Some say that Marcel Duchamp, also known as Rrose Selavy, is one of the most influential artists of the 20th century. From a young age Duchamp was under a heavy influence of art. For instance, his grandfather “...practiced engraving…” (Lebel). Duchamp’s mother even painted landscapes. This resulted in, “Four of the six Duchamp children [becoming] artists.” (Lebel). Duchamp was influenced by his two older brothers who encouraged him to pursue art. He was also heavily influenced, in his early art stages, by, “...Paul Cezanne…” (Lebel). In 1906, Duchamp moved to Paris at the time when modernism was about to explode. “...[Duchamp] was part of the generation who were influenced and inspired by this revolution.” (Jones). When Duchamp reached the age of twenty five, he started getting influenced by the,”...theater adaptation of Raymond Roussel's Impressions d'Afrique with Picabia and Guillaume Apollinaire.” (“Marcel Duchamp Biography, Art, and Analysis of Works”). The plots of this story and the puns, which Duchamp used in many of his works, are what influenced him the most. He "’felt that as a painter it was much better to be influenced by a writer than by another painter.’" (“Marcel Duchamp Biography, Art, and Analysis of Works”). In this same year, 1911, Duchamp may have also been influenced by, “allusions to homosexual intercourse, Kabbalism and tantrism…” (Girst). Girst says this may have been the only work of art Duchamp …show more content…
He started painting from a young age. At age 15 is when he created one of his earliest works, “Landscape at Blainville”, in this he shows influences of Monet. Duchamp worked as an artist for his entire life, he was involved partially in Cubism in his early career and was a , “pioneer of Dada, a movement that questioned long-held assumptions about what art should be, and how it should be made.” (“MoMA Learning”). Marcel Duchamp created all the way up until October 2, 1968, when he died in his studio at the age of
Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
Jean-Michel Basquiat was born on December 22, 1960 in Brooklyn, New York to parents Gérard Basquiat and Matilde Andradas. Little did they know at the time that Jean-Michel Basquiat would soon go down as one of the most important contemporary painters continuing to leave a legacy for decades to come after his passing. Basquiat would live a difficult life and experience many hardships until he later dies of a heroin overdose, but what he experiences during his lifetime is what shaped the way Basquiat expressed himself through his art. Basquiat’s exceedingly personal and relatable art is what guided him to being such an influential artist. “His work is likely to remain for a long time as the modern picture of
Picasso initiated Cubism at the age of twenty-six after he already had established himself as a successful painter. According to Souch‚re, Picasso led the evolution towards cubism in order to "escape the tyranny of the laws of the tangible world, to fly beyond all the degradations of the lie, the stupidity of criticism, towards that total freedom which inspired his youth." As Barnes notes, Cubism was an art that concentrated on forms, and an artist's job was to give life to that form. Until this goal is accomplished, the Cubist painter has not fully realized his purpose.
Andrew Warhola was born August Sixth, 1928, in Pittsburgh Pennsylvania. He was the youngest son of Julie and Andrej Warhola, both immigrants from Czechoslovakia. After a quiet childhood spent alternately alone and in art classes, Andrew went to college. He then got a job doing commercial art, largely advertisements for large companies. Over time his name was shortened and Andy Warhol changed the face of modern art. Through his silver lined Factory and the many people who frequented it a revolution was born. This paper will discuss some of these people and examine the impact they all made on modern art.
Georges Seurat was a French born artist born on December 2nd 1859 in Paris, Frrance. He study at École des Beaux-Art, which was one of the most prestige art schools in the world, which is also known for training many of the renounced artist we know. George Seurat left the École des Beaux-Art and began to work on his own; he began to visit impressionist exhibitions, where he gained inspiration from the impressionist painters, such as Claude Monet. Seurat also was interested in the science of art; he explored perception, color theory and the psychological effect of line and form. Seurat experimented with all the ideas he had gained, he felt the need to go beyond the impressionist style, he started to focus on the permanence of paintin...
Salvador Dali began his painting career at the age of eight. His parents allowed him to continue his artistic interests because of the influence of the Pichot family, a family full of artists who lived at the Mill-Tower, their family home. Ramon Pichot provided Dali with his first contact to Impressionism. During this early period Dali primarily created still lifes, figure drawings, and landscapes of Cadaques. Dali was also influenced by Juan Nunez, a teacher at a night school for drawing which he was allowed to attend. Nunez introduced Dali to watercolors and etchings. Dali was influenced by Impressionism until 1919. From 1920 to 1921 Impressionism gave way to Pointillism and the use of color. During this time ...
Born in 1881, the son of Jose Ruiz Blaso and Maria Picasso Lopez. Young Picasso at the start of age 7 had lessons involving art from his father. His father taught figure drawing and oil painting to him at that point. Pablo started his first oil paintings as portraits of his family eventually doing caricatures of villagers. By 13 he was working on his own oil paintings. In 1895 he lost his younger sister to diphtheria. (Pablo Picasso's Early Life - Before 1901).
Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.
One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought about the greatest amount of controversy.
René Magritte is a 20th century Belgian Artist. He was influenced by André Breton -a writer known as the founder of surrealism-for his 1924 Surrealist Manifesto, Sigmund Freud-a neurologist-for his psychoanalysis that repetition is a sign of trauma. He studied at the Académie des Beaux-Arts in Paris between 1916 and 1918.1 After leaving because he thought that it was a complete waste of time, and upon meeting Victor Servranckx-a fellow artist who introduced Magritte to futurism, cubism and purism-Jean Metzinger and Fernand Leger had a large influence on his early works of cubism.
Duchamp and Stein rely heavily on illusion to move audiences from the constraints of conventional art to a modernist mindset of viewing art for what it is instead of a representation of something else. These two artists accomplish this idea through the speed and rhythm contained in each work, unlikely associations made between the elements of each piece, and the creation of multiplicity and simultaneity within each work.
Gustav Klimt (GUUS-tahf klimt), perhaps best known for his controversial style, came from humble beginnings and was trained in classical style. After years of serving as an architectural painter of murals throughout Vienna, he was criticized for his overtly erotic style. This criticism served as a turning point in his career. He then revised his own sense of artistic value that ultimately led to his fall from the conservative academic art world to self discovery with an inventive and versatile style that is untouched to this day.
During the 1920s, new technologies changed culture around the world. This period of rapid development was known as the Jazz Age. During the Jazz Age, new styles of art and architecture were created (Hewes; Ellis and Esler 527). The Bauhaus, a school building, was a major contributor to the changing art forms in the fields of art, architecture, and technology (Craven).
It’s interesting to note what happened to the art world after Duchamp revolutionized art into meaninglessness. Artists seem to be exempt from the moral laws that are binding to ordinary people. Everything is O.K. under art’s magic umbrella: rotting corpses with snails crawling over them, kicking little girls in the head, rape and murder recreations, women defecating. Where does it stop? What is art and what is porn? What is art and what is disgusting? Where is the line? There isn’t one anymore. The effect of Duchamp’s pranks was to point out that anything could be art. All it took was getting people to agree to call something art.