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Analysis of chekhov
Anton Chekhov and his characters
Anton Chekhov and his characters
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Some people want to lose all of their human characteristics. Whether it is replacing a body part with a robotic one to become a cyborg, or enhancing their senses with external supplements, the possibilities are endless as mankind strives to phase out of its natural form. But maybe there’s another way to lose humanity. In “The Bet”, Anton Chekhov decides to go a different route to change somebody human into a cold, calculating being. By making a bet and putting a lawyer into fifteen years of solitary confinement, the banker, without a clue, strips the lawyer of his humanity. As the lawyer is in prison, different changes happen to him and several themes arise. In “The Bet”, Anton Chekhov discusses the theme of material existence and ignorance through the passage of …show more content…
the prisoner’s solitary confinement and his final letter to the banker. The subject of material existence and ignorance is discussed in the story, but the reader must know what they are. Materialism is the belief that what someone has in the world right now is the thing that matters. A materialist believes in what someone has, not their virtues or goals. Materialism clashes with spiritualism, the philosophy that the important life comes from within, seeking a better life, and the two ideas become present in the view of the prisoner. According to Bowdoin College’s analysis of Karl Marx’s opinions on materialism, “Material activity that a person engages in, day in and day out, determines his or her very existence”(Murthy 1). That being said, a materialistic perspective of the world results in different results than a spiritualistic view. What’s more, the prisoner’s rejection of the materialistic world shows the ignorance of the banker.
Ignorance is the term used to describe someone who doesn’t know about something. Ignorance may sound familiar as it is used in the proverb, “Ignorance is Bliss”. According to the dictionary, “Not knowing something is often more comfortable than knowing it” (Dictionary 1). The banker lacks the knowledge of the prisoner, and he lacks the prisoner’s time and ability to think over materialism, but the banker has what the prisoner doesn’t, which is emotion. The two characters are both ignorant in their own ways. The prisoner lacks emotional depth while the banker lacks intelligence. Whoever is right is up to the reader and their own views on life.
Through the prisoner’s passage of fifteen years in solitary confinement, the author had begun to reveal the themes that would become so important in the rest of the story. When the prisoner first comes into imprisonment, the books that he read are described as “principally of a light character; novels with a complicated love plot, sensational and fantastic stories”(Chekhov 2). As time goes on, the books that he read become different, changing shape as his personality changes. The banker compares his final book choices to “a man swimming in the sea among the
wreckage of his ship, and trying to save his life by greedily clutching first at one spar and then at another” (Chekhov 7). This is quite important as it leads us to the predominant theme in the story: material existence. What happens is as the lawyer lives his life out with tangible presence of himself and with no other intelligent “thing” except for his books, he begins to lose the essence of human life. What’s more important is not the surface meaning but the author’s message that you can derive from the clues. The prisoner’s choice of subject matter changes from “light hearted” novels to not reading, then to language, then science, then the gospel, then to random books. The prisoner is trying to find meaning, sometimes with a maniac like attitude observed by the banker, “the prisoner sat immovably at the table and read nothing but the Gospel. It seemed strange to the banker that a man who in four years had mastered six hundred learned volumes should waste nearly a year over one thin book easy of comprehension”. (Chekhov 4). Without a human next to him, he lacks compassion and feeling, turning to “materialistic” books for the answer. When he stops playing piano, it shows that he has left the realm of humanity. He has materialistic tendencies because the importance of emotion and feelings are gone. Ignorance comes into play as seen from the bankers observations and from the sudden change in the prisoner’s reading. The banker is unaware as when the lawyer reads the gospel, the banker does not even begin to comprehend his reasons. The banker is also oblivious of the lawyer and his thoughts by giving unemotional observation and feeding the prisoner all the information possible while not knowing the purpose. The prisoner’s mind begins to take off the “burden” of emotions as he seeks the meaning of life. As he loses his ignorance book by book for knowledge, he becomes ignorant for human emotions and the ideals that man has for life such as love, friendship, or even competition. This lack of understanding puts the banker’s emotional state at odds with the prisoner’s cold calculating personality. This steady progression of differences creates an impassable chasm. What the author feels, the reader will never know, but what’s certain is he is trying to represent two opposites. One of intelligence and indifference and one of greed and depression. These traits never become so evident until the banker reads the prisoner’s letter to him. In the letter, the prisoner details his “wonderful adventures” to the banker. But even as he describes the events, the reader can begin to feel the sarcastic tone of the prisoner. After the descriptions which include, “[singing] songs,…[climbing] to the peaks of Elburz and Mont Blanc”, the prisoner, in one deft movement rejects everything (Chekhov 8). “I despise freedom and life and health” , he says (Chekhov 8). But the key observation to keep note of here is the fact that all that he has experienced is confined to the land of books, the land of where written words become the reality, the gateway, or the portal to another dimension. But even the grandest thoughts someone can muster will never match even the weakest, dullest sensory perception. Thus, through life in prison, the prisoner becomes hateful to the materialistic world that he had experienced. His physical appearance, “hair streaked with silver, and seeing his emaciated, aged-looking face, no one would have believed that he was forty” supports the theme (Chekhov 7). He rejects the materialistic, and his transformation shows his scrawniness, his lack of feeling. It’s as if he’s gone. The person there before is now no more. Even though the prisoner “learns” that materialism is “bad” and that money and love is useless, he becomes ignorant of the aspects that makes human: emotion and reason. He says “You may be proud, wise, and fine, but death will wipe you off the face of the earth as though you were no more than mice burrowing under the floor, and your posterity, your history, your immortal geniuses will burn or freeze together with the earthly globe” (Chekhov 7). But what he has missed is the fact that people aren’t just there to die or make an impact. Humans love each other, they care, they like to succeed; the impact doesn’t matter. Through his imprisonment, the inmate forgets these essential attributes to mankind and the lives of everyone. He calls everyone ignorant, but the person who is ignorant is the prisoner. Through the lawyer’s time in solitary confinement and his final letter detailing his experiences, Anton Chekhov explores the themes of material existence and ignorance. These two themes are challenged by the prisoner and the banker’s different ideals. While the banker looks for money, the prisoner looks for meaning. Who is right? “The Bet” is a terrifying take on the transformation of a greedy lawyer. Chilling, the book will make you shiver and question your ethics.
Douglass as both the author and narrator in his novel took readers through his escape from slavery. Specifically mentioned in chapter seven of the book, the author expressed his new skill of reading and how that inspired his freedom. Douglass utilized rhetorical devices in chapter seven, such as pathos and personification to illustrate to his audience how his education motivated him to achieve liberation. Douglass’ effective use of emotion throughout the chapter made his experiences appeal to readers. Also, the first and last sentences of chapter seven served as bookends to show how education influenced Douglass’ freedom because within those two phrases there was a portion of Douglass’ journey told on how he escaped salvation. Lastly, Douglass’
In describing the setting, the general locale is the prison in the coldest part of Russia- Siberia, geographically but socially depicting the social circumstances in the prison, but draws analogies to the general social, political and economic circumstances of Russia during the Stalinist era (form 1917 revolution up to 1955). The symbolic significance of the novel and the film (genres) reflects experiences, values and attitudes of the Russian society. The genres reflect the origins of the Russian social disorders and massive counts of political misgivings which watered down real communism in Russia. We are constantly reminded of the social and cultural heritage and originality of Russian ethnic groups through those different levels of meanings
The Shawshank Redemption by Stephen King is both a wonderful film and a brilliantly written short story. There are many themes represented in each form of The Shawshank Redemption. The one major theme that interests me in both the film and the story is freedom. Freedom serves a large purpose for both the story's writer and the filmmaker. Both use similar examples to signify freedom, not only in the jail, but also in a larger context about life. There are many events and examples in both the film and the short story that signifies the theme of freedom. The one main difference is when the film uses the director’s technique to portray a feel of freedom for the inmates. The overall three issues used in this essay are all linked to the feeling of the inmates feeling the sense of freedom with the prison walls.
Slavery consisted of numerous inhumane horrors completed to make its victims feel desolated and helpless. Many inescapable of these horrors of slavery are conveyed in the “Narrative of the Life of Frederick Douglass”. The entire prospect of the duration of the story is to plan an escape from the excruciating conditions awaiting Douglass as a slave. When his escape is finally executed, unpredictable emotions and thoughts overwhelm him. Within the conclusion of his narrative (shown in the given passage), Frederick Douglass uses figurative language, diction, and syntax to portray such states of mind he felt after escaping slavery: relief, loneliness, and paranoia.
A Life Defined by a Single Moment in Hawthorne's The Scarlet Letter, Stephen Crane's Red Badge of Courage, and Dostoevsky's Crime and Punishment
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
The novel: A Day in the Life of Ivan Denisovich (written by Alexander Solzhenitzyn), tells the story of a Russian soldier’s life in a Siberian labor camp around the time of World War II. The protagonist in the story, Ivan, better known as “Shukhov”, is wrongly accused of committing treason and is sentenced to full 10 years of imprisonment in the camp. Throughout the story, the author makes vivid references to help the reader identify with the setting, climate, and overall feeling of what Ivan must deal with on a day-to-day basis. This helps the reader to better understand the points and the reality of what it was like living in one of these camps.
This essay examines the social, philosophical, and psychological elements that had affected the Russian Society as well as the world of Dostoevsky’s novel “ Crime and Punishment ˮ. This essay demonstrates the wild impact and clashes left by these theories on the life, choices, and mentality of the novel and the characters embodied, the most important of which is the character of Raskolnikov. Highlighting an “in-depth exploration of the psychology of a criminal, the inner world of Raskolnikov, with its doubt, fear, anxiety and despair in escaping punishment and mental tortureˮ.
Alexander Solzhenitsyn carefully and tediously depicted what life is like in a prison. Ivans monotonous life prompts the reader initially to think that Ivans day is a living death of tedious details. Yet, in truth, Ivan i...
In Notes from Underground, Dostoyevsky relates the viewpoints and doings of a very peculiar man. The man is peculiar because of his lack of self-respect, his sadistic and masochistic tendencies, and his horrible delight in inflicting emotional pain on himself and others. Almost instantly the reader is forced to hate this man. He has no redeeming values, all of his insights into human nature are ghastly, and once he begins the narrative of his life, the reader begins to actively hate and pity him.
In Dostoevsky's Notes from Underground, the Underground Man proposes a radically different conception of free action from that of Kant. While Kant thinks that an agent is not acting freely unless he acts for some reason, the Underground Man seems to take the opposite stance: the only way to be truly autonomous is to reject this notion of freedom, and to affirm one's right to act for no reason. I will argue that the Underground Man's notion of freedom builds on Kant's, in that it requires self-consciousness in decision-making. But he breaks from Kant when he makes the claim that acting for a reason is not enough, and only provides an illusion of freedom. When faced with the two options of deceiving himself about his freedom (like most men) or submitting to ìthe wall,î (a form of determinism), the Underground Man chooses an unlikely third option - a 'retort'. I will conclude this paper by questioning whether this 'retort' succeeds at escaping the system of nature he desperately seeks to avoid.
Through suffering and guilt comes a personal need to redeem one's self and once again achieve an inner peace of mind. This process of redemption is not easy, but is worth the prize of being reborn into a new being. When one fully commits him or her self to being saved, there is no stopping that final result. In Crime and Punishment, Dostoyevsky draws from personal experience to create a story based off of suffering, which ultimately exemplifies a message of redemption and rebirth through said suffering.
In Dostoyevsky’s Notes from Underground, the underground man struggles between two opposing beliefs. The first acknowledges that his fictional existence has been predetermined, subject to his author’s conduct. The is the underground man’s insistence that the only possible world humans can live in undetermined world which extols and situates free will within a human. In order to try and solve this problem, the underground man turns to writing, to try and be honest with himself, probe into why he is this way, and to not reject any truth that comes forth, horrifying or not. Through this exercise, he comes to realize that his self awareness sheds light on how little control he has over his actions even though he continues to believe in free will. This understanding within the underground man, and acceptance from the reader, engenders with humility brings forth what I believe to be a humbling message to the now indurate reader, who, after reading Notes from Underground, returns to their own, undetermined world with a new sense of duty.
There is no better observation of human behavior combining both comedy and tragedy than a person of winning (or almost winning) a lottery. Money gained by chance does not seem to mesh well with human nature. In Chekov’s The Lottery Ticket the situation with Ivan and his wife is no exception.
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