The word “mariachi” doesn’t come from an exact reference. Some think it came from the Europeans, but that can’t be true because there is evidence that goes even farther back. Another theory says that the word Mariachi comes from the wood that makes up some instruments. There are many more terms and ideas on how the word Mariachi got started. Mariachi is used today as a way t describe a type of music and musicians that is very popular in the Mexican culture.
Mariachi is traced all the way back to the 16th century. Theatre was a big deal in this time. The instruments used in the theatre were the same as the instruments used in the Mariachi bands. (Mexico, The Melting of Two Cultures, 1991). Most of the common ones would be the harp, trumpet,
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guitar, and violin. Mariachi was founded in the Mexican state of Jalisco.
Here is where groups would travel to play songs in haciendas or large Mexican homes. The Mexican revolution really changed how the the Mariachi bands preformed. They no longer could play in homes anymore so they spent their time traveling from town to town singing and spreading stories of the war. They would normally set up at squares or big celebrations and play for anyone to come listen. (Collins, 2004).
When the revolution finally need in 1910 Mexicans took to Mariachi as pride. The bands sung songs from tales of the war and told stories of great heros. This really made Mexicans stand by Mariachi as their own.
In the 1940s Mariachi started to spread outside of Mexico. Many immigrants were coming over into the U.S. and with them they would bring their music and customs. Mariachi slowly started to become part of the American culture. By the 1950s Mariachi could be hear in cafes and festivals all over the U.S.. Today the southwest part of United States is where it is the most popular. It is heard throughout most of the world.
Today, mariachi music can be found all over Mexico and the U.S., though its popularity in this country is more limited to the Southwest of the U.S.. The musicians of today’s mariachi ensembles are highly skilled, well-trained men and women of all ages. They can read and write music and many of them can play multiple
instruments. During performances they wear fitted black pants, white shirts with waist length black jackets, and black sombreros. Mariachi music can still be heard in cafes and public squares, but it can also be heard at universities and high schools where it has become a part of the curriculum (Ruiz, 2001). There are also many Mariachi contests and conferences. The Tucson International Music Conference is a four day celebration of mariachi music and includes contests, art exhibits, workshops, and all day concerts (Mackey, 1996). Mariachi music is also a key element in many celebrations in Mexico. Weddings, baptisms, quinceañeras, and birthday parties are all normal places to see mariachi bands playing their music. They can be hired and will play a blend of the traditional mariachi music as well as polkas and waltzes. They were forced to incorporate these musical styles into their plan when they began playing for fees at these events because those celebrating wanted a wider range of music for their listening and dancing pleasure. The mariachi and their music hold a great significance to both the listeners and the musicians playing the music. As mentioned above, mariachi music is a source of great national pride for Mexican people. It gained immense popularity during the Mexican Revolution because the music told of heroes and common people doing extraordinary things (Sharp, 2004). This popularity can be compared to patriotic music in the U.S. today. It is also a symbol of national identity for many Mexican people who have immigrated to the United States and other countries. This music reminds them of their native country. They can use this music to identify with others who are in their culture or to introduce their culture to people who are not familiar with it. Besides being a symbol of national pride, mariachi music is also engrained in the lives of the Mexican people. Mexicans have been exposed to it since a very early age at baptisms and celebrations and have heard it major events throughout their lives. One major event which features mariachi music is a young woman’s quinceañera, or fifteenth birthday celebration. This is a very important date for the young girl and celebrates the girl becoming a woman. On the night before her birthday, she is serenaded by a mariachi band. A mariachi band also plays at the quinceañera party. Hearing this music at these occasions makes it a part of their lives. As they grow older and have families of their own, they will play mariachi music, or hire mariachi bands, for celebrations and parties. To the musicians, the mariachi is not just music but a way of life. Like many other professional musicians, they dedicated their lives to studying and performing the music. Since their music is a symbol of national pride, they need to take pride in performing it. They must stay true to mariachi traditions while still being original and fresh. The importance of the music to the people requires those who perform it to be serious and professional while still having a good time and helping the audience to have fun. The most important mariachi band is known as the Mariachi Vargas de Tecalitlan. They were formed in 1897 by Gaspar Vargas and have survived over five generations. The group won many awards and contests during their span and has inspired countless people to pick up instruments. They were also featured on Linda Ronstadt’s album, "Canciones de mi Padre," which was released in 1988. The current group is composed of two harps, one vihuela, one guitar, one guitarrón, two trumpets and six violins (Historia, 2003). Some examples of their work would be The Mariachi Vargas and Guadalajara La Negra Las Mananitas. Mariachi music is important to millions of people in Mexico, the U.S. and other countries. The music is a key part of major events in their lives and is a constant reminder of their culture. The musicians in the mariachi band also hold the music to be very significant, and they play it with the respect that it deserves. Over the past several hundred years, mariachi music has evolved and grown into a major genre of Mexican music and has become a very important part of the Mexican culture. The sound, the setting, and the significance have all changed over the years, but it is still distinctively Mexican, and the roots of traditional mariachi music are still true today. The popularity of the genre has increased during the last century. Today, it can be heard in traditional places like cafes and public squares, but there are also concerts and conventions that attract thousands of fans and span several days. There is no telling how mariachi music will evolve over the next four hundred years, but one thing is for sure. Mariachi music is here to stay, and no matter how time changes the instruments or musicians, the roots of the original mariachi will still be evident. Mariachi music is a vibrant, living musical form and those who are in charge of it, the performers, take great pride in it. No matter what happens in the future, they will not let their roots be washed away.
I went and saw Mariachi Oro de Mi Tierra performed at the Herreras Salon and it was an amazing experience. The whole audience was just so cheerful, and everybody was having a great time. The Mariachi were dressed in black charro suits, and the instruments they had were violins, guitars, trumpets, vihuela, and guitarron. The whole atmosphere was just so lively, and everybody was dress in party attire. The music they played were dance, romantic, and sentimental songs, and the genres were either ranchera, cumbias or boleros. The songs that made people excited were La Bamba (1958), El Rey (1971), Gema (1959), El Mariachi Loco, La Bikina (1964), and Cielito Lindo (1882).
Many countries have the pleasure of celebrating Independence Days. These historic holidays are filled with nationalistic celebrations and delicious traditional food. In Chile, the natives celebrate their break from Spain with Fiestas Patrias. In Mexico, the president begins the celebration by ringing a bell and reciting the “Grito de Dolores” and he ends his speech by saying “Viva Mexico” three times.
The tradition still takes place today in many areas of Mexico. However, some parts of Mexico do the dance a little differently. The dance is more common in the central regi...
The Latin Americans never wanted to be left in this music development. The Latin Americans had their own music, Jazz (Gordon, 2005). They wanted to influence in the development of the music. Soon, Salsa was born out if mixture from the Jazz music and Mambo. Salsa took the bodily movements and the Cuban beats as a contribution from the Caribbean culture. The Latin America contributed the wording of Salsa music. Diversity necessitated the growth of Salsa as Mambo had been viewed with suspicion as it was linked to ghetto status hence it was
School children also often get a chance to try their hands at creating basic Mexican cuisine. In some areas of the southwest, particularly in the city of Los Angeles, celebrations of regional Mexican dancing and music are held. However, regardless of the area of celebration, one could almost certainly find mariachi band filled restaurants, outdoor festivities, and social gatherings with large amounts of Dos Equis and Corona beer for the adults. Cinco de Mayo has evolved into a day that focuses on celebrating Mexican heritage and the Mexican way of life, but still pays homage to the battle that gave way to Mexico’s independence. Whether one is dancing in a large parade, or simply bonding with loved ones, it is important to always recognize the true purpose of Cinco de Mayo, and to remember and thank those who helped secure Mexico’s freedom so many years ago.
It was music of country people that celebrated the joys, the struggles, and the triumphs of the Mexican people. The Mariachi was a version of Spanish theatrical orchestra consisting of violins (usually two), guitars, also called “guitarron”, and a harp. The word “Mariachi” derives from the French word “wedding” or “marriage”. Music and dance were important elements of Spanish theatrical productions, enormously popular throughout the Spanish-speaking world during the colonial period. It was from this group that several of the most distinctive regional ensembles of Mexico developed, including the Mariachi. The musical form and ensemble of the Mariachi developed differently from region to region throughout time. The ensemble that is familiar today began to take shape in the nineteenth century in the state of Jalisco. In other areas such as Veracruz and Huasteca, the northeast region of the country, the ensemble evolved differently. By the end of the nineteenth century, the instrumentation consisted of the cocula or the vihuela, two violins, the guitarron, and two
Tex-Mex is a fusion of Northern Mexico and Southern Texas culture that initiated some time after the Spanish-American war when Texas was originally a part of Mexico. Tex-Mex can be used to talk about food as well as music, a culture in its own community. Tejano music dates far back into the mid-part of the 19th century, starting with a “more pop-oriented urban form relying on keyboards and synthesizer in place of the accordion.” (Broughton, 2000) It is said that this genre of music initiated when German, Polish, and Czech immigrants introduced the accordion, and from then on, evolved into three subgenres of Tejano music. Something that stands out about Tejano music is its instrumentation and orchestration as seen in conjunto, Banda, and grupo, the three subgenres that emerged throughout the spread of time with the influences of many artists
During my visit, I was able to observe different dances that were very interesting. Two dances that caught my attention were the “Toro Mambo” representing the state of Sinaloa and “Payasos of Tlaxcala” representing Tlaxcala. The “Toro Mambo” from the region of Sinaloa is one of the most popular dances in Mexico. The dance is really interesting for the reason that it represents a story in where a bull would dance on a place known as the “mambo.” In this folk dance the dancer do movements at the same paste while trying to imitate how the bull would dance. In this dance the women wear long colorful dresses to represent joy and in order to move the skirts higher. In contrast, the men wear light color shirts and jeans that matches with their partner. In the other side the dance of the “Payasos de Tlaxcala” represents a story of a festival in the region of Tlaxcala. To perform this dance men and women dress like clowns in colorful outfits to amuse the people in the festival. During the dance, the dancers try to satisfy the public by putting humor in the dance and doing crazy movements. This dances are both very great and enjoyable to watch. It is amazing how you could learn so much in a little bit of time and in a beautiful art
The instruments used for this song is of a standard rock band; lead vocalist, electric guitar, bass guitar and drum kit. The genre for this song is determined by the steady and yet simplistic instruments used in this version. An interesting note is that the chorus is in the genre of rock but the verses combine the genres tango and reggae. This could be because merging these three different styles of music attracted the attention of youth more with rock being rebellious at that time and tango and reggae having a heavy beat for that time period. ...
Moving on to listen to bands such as La Mafia, Intenso, and Intocable; singing "Vida" by La Mafia was one of my favorite past times. Even though I could not speak Spanish well, I could always sing it well. I knew that they were regional bands and probably the only kind you could find in the Rio Grande Valley to play for a wedding, quincenera, or party.
Tamales emerged in Central America very early on in human existence. It is unclear in history which civilization actually created the first tamale, although some to which the title has gone are Aztec, Mayan, Olmeca and Tolteca. Tamales were actually created by women to help feed the
Music was also a way to express their anger towards their situation with the United States. They were able to "speak out" against this oppression in subtle ways, and also to push the limits with sexual innuendoes in the music. A perfect example of this was Raphael Hernandez’s "Menealo Que Se Empelota" (Glasser, 151).
What is culture? Many people ask themselves this question every day. The more you think about it the more confusing it is. Sometimes you start leaning to a culture and then people tell you you’re wrong or they make you feel like a different person because of your culture. I go through this almost every day. Because of the way I was raised I love Mexican rodeo but I was born and raised in Joliet. This can be very difficult trying to understand culture. I live in this huge mix of culture. Culture is personal. People can have many cultures especially in America and because of globalization. Cultural identity is not one or the other, it is not Mexican or American. Cultural identity is an individual relevant thing.
Trujillo followed a similar route in which he adopted the music of the merengue cibaeño as the national music. Merengue was not performed in ballrooms outside of el cibao, it was shunned in high society dances and ballrooms until Trujillo made it the national music, “In 1936, Trujillo made an official declaration making the Cibao merengue the official music and dance genre of the Dominican Republic” (Ryan). He hired a band, renamed it la Orquesta de Presidensia Trujillo and made it his personal band. Trujillo had this band tour with him whenever he traveled for political campaigns or other reasons. People were shocked to hear this traditional and rough sounding music in these high society events. By using propaganda, Trujillo managed to bring merengue into the ballrooms and turn Merengue tipico Cibaeño into a national symbol. Trujillo also used merengue to unify the nation, thus homogenizing the