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Influence of Media on Society
Media influence on society and government
Media impact on society's
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Mass media has been an integral part of life in Canada. Its early developments largely stem from French and British ties, which later transition to American influence, sparking the rise of media. Mass media became an outlet that was able to link core Canadian institutions as well as social and cultural understandings in conjunction with the advance in technology, industry and urbanization. This paper will explore the development of mass media in Canada between the mid-nineteenth century and the 1930s with particular focus on the factors that attributed to its rise ¬– newspaper, magazines, advertising as well as radio and film supported by early technological advancements.
Early European interests in North America impacted the level of reading materials and cultural ideals associated with the region. British control aimed to invest their time into exploitation of the resources while leaving little room for cultural or intellectual undertakings amongst the vastly illiterate society. Available books and periodicals often came from France and found their way into the hands of Quebec’s elite while English Canada remained dependent on the British (Vipond 15-16). It did not take English Canadians long to become influenced by their southern neighbors as their mass media expansion seemed stagnant in comparison to its growth in the United States. The beginning of Canadian newspaper was slow; however, the delivery of the printing press into the British colonies of Nova Scotia and Quebec in the mid-eighteenth century helped the industry take off. The sharing of local news became of paramount importance given the use of local print mediums to relay information unavailable in imported mediums, although its success greatly depended on governmen...
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...e impact having examples of American ideals readily available had on the country. The progress newspapers, magazines, advertising, radio and film have experienced reflect the growth and maturity of Canadian industry. However, Canada’s close proximity to the United States challenged their ability to produce media of a similar span and scope early on. Social, cultural, political and economical institutions and conventions grew independently while also being stimulated by American success and influence. The dynamic between the two countries and the presence of American based media still continues to challenge what Canadians see as their distinct national identity. Beyond the 1930s, Canada has continued to develop mass media industries far superior to early successes and these industries have helped to create a Canadian identity separate from that of the United States.
Today Canada and the United States are major trading partners, allies, and two neighboring countries with a long history of cooperation with each other. But is it possible for Canada to protect its independence and culture living next door to the country so powerful and rich as the United States. Since the Canadian confederation, Canada started developing relations with the U.S. As the years passed by, Canada began to relay on the United States in the national defense. Many Canadians think that the military, political and economical dependence would not make a difference to their daily life. But today more then even Canadian culture is affected by the American influence. Media, American artists, economic dependence, American propaganda and political pressure from the United States is making Canada too Americanized. All of these factors reflect on the social life of ordinary Canadians threatening the heritage and the traditions that define Canada as independent country.
To what extent do you think the U.S.-Canadian magazine dispute was motivated by genuine desires to protect Canadian culture?
The government of Canada is aware and concerned of the power of print media, such as magazine and how it is influencing Canadian to drift away from their culture and over taken by foreign culture.
Canada as a nation has been striving to characterize itself as more ?Canadian? for decades. This has included numerous struggles and events such as protests, bans, and the creation of the Massey Commission, to encourage national development in the arts, and support major companies like the Canadian Broadcasting Corporation (CBC) and National Film Board (NFB). However, this has not been an easy task for the Canadian government, as major influences from below the border (the United States) have been captivating the Canadian audiences by large. American media has had a momentous revolutionizing effect on Canada, even through efforts made to define Canada with its own cultural identity.
Is Canada a nation or has its control just switched empirical hands? As Professor Hutcheson asked, did Canada go from "Colony to Nation or Empire to Empire?" This question has greatly influenced Canada's changing identity since her birth as a British colony with Confederation in 1867 to the present day. The purpose of this essay is to critically analyse the shifting Canadian identities between the years 1890 to 1960. The objective is to illustrate Canada's transforming identity by using the novels The Imperialist by Sara Jeanette Duncan, Barometer Rising by Hugh MacLennan, and Fifth Business by Robertson Davies and to connect the stories of each of these works of fiction to the varying political, economic, and social issues of their times. Each book is written by a prominent author, and portrays an accurate reflection of the demanding political, economic, and social concerns throughout the late nineteen and first half of the twentieth century of Canadian history. All of the novels reflect Canada's peripheral view of the world, as opposed to a central point of view, because throughout its history Canada has always been perceived as a secondary player. As George Grant says in his literary piece Lament for a Nation, Canada is "a branch plant society" , meaning Canada is controlled by another power. The essential question is where has Canada's loyalties traditionally lay and how has this shaped the Canadian identity. The Imperialist by Sara Jeanette Duncan, written in 1904 reflects a very British influenced Canada. At this time, Canada is still a British colony under British rule, and the people of Canada are very content to consider themselves British. The novel predominately ill...
During the 1950’s, Canada experienced numerous scenarios which sparked its citizens to be proud. These events included the teenage outbreak, a rise in consumerism and the sudden growth in population. The teenagers were a huge deal in the development of Canada. Teenagers wanted to differentiate themselves from adults and the rest of society (Armstrong et al. 134). Teenagers dressed themselves different along with acting different as well. (Armstrong et al. 135). The new products were being created and sold through the process of consumerism. The new technologies helped shape the look of the new Canadian culture (Bain et al. 219).Lastly, the sudden growth in population was the “baby boom”. The baby boom was a period after WW2 in which babies
After four hard years of fighting, Canadians celebrated the end of the Great War. Many returned to the country early in 1919, only to be brought down by the lack of employment and other disappointments. However, slowly, good times returned back to Canada, as the country ushered into a new era known as the “Roaring Twenties”. Many Canadians participated in the good life as the wealthy, as well as average families had more money to spend. Economic prosperity and technological advances brought Canadians pleasure to their lives. Canadians tuned in to their radios, used the automobile, cheered for their home sports teams, followed new fashion trends, listened to the same music and did the same dances. In addition, the 1920s marked the growth of movies as Canadians packed theatres to watch their favourite stars. The 1920s were one of the most important and revolutionary times for the film industry.
The economic progress Canada made after the war lead to the growth of the country. New industries emerged from innovations of products like automobiles, radios, television, digital computers and electric typewriters (Aitken et al., 315). Canadians quickly adapted back to the “buy now, pay later” strategy rather than careful budgeting during the Great Depression (Liverant). Almost everything that Canadians did was influenced from new inventions; television was the most influential. Canadians conversations, humour, and lifestyle were influenced from television (Aitken et al., 315). Trade relations between the United States and Canada had become more efficient due to the St. Lawrence Seaway. The mass development of the St. Lawrence Seaway, in 1954, was to provide a large wate...
Canada holds the same beliefs about pubic broadcasting as Lowe & Jauert (2005). As a nation that is not only democratic but multicultural and diverse, media influence plays a major role in bringing together and shaping the Canadian society. Howev...
Have you ever wondered which events in Canadian history have been the most significant in shaping Canadian identity? Many significant events in the twentieth century left a lasting legacy for Canada. Canada would not be the culturally rich, prosperous and progressive nation that it is today, without its immigration patterns in the past. World War I (WWI) was also a significant event as it united Canada and left behind a legacy of sacrifice and national pride. Economic development during the post war period contributed to Canadian success nationally and globally. Immigration, WWI and economic development were significant events in Canadian twentieth century history. Each event brought new and powerful
In the last 20 years the penetration of the Canadian market by American cultural industries is still extremely strong. The United States is still the main source of culture products. American products represent 81% of all culture commodity imports. Canadians watch American TV shows, listen to American music, love American sports teams, drive American cars and buy American goods at American stores like Walmart. They eat American food, drink American beer (sometimes).
In order to understand the complexity of the Anti-Americanism, it is important to understand the history and relationship between Canada and the United States. The sentiment was first conceived by the Europeans and the issues it had with the upcoming “rebellious” American culture. Europeans at the time had the tendency to see Americans as, “overconfident and self-important… it was this egocentricity that most aggravated Europeans” (O’Connor, 2004). In its earliest form, the American ideology seemed to be an opponent to the popular European ideology. Which soon became a campaign between “high culture” (the European ideology) and “low culture” (the American culture) and through that rivalry many European citizens held the belief that,
The culture of Canada refers to the shared values, attitudes, standards, and beliefs that are a representative of Canada and Canadians. Throughout Canada's history, its culture has been influenced by American culture because of a shared language, proximity, television and migration between the two countries. Over time, Canadian-American relations have helped develop Canada’s identity during the years 1945-1982; thus introducing changing social norms, media and entertainment. In support of this, due to the United States being approximately 9.25 times larger in population and having the dominant cultural and economic influence, it played a vital role in establishing Canada’s identity. With Canada being its neighbour, naturally, the United States would influence their way of life upon Canada.
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
The topic of discussion in this paper is advertising in Canada. It will argue that the Canadian advertising industry strives to protect themselves from competition in the United States. The paper will discuss how the Canadian advertising industry allots their money to different forms of media to ward off the United States competition. Tracing the history of advertising from the early 1960’s to the present day, will help to show why Canada concentrates on the television and radio portion of the media.