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Essay on romantic literature
Romantic concept of literature
Essay on romantic literature
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Leopold von Sacher-Masoch (1836-1895) was an Austrian writer from the mid to late nineteenth century. The term masochism was derived from his name due to the nature of his renowned romance novels. In 1949, Reik conducted an in-depth clinical study of masochism and expressed the idea that there are four main components to such behaviour. These components are listed as fantasy, suspense, demonstration and provocation. Deleuze elaborates these terms further, describing fantasy as “the scene which is dreamed, dramatised, ritualised,” (1967, p75). Ritual is a ceremony of sorts which complies with a series of actions and does not have a prescribed outcome. Deleuze refers to suspense as the anxiety that occurs when the masochist is left to wait and …show more content…
This piece took place on 16th May 1976, in the Maki Gallery, Tokyo. The piece was originally rejected and shut down by authorities in Australia, leading this event to take place in a private showing in Japan. It is a performance of flesh hook suspension, which involved Stelarc being pierced at eighteen points over the back of his body with large fish hooks that had their barbs filed away. “There were two hooks into the buttocks, into the thighs, and into the calves… The insertions took one-and-a-half hours, a very long time,” (Stelarc, Interview by Geoffrey DeGroen, 1984, p.98). He had two men piercing his skin and inserting the hooks. The skin is pinched, lifted, stretched away from veins and capillaries present in muscle, and gripped tautly when pierced. The performance lasted fifteen minutes before his skin was relieved from supporting his body weight. A Plank was placed beneath him to take the weight when he was finished, no time was planned. There was no expected outcome. The audience of this first body by-pass event, a term used by Stelarc, was limited to those who were assisting him, although he has said that one or two people accidentally came into the gallery at the time, “there were no public invitations.” (Stelarc, Interview by Geoffrey DeGroen, 1984, p.104). Stelarc uses the term body by-pass event as he believes he is bypassing the normal thresholds of the body, “it is the primal urge to transcend your physical limitations,” (Stelarc, interview by Geoffrey DeGroen, 1984,
Suspense is the feeling of uncertainty or excitement, in waiting for an outcome or decision. Edgar Allan Poe uses suspense in his story “Masque of the Red Death” by using objects and great descriptive detail. Poe’s story is about a prince that tries to escape from the inevitable. He tries to lock himself away from the ‘red death’ and has a masquerade ball that doesn’t end happily. Prince and all of his guests die inside or around the seventh apartment room. The seventh room is preceded by six colored rooms which are meant to symbolize either the stages of life, or the seven sins. Inside the last room there are black velvet tapestries that hang all over the ceiling and down the walls. The window panes are a deep blood red color which gives the room an unwelcoming atmosphere. On the western wall, there is a gigantic clock of a deep black wood. Inside it has a pendulum that swings back and forth with a dull monotonous clang. When the minute hand marks a new hour, there is a clear, loud, deep sound, which can be heard from far away. Although it can give off an eerie feeling, the great eb...
Suspense is a key factor to the story, “The Masque of the Red Death” by Edgar Allen Poe. According to the Oxford Dictionary, suspense is the state or feeling of excited or anxious uncertainty about what may happen. Poe uses the senses to bring the reader aware of the building suspense. He does this by telling the reader about the ominous setting of all the chambers, especially the seventh chamber. The sound of the grandfather clock, sending sinister shivers throughout the party goers each hour, keeps them on their toes. Finally, the fast-paced chase of the intruder and the Prince build to the suspense at the final moments of the story.
Authors use various styles to tell their stories in order to appeal to the masses exceptionally well and pass the message across. These messages can be communicated through short stories, novels, poems, songs and other forms of literature. Through The Masque of the Red Death and The Raven, it is incredibly easy to get an understanding of Edgar Allen Poe as an author. Both works describe events that are melodramatic, evil and strange. It is also pertinent to appreciate the fact that strange plots and eerie atmospheres are considerably evident in the author’s writings. This paper compares and contrasts The Masque of the Red Death and The Raven and proves that the fear of uncertainty and death informs Edgar Allen Poe’s writings in the two works
The author, Edgar Allan Poe, using illusion or misdirection keeps the reader is suspense throughout this story called "The Masque of the Red Death". Symbolism such as the colored rooms, the impressive clock, the feeling of celebration being at a party all makes this story feel like a fairytale. Poe used this fairytale style and converts it into a nightmare in disguise.
Stekel, Wilhelm, and Louise Brink. Sadism and Masochism: The Psychology of Hatred and Cruelty. 2 vols. New York: Liveright, 1953. Questia School. Web. 17 Feb. 2014.
Psychoanalysis is the method of psychological therapy originated by Sigmund Freud in which free association, dream interpretation, and analysis of resistance and transference are used to explore repressed or unconscious impulses, anxieties, and internal conflicts (“Psychoanalysis”). This transfers to analyzing writing in order to obtain a meaning behind the text. There are two types of people who read stories and articles. The first type attempts to understand the plot or topic while the second type reads to understand the meaning behind the text. Baldick is the second type who analyzes everything. Since his article, “Allure, Authority and Psychoanalysis” discusses the meaning behind everything that happens in Mary Shelley’s “Frankenstein” we can also examine “The Ones Who Walk Away from Omelas” in the same manner.
I see very unique content throughout different parts of the story. The setting of the Masque of The Red Death, involves a wealthy prince I his extremely ostentatious palace, along in his palace are very wealthy nobles and merchants in his ballroom during a dance and cocktail event. There are some of the finest instrument musicians at the dance and cocktail event and a clock that sounds a dreadful sound almost like something you would hear before the apocalypse comes down and a meteorite hits. But that’s beside the point, when the clock rings its dreadful sound at midnight; all dancing stops and the room becomes extremely quiet. All sound stops and there is almost no noise; this is when the Red Death comes out to pounce on his unknowing victims. The tone of the story is very quiet and calm at first then becomes more uneasy when the clock first rings its dreadful sound. But all the uneasiness just gets worse to the maximum as the final ring happens at midnight, when everything and all sound drops and again the Red Death comes out to pounce. The style is almost as if it is a tragedy, which when you think about it is really a tragedy as all people die in the end like a slasher or gore type horror movie minus all the gore in this story Masque of The Red Death. The plot is well written with the story getting more and more unnerving, uneasy and downright scary for
Sigmund Freud believed that he “occupies a special place in the history of psychoanalysis and marks a turning point, it was with it that analysis took the step from being a psychotherapeutic procedure to being in depth-psychology” (Jones). Psychoanalysis is a theory or therapy to decode the puzzle of neurotic disorders like hysteria. During the therapy sessions, the patients would talk about their dreams. Freud would analyze not only the manifest content (what the dreamer remembers) of the dreams, but the disguise that caused the repressions of the idea. During our dreams, the decision making part of personality’s defenses are lowered allowing some of the repressed material to become more aware in a distorted form. He distinguished between
Since the 7th grade, I have been a huge fan of the famous French-inspired realist and expressionist, Edvard Munch. His work is so full of passion and pain as well as shock and sadness. By gazing into the gloriously deep world of emotion he created, art lovers both young and old are amazed and drawn in.
The term "grotesque" in art and literature, commonly refers to the juxtaposition of extreme contrasts such as horror and humor, or beauty and monstrosity, or desire and revulsion. One function of this juxtaposition of the rational and the irrational is to subdue or normalize the unknown, and thereby control it. The simultaneity of mutually exclusive emotional states, and the discomfort it might cause, inspires a Freudian analytic critical approach because of its focus on controlling repressed desires through therapeutic rationality. There are volumes of Freudian art criticism, which typically begin by calling attention to manifestations, in some work of art, of the darkest desires of the id. Perhaps in no field of art criticism does Freud's name appear more frequently than in surrealism, and for various reasons, the grotesque figures very strongly in that art movement.
In this essay I will include the relation with anthropology and the disorder. The striking similarities between the form and content of normal ritual and the ritualistic behavior of Obsessive Compulsive Disorder.
Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
“I became insane, with long intervals of horrible sanity,” claimed Edgar Allan Poe. Edgar Allan Poe is an original writer who is regarded as the father of horror. His originality stems from his deranged imagination. As seen in his works “Alone”, “Romance”, and “The Cask of Amontillado” Poe’s dark style is developed through atypical themes and imagery to create a demented point of view.
The theory included the phenomenon of enjoying pain and sadism, which is all about finding pleasure in pain. Freud ascertained that the unconscious constitutes of three senses. These senses include the life instinct, the Eros, which initiates skill improvement in an individual and helps them to be better, successful, people. Eros plays a key role in improving an individual’s personality. Another instinct is the sex sense which brings about libido energy to individuals, and bodily pleasures, such as having a meal or having a good conversation. The third instinct is known as Thanatos which is a death instinct. This deals with pushing people towards death. The superego is always alert to subside the pressures of Thanatos, but ultimately the unconscious takes full control (Myers 84). From this brief introduction, this paper is going to explore the psychoanalysis theory of personality, its key components, and its relevancy to the modern culture.
Feminism has been an extremely controversial and significant subject over the centuries. The issue of equality between men and women have been questioned and exceedingly debated upon, why men were treated and considered the ‘superior’ gender. During the 1960’s, civil rights, protests against war and gay and lesbian movements were at its peak. It was the period of time, which the Feminist art movement had emerged, also known as the “second-wave” of feminism, shifting away from modernism. Women wanted to gain equal rights as men within the art world. Feminist artists such as Cindy Sherman, Carolee Schneemann and Hannah Wilke pursued to change the world and perspectives on women through their artworks, specifically in body art. Their goal was to “influence cultural attitudes and transform stereotypes.” (DiTolla. T, 2013)