Matthew Lopez, born in 1978, was the first Latino ever to win a Tony Award for best Playwright, fortifying his place in the Theatre world as a Queer and Latino trailblazer, most identifiably for his two-part, six-hour play, The Inheritance. Matthew Lopez, a prominent playwright whose work has left an undeniable mark on the world of contemporary theater, explores the intersection of personal experience and creative expression in shaping a new narrative. Lopez’s background is a primary example of how adolescence can influence artistic sensibilities. The essay navigates through the playwright's journey of self-discovery, illustrating how his own identity as a gay man informs the thematic richness of his work. The Inheritance, a two-part epic inspired by E.M. Forster's novel Howards …show more content…
And he wrote the novel Morris, which was published posthumously. And it was in that moment that I realized what it was about the film and the book that reached me as a young teenage gay boy, seeing it in my hometown” (Lopez, 6). At that moment, Lopez knew he wanted to write a modern-day queer adaptation of Howard’s End. Reflecting on Forster's legacy as a gay author, Lopez saw an opportunity to reinterpret 'Howards End' through a contemporary queer lens, including themes of LGBTQ+ identity, community, and inheritance. Themes in The Inheritance: What is it? Inheritance Explores several themes, including identity, inheritance, loss and grief, and AIDS. Many of these themes resonate with Lopez himself, allowing him to pull from personal experience. Lopez, being a gay man, really explored the theme of identity and self-expression in his play, mirroring moments from his own life. For example, instead of two sisters, Margret and Helen, Lopez made those characters into a gay couple. However, Lopez chose to “mute” any sexual scenes in the show to make it more appealing to the general public, additionally, he chose to portray the gay couple as fit and
Nobody understands what really took place that night, the night that John Brown launched his raid on Harpers Ferry. Why it was done, what caused it and what the actual event itself caused was later discovered and well known by people centuries after it even took place. This raid, was one of the biggest reason a nation was left divided. The Southern part of America was its own “nation” where as the Northern part was thought of kind of as the same but opposite. “Midnight Rising” gives an in depth explanation and feel for the events leading to and the events caused by this raid. The book is based around the time period pre civil war ( circa 1859), In the first part of the book and overview and a little bit of background information is provided. Explaining where and when the raid was being planned and where it was going to be executed, and all of this being told through the perception of one of John Browns men .Prior to this event, Bleeding Kansas had happened and it caused an immense amount of outrage, blood shed, fear and frustration amongst almost every single person part of the U.S at the time. Nat Turners rebellion caused an uproar filled with fear, in the south and that was one of the things that had led up to the main event discussed in the book ( the raid on Harpers Ferry). During the time period the book took place, the southern part of America was pro slavery where as the North was not, and due to these discrepancies neither side could or would compromise and neither would be able to come to any sort of agreement on what to do with laws and rules and with the slaves either. Events such as Nat Turners Rebellion are what caused people in the south to become more fearful of slaves
In Tony Kushner’s Angels in America, the interconnection of people and events, that might ordinarily be viewed as disconnected or unrelated, is implicitly presented in the characters section. Dual roles are implemented by a playwright that has one actor portraying the roles of two or more characters, with or without thematic intentions. The use of “dual roles” in several scenes of this play can be viewed as a demonstration of Kushner’s effort in maintaining the interconnectedness between characters, communities (i.e. queer, heterosexual, AIDS and political communities) and events to which they are relative. This essay will argue that Kushner’s use of dual role’s effectively interconnects characters, events and their communities that may be seen as usually unrelated. Analysis of four specific characters, Antarctica, Oceania, Australia and Europa, in Act Five, Scene Five of “Perestroika”, will demonstrate the connection of each Act Five, Scene Five character, to the actors main character based on the implicit evidence presented in the actors “primary” and “secondary” roles, the scenes dialogue and the character interactions. As one will see, by implementing dual roles, Kushner is able to expand or preserve the concept of a major character while the actor portrays another character, keeping the audience from having to completely renegotiate their knowledge between what they physically see of new characters and actually use the new context to view triumphs and struggles for a major character.
Tony Kushner, in his play Angels in America, explores a multitude of issues pertaining to modern American society including, but not limited to, race, religion, and sexual orientation. Through his diverse character selection, he is able to compare and contrast the many varied experiences that Americans might face today. Through it all, the characters’ lives are all linked together through a common thread: progress, both personal and public. Kushner offers insight on this topic by allowing his characters to discuss what it means to make progress and allowing them to change in their own ways. Careful observation of certain patterns reveals that, in the scope of the play, progress is cyclical in that it follows a sequential process of rootlessness, desire, and sacrifice, which repeats itself.
In the reading "El Hoyo" the author Mario Suárez deeply describes the city that he lives in which is Tucson, Arizona. In Tucson, Arizona there is a city known as El Hoyo meaning "the hole" in English; El Hoyo is the exact city where Suárez lived. Suárez conveys to the readers that El Hoyo was not the most beautiful place but it had many advantages to those who resided there. He describes a few advantages of the city such as it being a place to get away from bill collectors, hide from the authorities, receive help and a place of celebration. It was a home for Chicanos from all walk of life. The city has its ups and downs but the passion within environment remained the same. Each family was different, came from all sorts of backgrounds and moved to El Hoyo for different reasons. Although different circumstances brought them together it was one thing every person had in common; they were all Chicanos. That realization alone held El Hoyo and its people together.
June 6, 1952, Harvey Fierstein, the American actor and playwright is birthed to Jacqueline Harriet and Irving Fierstein of Brooklyn, New York. Harvey Fierstein’s screen success came in a few highly acclaimed films: “Mulan”, “Independence Day”, and “Mrs. Doubtfire”, just to name a few. These lists of movies have captured the attention of many, but his initial claim to fame is his playwriting ability. The playwright turned actor began his writing career in high school, where he enrolled in creative writing. It was at this time his frankness for being gay was no secret. He performed in numerous drag events growing up. These events ultimately pushed him into his Broadway success and being an activist for the gay population.
Butler, Judith. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory." Theatre Journal 40.4 (1988): 519-31. The Johns Hopkins University Press. Web. 11 May 2011.
Lindheim, Nancy "Rethinking Sexuality and Class in Twelfth Night." University of Toronto Quarterly: A Canadian Journal of the Humanities 76.2 (2007): 679-713. MLA International Bibliography. EBSCO. Web. 6 Nov. 2009.
Shakespeare’s Twelfth Night is a comedy that has been interpreted in different ways, enabling one to receive multiple experiences of the same story. Due to the content and themes of the play, it can be creatively challenging to producers and their casting strategies. Instead of being a hindrance, I find the ability for one to experiment exciting as people try to discover strategies that best represent entertainment for the audience, as well as the best ways to interpret Shakespeare’s work.
As one of North America’s leading playwrights, Neil Simon has definitely been instrumental to the world of theater. He has experienced a somewhat shaky personal life, but he has found that this only adds to the texture of his work. He began his career working on radio and television, and found that writing for stage was significantly different than his previous experiences writing. His first attempts at theater were rough, but it didn’t take him long to achieve excellence. He has also achieved great success with his work in the film industry. He is very fastidious when writing his work, and also quite critical of both the final written product, as well as its resulting production. However, no matter how uncertain he is of his work, it is apparent that audiences worldwide appreciate his writings, and he has been awarded numerous times to prove it. It is quite clear Neil Simon holds a place of importance in the world of dramatic arts.
Lindheim, Nancy "Rethinking Sexuality and Class in Twelfth Night." University of Toronto Quarterly: A Canadian Journal of the Humanities 76.2 (2007): 679-713. MLA International Bibliography. EBSCO. Web. 6 Nov. 2009.
It is difficult to imagine a play which is completely successful in portraying drama as Bertolt Brecht envisioned it to be. For many years before and since Brecht proposed his theory of “Epic Theatre”, writers, directors and actors have been focused on the vitality of entertaining the audience, and creating characters with which the spectator can empathize. ‘Epic Theatre’ believes that the actor-spectator relationship should be one of distinct separation, and that the spectator should learn from the actor rather than relate to him. Two contemporary plays that have been written in the last thirty years which examine and work with Brechtian ideals are ‘Fanshen’ by David Hare, and ‘The Laramie Project’ by Moises Kaufman. The question to be examined is whether either of these two plays are entirely successful in achieving what was later called, ‘The Alienation Effect”.
Butler, Judith. Ed. Case, Sue-Ellen. "Performative Acts and Gender Constitution." Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore: The Johns Hopkins University Press, 1990.
At first glance, Samuel Beckett’s Waiting for Godot and Tony Kushner’s Angels in America appear to serve as two individual exercises in the absurd. Varying degrees of the fantastical and bizarre drives the respective stories, and their respective conclusions hardly serve as logical resolutions to the questions that both Beckett and Kushner’s characters pose throughout the individual productions. Rather than viewing this abandonment of reality as the destination of either play, it should be seen as a method used by both Beckett and Kushner to force the audience to reconsider their preconceived notions when understanding the deeper emotional subtext of the plays. By presenting common and relatable situations such as love, loss, and the ways in which humans deal with change and growth, in largely unrecognizable packaging, Kushner and Beckett are able to disarm their audience amidst the chaos of the on stage action. Once the viewer’s inclination to make assumptions is stripped by the fantastical elements of either production, both playwrights provide moments of emotional clarity that the audience is forced to distill, analyze, and ultimately, comprehend on an individual level.
Jerome Robbins and Robert Wise’s West Side Story (USA, 1961), a classic American film, and Mira Nair’s The Namesake (USA, 2006), a more contemporary film, both tell the story of young adults seeking out the American Dream. In both West Side Story and The Namesake, we see young people taking chances at love, while living out their lives and the American Dream. We experience the challenges that come with interracial relationships and the cultural influences that sadly put an end to the relationships. Both movies capture the lives of two different ethnic groups, Puerto Ricans and Bengalis, shining a light on issues of diversity such as race, interracial relationships, and cultural assimilation. While telling the stories of American immigrants, West Side Story and The Namesake touch upon the most pressing issues affecting immigrant groups at two very different times in American history. From the highflying musical numbers of West Side Story to the heartfelt moments in The Namesake, each film has a unique way of canvasing the issues of diversity immigrants face on their quest for the American Dream.
Many playwrights drew from outside influences to compose their works. They would look the era they were living in, their personal lives, childhood experiences, and even ancient texts to acquire inspiration for their works and famous playwright, Eugene O’Neill, is no exception. Writing through two world wars, a great depression, and boom of the motion-picture industry, O’Neill certainly had much inspiration to choose from. Although not becoming nationally recognized until after his father’s death in 1920, O’Neill still managed to produce fifty completed works. Using influences from the 1910s, 1920s, 1930s, and 1940s, Eugene O’Neill demonstrated how he used the era he was living in to help compose his works.