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Gender roles in the middle ages
Gender roles during medieval times and modern day
Gender roles during medieval times and modern day
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The anonymous author, who wrote The Good Wife’s Guide, completed this guide in order to advise his soon to be wife on proper behavior, publicly and privately. I will be writing about chastity, obedience, and appropriate attire of three medieval women. These women in question are Margery Kempe, Joan of Arc, and Beatrice of Planissoles, in which I will come to a conclusion on who deviated the furthest from the authors model of an ideal medieval woman. I will argue that Margery of Kempe deviated the furthest from the author’s model of an ideal medieval woman. First, one needs to see what the anonymous author stated about women being chaste, devoted, and obedient to their husbands. This is imperative if one intends to understand these women’s …show more content…
Her first action that betrayed the rules of The Good Wife’s Book, is disobedience towards her husband and public humiliation. In Margery’s Book, it states, “She slandered her husband, her friends and her own self.” Margery’s greatest deviation is her vow of chastity, which is sacred in the eyes of the author of The Good Wife’s Guide. In Margery’s Book it states, “She went to the man aforesaid, so that he could have his lust […]. This creature was so labored and vexed all night, […]. She lay by her husband, and to commune with him was so abominable to her that she could not endure it, […].” This is the greatest form of unacceptable behavior by the author of The Good Wife’s Guide, and he takes this type of act seriously. The anonymous author praising a woman who did not break her chastity states, “O woman full of faith and great loyalty, who so greatly feared God and the sin of violating marriage that she preferred to die rather than let her body be touched basely!” One can see that the mere intention of having an affair is completely against the authors guidelines for the ideal woman. This is why I believe Margery deviates the furthest because she is the only woman to have an extramarital affair, even if the physical act never took place. The intention is the same as the action in the author’s eyes.
Joan of Arc is the purest woman when compared to Beatrice of Planissoles
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However, I did not pick her because her heretical actions did not exceed that of Margery of Kemp. Beatrice’s one fatal mistake is the intention of being with another man while married. In the Inquisition Records, it states, “After having so often shared his heretical discourses with me in various times and places and invited me to leave with him, […].” However, Beatrice soon regrets her decisions when she realizes the priest’s anterior motives. Beatrice states, “I see now that your invitations to go to the good Christians were intended only to possess me and know me carnally. If I had not been afraid that my husband would believe that I did something dishonorable with you, I would immediately put you in the dungeon.” She also had sexual relations with a priest constantly out of wedlock, after the previous incident, for over a year. The issue of relations without marriage is unclear in The Good Wife’s Guide, but according to the author’s stance on chastity, I would assume that she fails his representation of an ideal woman. I say this because the author would not accept this as an act of an ideal medieval woman. The author believes that women should be upstanding citizens that dress, act, and behave in a proper manner that does not shame their husband, family, or name. This sexual relationship would shame her family name and rid Beatrice of any righteousness.
The English attitudes towards gender are reflected in the literacy works of Margery Kempe and Elizabeth I’s letter to Sir Walter Raleigh. Within these two works, the women, especially, challenge the attitudes towards gender roles. First of all, women were expected to be domesticated, meaning all their duties lied within the home and the marriage. The women were responsible for taking care of the children/family and being obedient to their husband.
Shakespeare represents Beatrice as a very feisty, cynical and sharp woman during the play. We can especially see this when she uses her wit to shock the messenger saying, in act one scene one, that ‘he is no less than a stuffed man.’ This is exceedingly disrespectful to fashion such a rude comment about a man who is just about to arrive back from war. One thing Shakespeare clearly shows us is that Beatrice would not be the ideal woman for most men. To emphasize this he contrasts Beatrice with a weak and quiet character such as Hero who acts upon every mans instruction, we can see this when Beatrice says to Leonato that its her ‘cousins duty’ to say ‘father as it please you.’ Shakespeare makes such a clear contrast between the two women to the extent that Beatrice steals most of Hero’s attention from the other male characters in the play. Furthermore he shows us how Beatrice is perhaps a threat to the patriarchal society at the time, we can see this on page fifty-nine where she implys that it is her duty to please herself, whether or not her father consents. This is unlike Hero, who cannot do anything unless a man is fighting her corner, however Beatrice is willing to
She adds that she’s agreeable with everyone, with him as an exception. Benedick retorts that she’s lucky that she doesn’t love him like all the other women he knows, because he loves no one, especially not her. Beatrice responds, “A dear happiness to women, they would have been troubled by a pernicious suitor.... ... middle of paper ...
A major concern in both the film and the original text is the ‘status of women’. This is represented through the differing roles of women and their denigration within the Elizabethan society. For instance, Hero is accused of committing infidelity; consequently her image in society is tarnished, In addition to this, Claudio insults Hero publicly without even considering confirming the accusation of her being unchaste. This is illustrated through Claudio slandering Hero through the use of usage of Greek Mythological allusions “You seem to as Dian in her orb, but you are more intemperate than Venus in y...
She seems to be unprovoked, but very rigid in her opinion of him. In Leonato's house, the discussion of Beatrice and marriage leads her uncle to conclude that, "Thou will never get thee a husband if thou be so shrewd of thy tongue.... ... middle of paper ... ...
The author portrays Beatrice as being very dominant and strong woman. I believe she protects her cousin and her family from the accusation that has been projected towards Hero as this has insulted not only Hero but also her family. When she is in the tabernacle with Benedict and confessing her love for him....she shows her demanding nature by essentially forcing Benedict to choose between the brotherly love of men and the loyalty of a man to his wife. Beatrice knows that she must destroy Benedict's former male bonding. Her order is therefore a command for Benedict to support her against Claudio, and represents the only way for them to have a mature relationship. Although being quite intelligent, Beatrice does manage to appear gullible when she overhears Hero and another woman discussing Benedict and Beatrice's relationship. So this can be seen that Beatrice does have a softer side as well.
(Essay intro) In the modern day, women have the luxury of belonging to themselves but unfortunately this was not always the case. During his life, William Shakespeare created many positive female characters who defied the traditional gender roles and brought attention to the misogynistic patriarchy of Elizabethan England. One of these true feminist icons is ‘Much Ado about Nothing’s. Beatrice. The women in ‘Much Ado about Nothing’ defy traditional gender roles. Beatrice represents a brave and outspoken woman who defies the oppressive, traditional gender roles for the female sex. Her cousin Hero, however, represents those women who were successfully oppressed by the patriarchy and accepted the traditional gender roles without much complaint.
Feminist critics of Much Ado About Nothing, like Sylvia Townsend Warner, praise Beatrice for being "free and uninhibited" ("Women as Writers," Warner, 272). Beatrice is a strong female character who marries only after asserting her disapproval for the traditionally voiceless role of women in marriage and courtship relationships of the 16th and 17th c. Beatrice is a fearless verbal warrior, and Benedick is her greatest challenger. Their verbal bantering allow for each of their strengths and opinions to show, and together they glory in the challenge of their next duel.
So, while Viola and Beatrice are not completely free of typecast feminine failings, they are not helpless pawns. Although they do not confront their problems with masculine directness equal to their masculine wit, they are nobody's fools.
From the very start of the play Beatrice shows her independence but openly admitting to everyone that she does not, by any chance, want to be married, especially to Signior Benedick. Whom it was hinted at throughout the play had a past with Beatrice and the “relationship” ended up with her being hurt and him going off to battle. She makes it clear in their battle of wits after he says “….But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love no one.” (A1; S1; L122-125). After hearing Benedick say that she then replies with “A dear happiness to women. They would else have been troubled with a precious suitor. I thank God and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me.” (A1; S1; L126-130). This was basically her way of telling Benedick that she does not want someone to swear the love her when in reality the love is not actually there. She would rather not deal with the nonsense of someone who is not true to their word. Even at another moment in the play, Leonato says to h...
The first scene gives good insight to Beatrice’s character. Benedict is telling Beatrice how he will never marry a woman, and he will be a bachelor forever. To this Beatrice responds: “A dear happiness to women. They would else
...God's creature, and craves love as its daily food" (Hawthorne 625). If she is evil, it is only because she was made that way. Her heart is pure. So in the end, the beautiful and innocent Beatrice is betrayed by the man she loved, Giovanni. For Giovanni betrays Beatrice because he thought she was evil, and truly Beatrice is the one who demonstrates to have true love. Beatrice proves to be very human, but with a poisonous body and a loving soul.
The Book of Margery Kempe tells the story of a women who struggles with her sexuality. Margery Kempe feels the need to go on a sexual hiatus due to her paranoia that Jesus is punishing her for having sex. Margery attempts to promise herself to Jesus but her husband continues to have sex with her. In order to go through with her promise, she makes a deal with her husband that as long as they aren't engaging in sexual activity, she will pay his debts. Margery attempts to establish authority in her life through a spiritual exploration. She struggles with her identity as a mother and wife and wishes to gain a new perspective on life. Gender roles, rape culture, and the need for empowerment in The Book of Margery Kempe cause Margery Kempe to
Evaluate and respond to the presentations of women in the Romantic period. Feel free to discuss presentations of women, by women (such as Austen’s Persuasion) as well as presentations of women by men (such as the “she” in Byron’s “She Walks in Beauty”). Consider the following questions: are these presentations problematic? What do they tell us about the values and briefs of the Romantic Period? Do any of these presentations subvert (complicate, or call into questions) the time’s notions of femininity?
He criticizes the unjust female ideals of the patriarchal society which ultimately lead to a tragedy suffered by the innocent Hero, and highlight the objectification of women in a male dominated world. The ideal is contrasted with the strong woman Beatrice, who shows the audience how women can parallel with men, although due to the cruel realty of a patriarchal society, ultimately cannot do anything. The main idea of the play is represented in the character of Hero who lives in a world where purity is overrated