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Common themes in literature
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A prominent theme in The House of the Scorpion is that genetics do not determine one's character. This applies to many characters, but it is demonstrated most clearly in Matt. He is El Patron's clone; his DNA is the exact same. Scientifically, they could be considered the same person. But Matt is different, because he has different experiences, different values, and makes different choices. First, Matt and El Patron's experiences and backgrounds differ dramatically. El Patron is an unloved orphan, who, through careful manipulations and deceit, became one of the most powerful men alive. Everybody at the Alacrán estate treats Matt like he is less than human, a disgusting animal. María treats him kindly most of the time, but as if he were …show more content…
Soon after he begins watching him, Tam Lin explains how choices affect one's character to Matt. "…you can choose which way to grow. If you're kind and decent, you grow into a kind and decent man" (70). This confused Matt at the time, but he listened and it stayed with him. He diverges from El Patron many times with his choices. A good example of this is when he and Chacho fall into the pit. Using an enormous effort, Matt crawls out, but Chacho can't. He doesn't respond when Matt calls to him, so Matt doesn't even know if his friend is alive. Physically, Matt cannot do anything to rescue him, so he talks. "…he couldn't leave Chacho behind, either… He talked until his throat was raw, but he didn't stop because he felt this was the only rope he could throw to Chacho" (336). Matt is injured, exhausted, and scared. He doesn't know if one of his only friends is alive or not, but he keeps talking, keeps trying to help him, because it is the right thing to do. El Patron would not have done this. El Patron would have gotten out himself, and then disregarded his friend, because he always puts himself first. Matt shares his DNA with El Patron, but not his
Mattie Ross is not a typical country girl, but rather a very typical quest type hero. Just like any other quest hero, she possesses the drive to accomplish her goal, the brains as to how to accomplish it, and the reason to embark on such a dangerous quest. Mattie wants to avenge her father’s death, Franks Ross, after Chaney shoots him in broad daylight, while he was just trying to help Chaney. When Frank is trying to talk to him, “Tom Chaney raised his rifle and shot him in the forehead, killing him instantly” (10). Mattie is devastated with this news, and sets out to find Tom Chaney, and kill him herself, or watch him be killed. She goes to Fort Smith and starts asking around for information regarding Frank Ross, her father. When Mattie looks for deputy marshals for the job, she picks Rooster Cogburn for the job, because she hears he is the one that will shoot Chaney on sight, and not just try and talk. Another way that Mattie is the hero is that she does not give in when Rooster and LeBeouf tell her to go back across the river, and they tell the ferrymen, ‘“Slim, take this girl to town and present her to the sheriff. She is a runaway. Her people are worried nearly to death about her. There is a fifty-dollar reward for her return”’ (136). LeBeouf is unquestionably telling a story about this, just to get Mattie to stay, whe...
Chester keeps on making small comments regarding the situation, but every time Chester brings up a point it is resolved with a short brute response. Not willing or wanting to say much, Matt just keeps on walking down the dark street, reminding Chester that if it is going to happen he rather not prolong the sentence. This scene also demonstrated the fact that Matt Dillon hated depending on other people for a course of action to take place. We see him get a little anxious and kind of aggravated, since the power to control the situation is not in his hands.
When Bonnie first spots Matt, he is in disguise and it becomes a critical moment in the book showing how even if Matt looks different she could still determine it was him. Bonnie’s faith led her to keep searching for Matt even if she was not certain it was him. “ The first Mariner’s game of my life, Bonnie thought, and I’m missing the best part, because I’m on a wild-goose chase after a kid with black hair and glasses who looks a little bit like my brother. But she didn’t look back”(Kehert 157). There are also a lot of visionary tactics that are used to capture all of the emotions in this
Nancy Farmer's intended message in The House of the Scorpion is that your choices are what define you, not your origin. In the beginning of the novel, at El Patrón's party, Matt forces Maria to kiss him. "'I demand a birthday kiss'...'It's my birthday too,' said Matt, 'and I can have anything I want. Isn't that so, mi patrón?'" (109). This quote shows how, at first, Matt thinks that him being the clone of El Patrón means he has to, and should, be like him. He tries to impress him and tries to use the power that El Patrón has. This relates to how many people think where they come from defines them. For example, someone born into a family of criminals may not see the point in trying rise above it. They may not see that they have a choice to be
Throughout the novel Mattie and Ethan are genuinely in love with one another. This can be proven when Mattie turned down Denis Eady the “rich Irish grocer” for Ethan. Another example was when Mattie “had an eye and an ear to hear” that not only listened but also understood Ethan. However it was the “lover” archetype that Wharton incorporated into Ethan that blurred the image of Mattie in Ethan’s eyes. Mattie is a manipulator that dragged Ethan into his predicament and...
Due to the pain he’s used to, Matthew is easy-going and who can work well under pressure unlike Ramon who’s rather anxious because of his inexperience of adversity. Rather than asking the many “what if” questions Ramon would do, Matthew is quick and calm to when he executes his plans. He’s able to cope well with stress when he handles drugs in public which helps him lose suspicion and make his job even easier. Contrasting from Matthew, Ramon was anxious
This is one of the major reasons that his death is seemingly unimportant. Additionally, the sequence of events contributes to the neglect of Frank’s character. Seemingly focusing on the actions that take place after Frank’s death. The first scene opens at Frank’s burial, from which readers are transported directly to Matt and his disgust for Richard. The lack of foreground information on either Frank or his death focuses the story on Matt and how he and his wife cope with their loss. Furthermore, the retelling of Frank’s death is very brief and abrupt, implying Matt is more focused on Richard and Mary Ann rather than on his son’s death. The narrator even devotes a whole paragraph, nearly half a page, to Matt describing and admiring Mary Ann, while only dedicating four sentences to describe Frank’s death. Additionally, the fact that Richard acts as the subject in the sentence, “Richard Strout shot Frank in front of the boys,” further suggests that Matt’s emphasis is placed on Strout rather than Frank (Dubus 1180). Without stopping to contemplate why Richard kills Frank, Matt is immediately concerned with the hatred and disgust both he and his wife feel toward Strout, These feelings are evident in his planned and much desired murder. There is a similar pattern of events surrounding Lieutenant
Matt Fowler’s thoughts transform into revenge as a way of healing for his family. He plans the assassination of Richard Strout. After months of planning, Matt waits for Strout to get off work: “when Strout came around it alone [the building], [sic] Matt got out of the car, giving up the hope he had kept all night (and for the week) that Strout would come out with friends” (Dubus 112-113). Ironic symbolization: Matt Fowler didn’t really want to kill Richard Strout: however, he had to protect his family and avenge the murder of his son. One murder ultimately justifies the second murder within the mindset of Matt. The story concludes with not only two murders, but also with the insinuation of the second murder being justified by Matt and Ruth
There is no question that the love Matt had for Frank was the motivation to kill Richard Strout. The story ends with two physical killings and a moral death as well. Vengeance comes at a very high price, death.
In the book there is no romantic connection between Mattie and La Boeuf. However in the movie when La Boeuf leaves them the second time Mattie and La Boeuf are talking and Mattie does not want him to go. You can see the connection between them and the anger between them disappears. In the book Mattie is always made at La Boeuf and they fight a lot and she thinks he is a dumb Texan and does not trust...
Eventually Matt breaks records at his school while wrestling there. He wins two National Championships for his school, and eventually takes his career to the next level. He eventually moved on to become a Professional wrestler and then an Ultimate fighter. He is well known throughout the Deaf and Wrestling Community.
Matt is no longer with us today because the men who killed him learned to
When needing to confront someone, Matt Dillon would rather not approach a situation where conflicts might occur. In one episode, Webb Johnson walks up to Dillon and almost defiantly states that just because Dillon has a star on his chest does not make Johnson afraid of him. Dillon just looks at him, not threatened at all. Knowing Johnson is a big fan of the saloon, Dillon avoids the place at all costs. Another morning, while Chester and Dillon are visiting at Dillons desk, a Mr. Cook runs in looking for someone. He says he wants to kill the person, which is a strange comment to say in front of a federal Marshall. Dillon wants to stay out of this seemingly personal brawl, but as a Marshall, his job is to protect people and stop brutal fights.
...y. With Matt killing Stout before he could sit trial he saved the court time and effort of either convicting him of his crime or looking like imbeciles by letting a murderer off the hook. Matt did what any father would do to avenge his son and should not be charged with any crime for avenging his youngest son's death.
Gabriel García Márquez is arguably Latin America’s most well known writer and socialist with Marxist ideals. His short story, Balthazar’s Marvelous Afternoon, is one that well exemplifies a few ideals of Marxism, without enforcing a political agenda, something only the greatest writers can achieve. One concept of Marxism is that capitalism can only thrive on the exploitation of the working class. This leads to economic conflict which creates class tension, this type of disputation is prevalent within Balthazar’s Marvelous Afternoon. To begin, the setting of the story is not clear, it is assumably in a small town since everyone is familiar with one another and the titles and careers of the characters are exposed in the story. One can also assume