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Concept of gender and gender and sexuality in literature
Feminist perspective sex in literature
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Manuel Puig’s Kiss of the Spider Woman is the compelling story of two prisoners: Molina, an eccentric gender-ambiguous window dresser and Valentin, a well-educated and articulate revolutionary. In this post-modern novel, the two characters speak only in dialogue; there is no narration. The two spend their days in a jail cell talking about films and their own lives in attempt to escape from the hard realities of their lives. In doing so, they often bring up Gabriel, a married, heterosexual waiter that Molina is one-sidedly infatuated with. Puig uses the character of Gabriel to comment on the use of storytelling as escapism, comment on the alienation of individuals and meaningless of existence and deconstruct gender norms and society’s notions …show more content…
According to Molina, Gabriel is the epitome of the masculine man. When Valentin asks Molina the definition of masculine, in regards to Gabriel, Molina responds, “The nicest thing about a man is just that, to be marvelous- looking, and strong, but without making a fuss about it, and also walking very tall. Walking absolutely straight, like my waiter, who’s not afraid to say anything. And it’s knowing what you want, where you’re going” (61). This weighty description of a man is completely dismissed by Valentin, who calls it a “fantasy” (61). Although Molina disagrees, Valentin’s theory remains triumphant as Gabriel is disclosed as being uneducated, unhappy and unambitious as he, “isn’t very disciplined at all, it seems” (67). The deconstruction of the idea of a masculine man is extended when Molina points out to Valentin that his, “wife made more than he did. She was a secretary in some company and slowly got to be some sort of executive, and he didn’t go for that too much” (69). Molina, who is unhappy with this idea reflects society because society puts undulated pressure on men to be the stronger sex. The fact that Gabriel fails to the be the “stronger” one but is still a man in Molina’s eyes shows Puig deconstructing gender norms. Puig is also able to demonstrate the dangers of homosexuality mimicking heterosexuality. According to Altman, “when homosexuality copies the norms of heterosexuality, it becomes repressive and ceases to be radical” (154). Molina, wishes for him and Gabriel to be like a heterosexual couple, living together, helping one another. Through the failure of this along with Gabriel’s lack-luster relationship with his wife, Puig demonstrates that they are both able to remain radical. As a matter of fact, to Molina, sex is meaningless’ it is more a biological need, a part of nature. He keeps telling Valentin, “it’s
Martinez’s logic is established throughout the article. She appeals to the reader’s sense of self and indignation. Most of us do not like to be talked down to. She persuades the reader to think about what it would feel like to
WEESR, KHATHERINE. “Tu no Eres Nada de Dominicano”: Unnatural Narration and De-Naturalizing Gender Consruction in Junot Diaz’s The Brief Wondrous Life of Oscar Wao. “Journal Of Men’s Studies 22, no.2 (Spring2014 2014): 89-104. Academic Search Complete, EBSCOhost (accessed November 30,
Through the artful use of careful diction, emotional stories, and persuasive structure, Carmen Vàzquez made her argument very clear. She found that gender roles and the state of homophobia in today’s society was unacceptable, and requested the reader’s cooperation in the struggle to reform society’s views. “Appearances” is an excellent example of an essay with an effective delivery of an argument. This manipulation of language may one day inspire a change in the views of society.
The antagonistic nature of man verses woman is illustrated through Allende’s description and reactions of Clara and Esteban. Men and women are at the opposite ends of the spectrum of human nature, women know that men like to think they are in charge, because it gives them power, so women give into this little whim for the peace of mind and happiness that are essential in any relationship. Their instincts make their influence much more threatening and rebellious than the rage of one man who does not get his way. The women of Allende’s world are vibrant, spiritual, sensible and loving, the men are volatile, strong, and passionate, while they may be stereotypical, they help portray the true nature of man verses woman. Women may be physically weaker than men but they can match wits and daring with them any time.
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
The idea of masculinity is seen especially through Miguel Grande, Miguel Chico’s father. He is described as a big, dominant, hardworking policeman, and family patriarch. As a father, he wanted his son to grow up and be rough and tough, not shedding a tear in front of anyone. “He felt like crying and running away, but his father
Although it is ultimately revealed that Oscar and Yunior are close with each other, Yunior’s pure embodiment of the Dominican masculine is the complete antithesis of Oscar’s character, who is the opposite of anything that could describe Yunior. One good analogy to the hyper masculine identity of Yunior is to that of the personality of Trujillo, the repressive dictator of the Dominican Republic who oversaw the Haitian parsley massacre. Trujillo had a strong lust for women and a rather apparent tendency for violence, and as some sources (i.e. Masculinity after Trujillo, by Maja Horn) argue, the modern conception of masculinity in the country came to full bloom after his rein. Interestingly this was the period of time that Beli grew up in, and a substantial part of her childhood experience was suffering at the behest of Trujillo’s suppressive regime, and consequentially this contributed to her hefty and dominant
Federico García Lorca’s poem “La casada infiel” depicts the story of a gypsy who makes love to a married woman on the shore of a river. When looking deeper into the poem, Lorca appears to provide a critical observation on the values of the conservative society at the time in which he lived. The woman, at her most basic reading, is treated as an object, elaborating on the sexist values in society at the time. Lorca addresses issues of sexism as well as issues of sexuality within society mainly through the poem’s sexist narrative voice, objectification of the female character and overriding sense of a lack of desire throughout the poem. His achievement to do so will be analysed throughout this commentary with particular attention to Lorca’s use of poetic techniques such as diction, personification and imagery.
systematic injustice denies us that right? What happens when the rules of the state impede on the lives of the individual? How does this trickle down and affect our innate desire for love?
Quimet’s attitude towards Natalia throughout their relationship enhances the man’s dominance in the Spanish culture. In the novel, Quimet, “delivered a long sermon about men and
In this novel, the society is centered around dichotomies; “youth and dotage” (Balzac 67), “the young man who has possessions and the young man that has nothing” and “the young man who thinks and the young man who spends” (87). Any person who falls outside of either box is called a “[child] who learn[s]… too late” or can “never appear in polite society” (87), essentially meaning they are undesirable in a formal society because they cannot follow expectations. The titular character, Paquita, is an “oriental” foreigner, from Havana, domesticated in Paris when she was sold to a wealthy woman who desired her. She fits into no culture entirely, as she is “part Asian houri on her mother’s side, part European through education, and part tropical by birth” (122). She is bisexual, choosing neither men nor women over the other. She is controlling, dressing Henri in women’s clothing (119), but controlled as she is reduced to a possession. However, there are ways in which a person can still be desired even if they are not easily pigeonholed. With her golden eyes and sensuality, Paquita fulfills both of the main pursuits of this society, “gold and pleasure” (68). Consequently, unlike the Marquis and his irrelevance in society, Paquita is highly sought after, thus making her a valuable commodity. Her desirability is not because of who she is as a human, but instead what
The picture of Gabriel's marriage with Gretta emerges from the above psychological description of Gabriel, that is, superficial happiness and substantial crisis.
The machismo expected of Latino men is exemplified by Santiago Nasar. Machismo men as stereotypically thought of as strong, rich, loud, and as womanizers. They are often associated with violence. Nasar would be a prime example of this because in his closet he has a “Mannlicher Schoenauer, 30-.06 rifle, a .300 Holland & Holland Magnum rifle, a .22 Hornet with a double-powered telescopic sight, and a Winchester repeater.” (Marquez 5). This is ironic because even with a multitude of weapons Nasar ends up dead. The irony of this highlights Marquez’s criticism of the violence aspect in machismo. The details suggest that weapons were important in the Colombian culture because they are accustomed to violence and expect it from the men. Another example of the importance of weapons and violence in the Colombian culture is how ‘“in the country [Nassar] kept a .357 Magnum on his belt, and its armored bullets, according to what he said, could cut a horse in the middle,” (5). The hyperbole emphasizes the strength of the bullets which corresponds to how people expect the men to strong. The pattern of weapons in the novella illuminates the idea that weapons and violence are a part of machismo, which the character Staniago Nasssar symbolizes. Another important aspect of machismo is being able to take care of one’s family. Nasar does this after his father’s death; his...
The story of Marcela is first encountered second hand through a male character who describes her in the most negative way. In his criticism “Competing Narrative Discourses: (fe)male Fabulation in the Episode of Grisóstomo and Marcela,” John P. Gabriele agrees that Marcela is misinterpreted by the male characters who describe her to Don Quixote (509). The men plea that she is very cruel and “does more harm in this land than the plague” (Cervantes 85). Even though Marcela has asserted her independence and rejected a countless number of men desiring to obtain her love, the men still objectify her by “waiting to see where her haughtiness will end and who will be the fortunate man to conquer so difficult a nature” (Cervantes 85). Referring to her as something to be “conquered” demonstrates how women were respected as nothing more than property and a source of pride. Yvonne Jehenson describes Marcela’s situation as “a male fantasy, a microcosmic image of man’s gender-inflected wish fulfillment” (Gabriele 510). This explains why the men have so much built up frustration towards Marcela for being the complete opposite of their