stratum in society the Impressionists brought their force and sincerity and integrity, their tremendous faith in their ideal, their elan of liberty (Blunden & Blunden, 1980, p. 55). Impressionism caught on and paved the way for innovative thinkers and ingenious individuals worldwide.
In Greece, people were not interested in the old, poverty, and anything that was disgraceful, but scared. Realism terrified them, and they only saw what they wanted to see. “In the Hellenist age there was a sudden appetite for individuality and realism” and it was when “realism began to show signs of superseding the idealism” (Haley). The Greeks had to face one of their major fears, and The Old Market Woman demonstrates it crystal clearly. Hellenist artists paid more attention to the experiences individuals went through; they wanted to reflect the nature of human life.
Literary realism has been defined by George J. Becker in an essay called Modern Language Quarterly with three criteria: “verisimilitude of detail…an effort to approach the norm of experience…and an objective, so far as an artist can achieve objectivity, rather than a subjective or idealistic view of human nature and experience” (Pizer 1). This, however, is not the only definition of realism that exists. Donald Pizer proposed to define realism as is applied to the “late nineteenth-century American novel” (2). This is important ...
After World War I, American people and the authors among them were disillusioned by the effects that war had on their society. America required a literature that would expound what had happened and what was happening to their society. The realistic movement of the late 19th century saw authors accurately depict life and its problems. This realistic movement evolved because of many changes and transitions in American culture. In the late 1800's, the United States was experiencing swift growth and change because of a changing economy, society, and culture. The increase of immigrants into America was one of the reasons. Realists endeavored to give a comprehensive picture of modern life by presenting the entire picture. The true definition of literary realism as defined by Encyclopedia Britannica is an approach that attempts to describe life without idealization or romantic subjectivity. Although realism is not limited to any one-century or group of writers, it is most often associated with the literary movement in 19th-century France, specifically with the French novelists Flaubert and Balzac. George Eliot introduced realism into England, and William Dean Howells introduced it into the United States. Realism has been chiefly concerned with the commonplaces of everyday life among the middle and lower classes, where character is a product of social factors and environment is the integral element in the dramatic complications.
Realism is a literary movement that attempts to describe life without romanticism or idealistic prejudgment (writershistory.com). Although realism cannot be precisely timed or limited to any period, it is most often associated with a movement in 19th-century. Henry James and Kate Chopin are regarded as two of the key figures of 19th-century literary realism. James contributed knowingly realism, particularly in his persistence that writers will be allowed freedom of independence in presenting their judgment of the world. Kate Chopin participated in realism movement by placing awareness and importance on women's lives and their repeated fights to create a self-image of their own within the Southern culture of the late nineteenth century. The views of American society to race and gender in the works Desiree's baby by Kate Chopin and Daisy Miller by Henry James can be easily distinguished from the 19th-century from today’s society.
Realism started in France in the 1830s. It was very popular there for a long time. A man named Friedrich Schiller came up with the word “realism.” Realism is based on contemporary life. There is a very accurate and honest representation of characters in this style of art. Realism tries to combine romanticism and the enlightenment. Life isn’t just about mind and not just about feelings either, it’s about both feelings and reason together. As said in the na...
In the book “Ways of Seeing,” John Berger explains several essential aspects of art through influence of the Marxism and art history that relates to social history and the sense of sight. Berger examines the dominance of ideologies in the history of traditional art and reflects on the history, class, and ideology as a field of cultural discourse, cultural consumption and cultural practice. Berger argues, “Realism is a powerful link to ownership and money through the dominance of power.”(p.90)[1] The aesthetics of art and present historical methodology lack focus in comparison to the pictorial essay. In chapter six of the book, the pictorial imagery demonstrates a variety of art forms connoting its realism and diversity of the power of connecting to wealth in contradiction to the deprived in the western culture. The images used in this chapter relate to one another and state in the analogy the connection of realism that is depicted in social statues, landscapes, and portraiture, also present in the state of medium that was used to create this work of art.
“The Real Thing” is about a couple who are in times of desperate need. They are struggling to find work to continue living the life they have lived and stay in their social class. The only thing they have going for them is their noble looks and sophisticated manners. They have no real talents deeper than what meets the eye. They meet with an artist who tries to use a real lady and gentlemen in an art work striving to portray a lady and gentlemen, but he realizes “The Real Thing” is not what the viewers find interesting or attractive. After much criticism, the artist decides to paint the models who are not actually ladies or gentleman at all, but they are more aesthetically pleasing to the viewers. The lady and gentlemen finally put
...ndscape and leisure activities of Paris and its environs as well as the Normandy coast” (Heilbrunn Timeline of Art History 2000.) It was because of Monet’s painting Impression Sunrise and the guy who critiqued it that Impressionism got its name. Due to Monet’s profound style, he carved the path of modernism into the twentieth century (Heilbrunn Timeline of Art History 2000.)
The word “impressionism” is mostly associated with the artistic movement. The first time this term was used with reference to art was when one writer was speaking of a painting by Claude Monet, called Impression: Sunrise (1872, Musee Marmottan, Paris). The term was first officially used in 1877 (“Impressionism”). The artists of this movement were characterized as impressionists because of their simplified works (“Monet, Claude Oscar”). They were part of a group in which the artists shared similar styles and techniques between 1867 and 1886. Some of the important artists were Monet, Renoir, Pisarro, Sisley, Morisot, as well as a few others (Pioch). Monet and Renoir both painted scenes of La Grenouillere. Their work signified the beginning of this new age of art (Mataev). The Impressionist Movement grew because these painters wanted a different style, a new technique, and paintings with more unique subjects. The popular paintings of the time were all approved by the Academie des Beaux Arts. The standard type of paintings that were most commonly approved included a scale of tones for forming shapes and blacks and browns for making shadows. These classical paintings were realistic, usually of scenes indoors. Impressionists turned from this traditional art and began to paint their subjects outside, using unarranged light. These paintings were more spur-of-the-moment type, and appeared less realistically (“Impressionism”). There are certain characteristics that set impressionist art apart from all other styles of art.
Finally, we can realize the importance of this genre . The connection you have for Initiation of realism. This movement to develop what the human intellect , values, an intuition , emotion, and imagination. This movement was inspired by medieval , baroque, Middle and Far East. Implement the rich colors in hues and depth as well as the contrast of light and shadow . An important movement even today .
Impressionism can be seen as a development which grew out of Realism, but in its turn still had to battle the more popular Romanticism. Realism has never entirely displaced the popular taste for Romantic art, as any number of hotel-room paintings, paperback book covers and calendars testify. It became just one more style among others. In Fiction Realism's most important influences have been on fiction and the theater. It is perhaps unsurprising that its origins can be traced to France, where the dominant official neoclassicism had put up a long struggle against Romanticism. Since the 18th century the French have traditionally viewed themselves as rationalists, and this prevailing attitude in intellectual circles meant that Romanticism led an uneasy existence in France even when allied with the major revolutionary movements of 1789 and 1830. Influence of Realism Realism had profound effects on fiction from places as far-flung as Russia and the Americas.
People’s ideas and assumptions about world politics shape and construct the theories that help explain world conflicts and events. These assumptions can be classified into various known theoretical perspectives; the most dominant is political realism. Political realism is the most common theoretical approach when it is in means of foreign policy and international issues. It is known as “realpolitik” and emphasis that the most important actor in global politics is the state, which pursues self-interests, security, and growing power (Ray and Kaarbo 3). Realists generally suggest that interstate cooperation is severely limited by each state’s need to guarantee its own security in a global condition of anarchy. Political realist view international politics as a struggle for power dominated by organized violence, “All history shows that nations active in international politics are continuously preparing for, actively involved in, or recovering from organized violence in the form of war” (Kegley 94). The downside of the political realist perspective is that their emphasis on power and self-interest is their skepticism regarding the relevance of ethical norms to relations among states.
Social construction of reality and persistence of inequalities Cory Roberts Syracuse University December 10,2017 Abstract This paper consists of three main aspects of sociology that is: the social construction of reality which covers the media and social identities (primary sites) particularly the meaning of the social construction of reality, how social reality is structured by race, gender, sexuality and class and how they act like structures. The first aspect also defines the sources of power and inequality in U.S, the nature of gender, class, race/ethnicity and sexuality in the creation, maintenance and perpetuation of inequality; how social differences contribute to inequality on basis of gender, race, class and sexuality and the role of media in the social construction of reality. It also includes how globalization and capitalism contribute to inequality and social identity and the role of intersectionality in wealth, power and inequality.
The naïve realism in us creates a haze over our eyes, making us believe that we see the world as it truly is, and that everyone else is biased towards themselves. This causes us to think that we are constantly in the rights and others are completely wrong and/or not educated enough on the facts. The actuality is, is that our beliefs of that we are always right contributes greatly to our delusions of how the world should work, and us not stopping to consider that perhaps we ourselves do not possess all the facts. It is like everyone is wearing a pair of glasses, however, our lens is crystal clear, and everyone else’s are fogged up and cannot perceive the world properly. For example, one day earlier in the year I was arguing with a friend about
Realism has had a profound effect on fiction from places as far-flung as Russia and the Americas. The novel, which had been born out of the romance as a more or less fantastic narrative, settled into a realistic mode which is still dominant today. Aside from genre fiction such as fantasy and horror, we expect the ordinary novel today to be based in our own world, with recognizably familiar types of characters endowed with no supernatural powers, doing the sorts of things that ordinary people do every day. It is easy to forget that this expectation is only a century and a half old, and that the great bulk of the world's fiction before departed in a wide variety of ways from this standard, which has been applied to film and television as well. Even comic strips now usually reflect daily life. Repeated revolts against this standard by various postmodernist and magical realist varieties of fiction have not dislodged the dominance of realism in fiction.