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The monster in frankenstein analysis
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Mary Shelly's Frankenstein - A Victim of Society
The creature Victor Frankenstein describes in Mary Shelly's Frankenstein is far from a villain, at least in the traditional sense. This creature is a victim of circumstance, scarred by society, and scorned by its own creator. Contrary to the Christian belief in original sin, I sympathize with the monster's view on life when he states: "I was benevolent and good; misery made me a fiend" (Shelly 78). I disagree with the idea that all men are born sinners, I feel that all men are born pure and clean. It is only their future actions that make them imperfect.
A true relationship between the monster and Victor never existed. Victor is similar to a man who fathers a child only for the pleasure of "doing it," ignoring the circumstances it may bring. Victor was so thrilled to see the components of his creation coming together - indeed it was truly a thing of beauty to him. But like the biological father, he is only excited over the thrill of "doing it." After the sensation and pleasure of creation ends responsibility begins and Victor, like our modern day deadbeat dads, refuses to face the consequences of his actions. Any relationship that existed between these two was simply that of usury - except the currency was not gold or silver, but fame and pride. Victor hoped to use his creation in a selfish manner, only to gain recognition for himself.
So what did the creature gain from all of this? He certainly was not the recipient of any pleasure. And as far as exploitation, he never had a chance to exploit his creator, his creator only exploited and abandoned him. The monster is not merely a madman murdering random individuals; he is a creation of war, fightin...
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...reature for his wrongs.
Frankenstein should teach us an important lesson about our own society. We have to be careful not to assume everyone has had the same opportunity as the next man, or to assume a person is nothing more than a misfit because he stumbled into some trouble. When the creature mourns over Victor's dead body, we see he is human like anyone else. He cries, he apologizes, and he breaks down. Like going to jail . . . where a person is broke down and circumstance prompts them to ponder the situation they have fallen into. Most so-called criminals in America are not evil; they are victims of a society, situation, or lack of knowledge that has put them in that position - just like the monster.
Work Cited
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
In 1949, Dana Gioia reflected on the significance of Gabriel García Márquez’s narrative style when he accurately quoted, “[it] describes the matter-of-fact combination of the fantastic and everyday in Latin American literature” (Gioia). Today, García Márquez’s work is synonymous with magical realism. In “Un Señor Muy Viejo con Alas Enormes,” the tale begins with be dramatically bleak fairytale introduction:
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Mary Wollstonecraft, and Maurice Hindle. Frankenstein, Or, The Modern Prometheus. London: Penguin, 2003. Print.
Although humans have the tendency to set idealistic goals to better future generations, often the results can prove disastrous, even deadly. The tale of Frankenstein, by Mary Shelley, focuses on the outcome of one man's idealistic motives and desires of dabbling with nature, which result in the creation of horrific creature. Victor Frankenstein was not doomed to failure from his initial desire to overstep the natural bounds of human knowledge. Rather, it was his poor parenting of his progeny that lead to his creation's thirst for the vindication of his unjust life. In his idealism, Victor is blinded, and so the creation accuses him for delivering him into a world where he could not ever be entirely received by the people who inhabit it. Not only failing to foresee his faulty idealism, nearing the end of the tale, he embarks upon a final journey, consciously choosing to pursue his creation in vengeance, while admitting he himself that it may result in his own doom. The creation of an unloved being and the quest for the elixir of life holds Victor Frankenstein more accountable for his own death than the creation himself.
When Mary Shelley's novel Frankenstein is analyzed, critics comes to a conclusion about Victor Frankenstein's creation. The creature invokes the most sympathy from the readers than any other character in the novel. Because he is abandoned by society which manipulates the creature to do evil things despite his good heart. Therefore Shelley's message throughout the novel is that a person is not born evil, they are made evil.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Works Cited Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Mary. Frankenstein or the Modern Prometheus. The 1818 Text. New York: Oxford UP, 1998.
Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.