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Ecclesiastes 2
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What if you were called to a home in the middle of the night where a young girl had committed suicide? Would you be able to comfort her grieving parents? Walk into the girl’s room to see where she had committed the act? Could you tell them that God was there in their time of need? Could you then go home to your small child and still have strength left? In Mark Jarman’s poem “Questions for Ecclesiastes”, his father had to do just that. Jarman uses a narrative style of poetry to question God’s will and how words fall short in times of tradgy. Jarman uses a lot of questions in the poem to question God’s will in the death of the young girl who took her life in the poem. In the second stanza, he points out that although the girl is no longer there, …show more content…
“the eye is not satisfied with seeing, nor the ear filled with hearing,” (13-14), “the dead know not anything for the memory of them is forgotten?” (39-40), “live joyfully all the days of the life of thy vanity, that is thy portion in this life?” (59-60). These words are to be words of comfort, but they fall short. In the seventh stanza, Jarman describes how the preacher is overcome with emotion when the parents show him their daughter’s room, “What if an act of mercy so acute it pierced the preacher’s skull and travels the length of his spine…” (49-50). This was a realization for the preacher that he could not say anything to truly comfort the …show more content…
His use of imagery really helps set the stage for the poem. “What if on a foggy night in a beach town, a night when the Pacific leans close like the face of a wet cliff…” (1-2). He sets up an eerie mood for the rest of the poem, one of gloom. He describes the girls suicide in a blunt way, “… where a child had discharged a rifle through the roof of her mouth and the top of her skull?” (3-5). He does not leave much to the imagination, just bluntly says what happens. This helps the reader realize what the preacher is coming into. The style he chooses was important to how he told the story. He divided the poem into paragraph-style stanzas. Also, the poem changes tenses, starts in past tense and ends in the present, this shows use Jarman is reflecting on what happened in the poem towards the end. Six of the stanzas starts with “What if,” and the final stanza refers to “a secret” kept by God, these represent Jarman wrestling with God’s
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
"How can you bear to see this child suffering?" (p. 45); "In the book of record Mr. Parris keeps." (p. 64); "The man's ordained, therefore he must have the light of god in him." (p. 66). Reverend
Stanza two shows us how the baby is well looked after, yet is lacking the affection that small children need. The child experiences a ‘vague passing spasm of loss.’ The mother blocks out her child’s cries. There is a lack of contact and warmth between the pair.
The poem is written in the father’s point of view; this gives insight of the father’s character and
as told from the point of view of a friend serving as pall bearer. The poem
As I continued to chat with my pastor that day, I really sensed the hurt in his eyes – the anger that comes from an unsolvable injustice, the tiredness of a problem. “What’s wrong?” I finally asked, “Having a bad day?” Sensing that I was truly concerned, he let the truth be told. “I talked with a woman today whose baby died suddenly of unknown causes. As we worked through her grief, she talked about how numerous friends and family, even a religious leader had patted her on the back, shook their heads and said, ‘It was God’s will.’ I find few things worse to say to a grieving parent. Saying nothing at all would be of more help.” It was obvious from our conversation that he had an understanding greater than I about God’s will, and his insight created in me a curiosity and desire to learn more.
Edward Taylor’s Upon Wedlock, and Death of Children and Upon a Wasp Chilled with Cold are similar in their approach with the illustration of how beautiful and magnificent God’s creations are to humankind. However, each poem presents tragic misfortune, such as the death of his own children in Upon Wedlock, and Death of Children and the cold, enigmatic nature of human soul in Upon a Wasp Chilled with Cold. Taylor’s poems create an element of how cruel reality can be, as well as manifest an errant correlation between earthly life and spiritual salvation, which is how you react to the problems you face on earth determines the salvation that God has in store for you.
As Carter opens the poem, he tells how at this point in his life, he still has this essential want for things his own father presented him growing up. In the beginning, he expresses he has this “…pain [he] mostly hide[s], / but [that] ties of blood, or seed, endure” (lines 1-2). These lines voice how he longs for his father and just how painful it is without him at his side. In addition, he still feels “the hunger for his outstretched hand” (4) and a man’s embrace to take [him] in” (5). Furthermore, Carter explains how this “pain” he “feel[s] inside” (3) are also due to his “need for just a word of pr...
In Emily Dickinson’s dramatic monolog “My Life had stood – a Loaded Gun,” a journey of a spiritual awakening is expressed. Dickinson writes about how a child of God is found then goes out to find other lost souls. Literary Critic Gregory Palmerino indicates “‘My Life had stood – a Loaded Gun’ maybe Dickinson’s most expansive poem if not her magnum opus, yet I do believe there is a discernible meaning – a center – to be found there. That center is her struggle with God” (84). Dickinson develops her poem using sound, symbolism, and figurative language.
Harper begins the poem by detailing the start of the speaker’s relationship with a man, developing it through the use of metaphor and concrete diction. From the first few lines of the poem, the reader learns that the relationship was destined to be futile through Harper’s use of metaphor: “If when standing all alone/ I cried for bread a careless world/ pressed
Guzman, Jennifer de. Personal. Writing Therapy. “The Mirror of Grief: The Epic of Gilgamesh and Ecclesiastes” 28 December 2010. . 13 March 2013
Although, I wished that the poem included more about the resurrection. It was good that it discussed Jesus return and the Day of Judgment, to encourage man’s repentance and salvation in Christ. I wondered if this poet who must have lived sometime in the Early Middle Ages actually had a dream where he imagined a tree speaking to him about the death and resurrection of Christ and then he wrote it down. If that was the case, then I can understand why the poem is not perfectly accurate and somewhat jumbled, when compared to scripture. Often our thoughts are jumbled, when we dream. The order of events seems to be a little offset. For example, the earth did not tremble, until after Jesus spirit left Him. The poem appears to put the trembling ahead of Jesus death. However, there is a lot of the good, the true, and the beautiful in this poem. It celebrates the sacrifice that Jesus made on the cross and it encourages us to look to Him on the cross, so we don’t forget how much He loves us. Also, it encourages us in our faith and knowing that Jesus will return someday, to take us into eternal glory with Him. It was good that the poem concluded with the Dreamer feeling enthusiastic about the cross, looking forward to eternal glory, and desiring to share the good news with others. This is the way that
On line 16 Bishop uses a long hyphen sara to pause before she breaks down and says “¬¬–̶ Even losing you (the joking voice, a gesture/”. She is remembering the qualities of the lover she lost. On line 17 when Bishop uses the present tense words “I love…” as if admitting that she still loves the person she lost. Then again as followed on line 17 “…I shan’t have lied. It’s evident”. She admits that she lied in her poem. As mentioned before the thesis repeats in line 18 of the last quatrain stanza but this time uses an extra word, “too”. The word “too” actually means that losing is “not so easy” as she had believed it was at the beginning of the poem. The use of enjambment throughout the poem goes beyond the literal meaning. Bishop’s use of enjambment within the lines interpret that when one loses someone it is not the end of that pain but rather that the pain will always be present and what matters is how one person copes with that pain and accepts the fact that one will always lose. There is much resistance in Bishop’s words from the beginning of the poem when she uses the word “master” as if having control and then switches to the opposing word “disaster” as if out of control. The use of Bishops words at the beginning of the poem refers to her earlier years when she lost her father when she was eight months old which was not so hard
John Berryman wrote of line 3, “With this line, modern poetry begins.” What do you think he meant?
...nsight to address the lack of courage and faith that plagues every human being. “The poem succeeds admirably in registering a mood not merely of disillusionment, but of personal weakness” (Morace 950). Without the faith and courage to face the final judgment, and move on to the afterlife, one will be left to linger in purgatory.