The claims for the inclusion of MHATBs’ in a specified course of secondary school English study are entirely justified. This play by Fugard, while set in the specific South African locale of Port Elizabeth, reflects the universal and age-old tensions, which exist between those who occupy a dominant position in society and those who do not. These tensions are brought into even sharper focus by issues of race. In addition, Fugard has crafted both character and dialogue expertly to enhance the dramatic tension. Lastly, the playwright demonstrates considerable adroitness in the use of motifs to provide an extra dimension to themes, character and dialogue. It is on these grounds – themes, character and dialogue, and the use of motifs – that the case for MHATBs’ inclusion in a course of study will be supported. Conflict forms the basis for most novels and plays, and MHATBs is no exception. In this play, however, the major vehicle for conflict is the existence of apartheid in South Africa. Apartheid was a term used euphemistically by the Botha government. It means ‘separate development’, but the practical application of it ensured that the white minority maintained its dominant position, at the expense of the black, Cape coloured and Asian majority. This is indeed fertile soil for the spade work of any dramatist, but it does not provide a guarantee against clumsy development or poor writing. Fugard’s major victory is to take an already powerful issue and deal with it in an equally powerful, and yet sometimes subtle and sensitive way. The features of racism are often blunt, as they are for example in Courtney’s novel, The Power of One. It is hard to mask racial hatred. Fugard, however, demonstrates that racist sentiments can often be conveyed more subtly through attitudes and interaction. Hally, for example, makes many comments that he would in no way regard as prejudiced. We, however, know differently. Example: kite. The waters of racism are further muddied by the fact that Sam and Hally have shared so many experiences that a real affection has developed between them. Fugard has spoken many times of a similar adolescent experience as being the wellspring for the play, not simply the experience of apartheid in general. Prejudice can take many forms and Fugard is not content to explore its racial form alone. We never see Hally’s father on the stage, but we are in no doubt as to Hally’s opinion of him.
In the book “The Boys of Winter” by Wayne Coffey, shows the struggle of picking the twenty men to go to Lake Placid to play in the 1980 Olympics and compete for the gold medal. Throughout this book Wayne Coffey talks about three many points. The draft and training, the importance of the semi-final game, and the celebration of the gold medal by the support the team got when they got home.
In the novel ‘Deadly Unna?’ various discourses about racism are portrayed, exemplifying the individual’s belief, attitudes and the values of the characters. The reader is positioned to view Blacky as having no knowledge of how racist his friends are through the racist comments that are made amongst them and Blacky's going along with it. At the start Blacky may not have been aware of the racism around him as he previously laughed and even told racist jokes. The statement “And the priest says I got the black bastard with the door. And they all laughed all the regulars. Especially Slogsy. But I didn’t. I don’t know why, I’d laughed at the joke bef...
Ever since the abolition of slavery in the United States, America has been an ever-evolving nation, but it cannot permanently erase the imprint prejudice has left. The realities of a ‘post-race world’ include the acts of everyday racism – those off-handed remarks, glances, implied judgments –which flourish in a place where explicit acts of discrimination have been outlawed. It has become a wound that leaves a scar on every generation, where all have felt what Rankine had showcased the words in Ligon’s art, “I feel most colored when I am thrown against a sharp white background” (53). Furthermore, her book works in constant concert with itself as seen in the setting of the drugstore as a man cuts in front of the speaker saying, “Oh my god, I didn’t see you./ You must be in a hurry, you offer./ No, no, no, I really didn’t see you” (77). Particularly troublesome to the reader, as the man’s initial alarm, containing an assumed sense of fear, immediately changing tone to overtly insistent over what should be an accidental mistake. It is in these moments that meaning becomes complex and attention is heightened, illuminating everyday prejudice. Thus, her use of the second person instigates curiosity, ultimately reaching its motive of self-reflections, when juxtaposed with the other pieces in
... incident with Sam or his affection with Betty Jo could be used to show that he still cared about the African Americans but was also superior. Many of the White children in Wade had this problem; they felt that they had responsibilities to hold but still knew to care and show respect towards the African Americans.
When Irene asked if Bellew if he disliked Negroes he denied and said ‘You got me wrong there, Mrs. Redfield. Nothing like that at all. I don’t dislike them, I hate them. And so does Nig’ (172). This assertion further highlights Bellew’s intense feelings of hatred and hostility toward the racially other. Although never having known a Negro, Bellew said he knew people ‘who’ve known them, better than they know their black selves. And I read in the paper about them. Always robbing and killing people’ (172). It is obvious here Bellew’s attitude toward racial difference is fallacious considering he is married to a black woman passing for white. Ironically, he was also ‘surrounded by three black devils, drinking tea’ when he was with Clare, Irene and Gertrude (172). His bitterness if further expressed when he says ‘They give me the creeps. The black scrimy devils’ (172). Once again, racial melancholia is highlighted through Bellew’s hostility and great disgust in the black race. Describing black people as ‘devils’ also further reinforces that Bellew considers the racially other to be evil and wicked in nature, unlike those from the ‘ideal’ white
Video games bring a sense of the reality to most people, especially if you are a hardcore gamer. They bring reality by essentially creating a virtual world that feels as if you are living in the real world. Lucky Wander Boy by D.B. Weiss is transmitting a certain message to a certain audience. The novel is intended to enthrall an audience consisted of video game enthusiasts around their late twenties and thirties. Lucky Wander Boy is sending a message to the audience, the message is experiencing living the real life through a video game; just like they may have experienced before. The book is fundamentally illustrating the thoughts and experiences this group of people might have gone through during the golden age of video game. The book does this by showing us the narrative of Adam Pennyman, the protagonist of the book coping with his struggles through a video game. Video games revive Adams actual life to some extent; without the game he would not find any point in his life because of all the struggles and negativity he has been through. The book Lucky Wander Boy by W.B. Weiss is about a man named Adam Pennyman during the golden age of video games trying to find the perfect game. Throughout the book Adam Pennyman is creating an encyclopedia of every game he has created. The encyclopedia is called Catalogue of Obsolete Entertainments and in it he has referenced video games such as Pac-Man, Donkey Kong, Frogger, and many others. The encyclopedia ends up becoming more personal instead of reviewing the games. Later in the novel Adam begins to lose interest in the encyclopedia because he wants to find out how the game, Lucky Wander Boy, that he played for hours on end as a kid ended. Adam eventually ends up getting a job as a copywrite...
Although the film is slow, it takes on surprising power from the dignity of its performances and the moral strength of its ideas. The book is the same way except you are being fed more of the characters emotion through words than through pictures. Not every moment of the film is as potent as the book (which is noted for passages of passion and impassioned eloquence), but as I said before overcomes its own limitations to become a glorious tribute to the workings of a faith that does not blind but opens up the human spirit (Douglas 25). Alan Paton's novel of apartheid in 1940s South Africa receives a sanitized and overly sentimental treatment in this film, a little trivializing to the book's relentless power.
Henrik Ibsen’s controversial and influential play, entitled HeddaGabler, is divided into four acts, and, as any good piece of literature ought to be, much of what would later on become crucial to the plot is introduced, hinted at, and foreshadowed in the first act. In this case, the character interactions are most significant, especially that of the titular protagonist, Hedda, whose ultimate destiny in the play is to be trapped in her own crafty machinations and manipulations. A close look on the actions and motivations of the characters in Act I reveal much about their innermost wishes, and considering the complications these desires face, the eventful and explosive conclusion could almost be seen from the first scenes of the play.
...ly progressed from a way to tell stories about kings and gods to a way to tell stories about ordinary human beings. By moving our focus off of nobility, the language of plays became the language of every individual, and eventually, due to America’s “melting pot” culture, the language itself became individual. The unique language of American dramatic characters represents not only the diversity of the American people, but also the diversity of all human beings. These dramatically dissimilar differences were not typical of older plays when they were written, but now, they are what make American drama so valuable. Our acceptance and love for characters with different values than ours is representative of the love we can develop for those who are different from us. It represents the worldview that our current culture idealizes and strives to achieve: acceptance for all.
Cosmetic surgery is essentially not a bad thing. Some people suffer facial and body injuries or are born with a deformity which can only be corrected by plastic surgery. Cosmetic surgery can also be a life saver in cases of extreme obesity. However, some people-especially young females- are becoming too obsessed with their looks and body. The quest of finding the perfect body has led many to the operating table, opting for multiple cosmetic surgeries.
Most of us don't like some aspect of our appearance, whether it's sagging eyes or excess weight in particular areas, to name a few complaints. Lately a record numbers of Americans are doing something about it by having plastic surgery. Since 1995, the number of cosmetic procedures, which range from liposuction to facelifts, has almost tripled (English 23). Is that a healthy choice-or a dangerous trend? Aging has become the field of the future for plastic surgeons whose patients have reasons not always valid in the search for youth and beauty.
‘I have Dutch, nigger and English in me, and either I am nobody, or I am a nation.’ This is a quote from ‘Shabine’, a Walcott persona. A central theme that runs through Walcott’s poetry is his search for identity. In many of his poems he focuses on an internal dissonance between established cultural heritage in his African, English and Caribbean ancestry in developing one that encompasses each one without disregarding another. He appears to be in constant pursuit of a feeling of atonement; one it seems he can only gain from returning to his pre-slave trade ancestors. Walcott also refers to the past so he can begin to understand and justify the context in which these events happen.
Cosmetic surgery consists not just of enhancing someones beauty, but also to help those who have been badly damaged in an accident or who have physical birth defects. Many believe that women are the main gender that go for cosmetic surgery. Yet studies have shown that 11% of men are also getting cosmetic surgery - in fact since 1992, the percentage of men getting cosmetic surgery has gone up by 50%. Middle aged men see plastic surgery as an investment in their career prospects. It is important to know that it is neither sex nor age which makes some type of aesthetic surgery procedure feasible, but what is important is a good general health condition.
Cosmetic surgery is a vile trend throughout the U.S. society. The world has always appreciated beauty, but this is now taking a toll on children who because of their age are unaware of the lasting consequences. While there is no age limit for any conclusive procedure, cosmetic surgery is more glorified to be glamorous than safe, and it is time to stop putting teen´s bodies in danger.
Advertisement for cosmetic surgery are everywhere from the front page on the magazine by the block to the television commercials. Surgery has been deeply impact to younger groups of kids. It has become at table discussion at dinner nowadays. A young girl got a nose job, rhinoplasty to make more symmetrical. She didn’t think she was ugly she just wanted her face to be proportional. The summer after school one of her friends got one. Girls at her praised her for her new nose. Everyone was so much impressed they booked an appointment for themselves. “ Magazine have pushed the envelope on what it means to be beautiful and surgery is a nowadays way to deal with body issues” Perloff para 12). Cosmetic surgery has become an epidemic (Fresh Faces para.22). There is nothing wrong getting a Botox, or breast augmentation but there are some dangerous procedures. Everyone has a heard at least one story of a cosmetic surgery fail. Recently Instagram has been flooded with the news of a girl, Sarah Tehar getting multiple of surgery to look like Angelina Jolie. Many can say it is an epic fail. She has went under the knife fifty times to like her idol , Angelina Jolie. Although gaining popularity on Instagram, she been nicknamed “zombie”. Cosmetic procedure are not a bad thing at all, the problem is use to boost self-esteem(Fresh